Last year, President Obama’s favorite Philly garage-revivalists Low Cut Connie placed pretty damn high on our Best Covers of 2017 list. The choice cover, a rollicking roar through Prince’s “Controversy,” came out on their album Dirty Pictures, Part 1. Well, Dirty Pictures, Part 2 was just released, and it includes another killer cover, this time of Alex Chilton’s “Hey! Little Child.”
The source material shift to Mr. Big Star from Mr. “Baby I’m a Star” couldn’t be more pronounced, but in Low Cut Connie’s hands the songs find common ground as barn-storming, beer-chugging, piano-smashing rock and roll. A new video features the band drinking and jumping around and acting like animals, which is pretty much what they’re like in concert too (plus more climbing atop pianos).Continue reading »
Over the weekend, Howard Stern’s SiriusXM show aired a massive set of 25 new David Bowie covers by big names across classic rock (Peter Frampton, Todd Rundgren, Daryl Hall), 1990s alternative (Garbage, Smashing Pumpkins’ Billy Corgan, Slipknot’s Corey Taylor), and current indie favorites (Dawes, Car Seat Headrest, Sun Kil Moon). Gems abounded, but we’ve picked out the best eight covers of the bunch.
They are, not coincidentally, the songs that changed the most from the originals. David Bowie was constantly reinventing his sound, so it seems wrong to cover his songs too faithfully.Continue reading »
Follow all our Best of 2017 coverage (along with previous year-end lists) here.
Year-end lists are a time to look back. That’s something we’ve been doing a lot of this year.
See, we turned ten years old in 2017 – practically ancient in internet-blog terms – so we’ve indulged in what we feel is well-earned nostalgia. At the beginning of the year, each of our writers picked the ten most important covers in their life (see them here and here and here and here and here and here and here and here and here and here). We even listed the ten most important covers in Cover Me‘s life, from the song that inspired the site to our very first Best of the Year winner.
Then, to cap things off, in October we commissioned a 25-track tribute to the cover song itself – which you can still download for free. We love the covers everyone contributed so much, incidentally, that we didn’t consider them for this list. It’d be like picking favorite children – if you had 25 of ’em.
Oh, and have I mentioned I wrote a book? … What’s that you say? I mentioned that constantly? Well, I’m quite proud of it. It’s called Cover Me: The Stories Behind the Greatest Cover Songs of All Time and it makes a great Christmas gift and – ok, ok, I’ll stop. You can find plenty more about it elsewhere.
Suffice to say, there’s been a lot of looking back this year. And we hope you’ll indulge us this one last glance rearward before we leap into 2018. Because if it’s been a hell of a year for us, it’s certainly also been a hell of a year for the cover song in general. Some of this year’s list ranks among the best covers we’ve ever heard, period. So dig in, and thanks for your support this past decade.
Last night, Brooklyn’s Music Hall of Williamsburg held an epic Leonard Cohen tribute show, bringing together Cohen’s peers and younger admirers for a 22-song blowout of tribute covers. From a killer instrumental opener of “Hallelujah” by Delicate Steve – a smart move, getting that out of the way up front with a left-field guitar version that doesn’t attempt to compete with Jeff Buckley – the sold-out crowd sang along to Cohen many profound lyrics, and a few of his profound ones too (Lenny Kaye of the Patti Smith Group led a rousing holler through Cohen’s dumbest song, “Don’t Go Home with Your Hard-On”).
Many of performers had personal Cohen stories to share. “I met Leonard Cohen at a BBC session in 1967 – but I can’t remember anything about it,” Richard Thompson quipped, while Josh Ritter told a yarn about chasing Cohen down an alley backstage only to run headfirst into a truck and miss his once chance. Richard’s son Teddy Thompson recalled Cohen once asking him what he was working on. When he replied that he was making a country album, Cohen said cryptically, “I went country myself, once…” Thompson then covered one of Cohen’s most country songs, “Ballad of the Absent Mare.”Continue reading »