The Velvet Underground continues to be a popular source of material for cover songs (as recently noted here and here). However, this may be the first time that The Velvet Underground and Lou Reed have been covered at the Grand Ole Opry. Elizabeth Cook, like any country artist worth her weight in cowboy boots, can flat out rock when she wants to, only to shift gears and deliver a soft, sincere song, like “Pale Blue Eyes,” without being too saccharine.
It’s no surprise that the music world is still reeling after the death of Lou Reed, a true rock and roll troubadour. In the wake of Reed’s death, artists have joined together to celebrate his life and honor his legacy.
Listening to Courtney Barnett’s narrative style of solo work (prime example: “Avant Gardener”), it’s clear a Lou Reed influence is at play. So perhaps it’s no surprise that, when teaming up with folk veteran Billy Bragg, the two would turn to The Velvet Underground. Barnett opened for Bragg on his recent Australian tour. They took time together to record “Sunday Morning” for RocKwiz, the Australian TV show.
Doo wop and early ‘60s pop may not be the first things that come to mind when you think of Lou Reed, but, listening to his early work with The Velvet Underground, all of that – and much more – is there. Like The Velvet Underground did a couple of generations ago, Hollis Brown, a five-piece band from Brooklyn, clearly draws on a variety of influences to craft a classic rock and roll sound.
“I will now sing to you the 2013 song of the year,” Patti Smith said at her 67th birthday concert last week in NYC, then launched into a moving – not to mention unexpected – cover of Rihanna‘s “Stay.” Never one to cover a pop song ironically, Smith and pianist Tony Shanahan delivered the lyrics with poise and purpose, even when nerves caused her to forget a few of the words partway through.