Apr 172015
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

Of all the songs inextricably linked to moments in movies, few pairings initially appear more incongruous than the closing minutes of Real Genius that follow Lazlo driving away in his mobile home after a house has exploded due to a space laser and a giant tin of Jiffy Pop. As Roland Orzbal sings about hating “this indecision / married with a lack of vision,” neighborhood children fill wagons with edible detritus and Val Kilmer laughs in slow motion, biting popcorn snowflakes out of the air.

Though illogical, the scene is far more successful than the song’s on-the-face-of-it-more-fitting incarnation as a spooky Lorde cover on the soundtrack for the second installation of The Hunger Games. The reason children playing in popcorn works better than children forced to kill children is simple: the song isn’t about the fact that “everybody wants to rule the world” so much as it is about the more heartening notion that “when they do / I’ll be right behind you” and that we’ll be “holding hands as the walls come tumbling down.”
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Dec 182014
 

Follow all our Best of 2014 coverage (along with previous year-end lists) here.

A few months ago, I read an interesting interview with an artist named Nouela. You probably haven’t heard of her, but you may have heard her music. She’s become a specialist in a weird but growing niche: covers recorded for movie and television trailers. Whether doing a piano “Sound of Silence” to promote a new HBO show or a brooding “Black Hole Sun” to promote Liam Neeson punching people, she’s found a quickly-growing way of getting her covers out there.

It struck me as part of a growing trend we’ve seen. More and more great covers seem to come from unexpected places. Sure, you’ve got still your standby sources, your b-sides, tribute albums, and radio shows. But new avenues for covers have increasingly crept in. This year saw a Sam Smith cover that is only available to hear under Grey’s Anatomy dialog (thankfully he’s recorded a few live versions too) and a whole covers album recorded to plug a Canadian TV show. Brands have fully embraced covers too, most recently My Morning Jacket’s “This Land Is Your Land” recorded for North Face ads, or Charli XCX and Bleachers trading covers for Kia.

We don’t care where they originated when we make our year-end lists, though, and we would up with some of everything. In our top five alone, we’ve got a live radio session, a deluxe-edition bonus track, and a cover hiding in plain sight on one of the most acclaimed country records of the year. You have to keep an eye on more places than ever to spot the best covers these days. Wherever they come from, we’re glad to have ’em.

Click on over to page two to begin our countdown, and thanks for reading.

– Ray Padgett, Editor in Chief
(Illustration by Sarah Parkinson)

Sep 232014
 

They Say It’s Your Birthday celebrates an artist’s special day with other people singing his or her songs. Let others do the work for a while. Happy birthday!

When it comes to religion and spirituality, I still haven’t found what I’m looking for. The paint-by-numbers elements of most religious rituals leave me cold. I am not moved by scripture, nor am I frightened by hellfire and brimstone preachers – all fury, self-righteousness, and condemnation, their empty words matched by their outstretched empty palms.

In my darker and much more cynical moments, I wrestle with the notion of a human soul. Does a soul really exist, or is it something that we conjured up to serve as a salve?

And then I remember Bruce Springsteen.
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Feb 262014
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

In the 1980s, there was one artist that Minneapolis became known for. And that was Prince.

But if you took the bus to the bad part of town, watching the blight and the snowy misery go by through fogged up windows, you would eventually spot a burned-out, abandoned, and graffiti-tagged little red Corvette: perched up on blocks, stuffed with liquor bottles in the back seat, and harboring a coffee can in the front filled to the brim with cigarette butts. If you opened the door, you would find a floor littered with cassettes. K-Tel. Kiss. Big Star. And if you ran the VIN number, you’d find the owner to be the Replacements.
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