Jul 252017
 
linkin park covers

It’s sad that the incredible talent given to many musicians is burdened by demons such as addiction, anxiety, and depression. It’s sad that so much of the music that they give us is inspired by struggles that fuel those demons and can feel so unsurmountable. It’s sad to think of all of the people those musicians have helped with their music, only to succumb to the darkness themselves in the end.

We have lost another great musician with the passing of Chester Bennington. Bennington’s band Linkin Park realized the climax of the so-called nu-metal movement with their album Hybrid Theory, which successfully brought to the mainstream a combination of metal and pop (hence the “Hybrid”). The style that Linkin Park created resulted in accolades for the band and their albums as they continued to explore combining musical styles. Ultimately, though, it was the intensity, emotional depth, and point blank honesty in Bennington’s lyrics and delivery which resonated with so many.

A particularly gorgeous rendition of one of Linkin Park’s songs is Scott D. Davis‘s piano take on “In the End”. The melody is highly effective even without the support of a band. Continue reading »

Oct 162012
 

LP, who delivered that amazing “Halo,” covers the Mars Volta on ukulele. As if that wasn’t weird enough…it was performed in a bat cave (quietly, I would imagine).
Continue reading »

Jun 122012
 

Soon to be married, singer-songwriters, Carissa Rae and Michael Alvarado, have also  joined forces musically forming the new duo Us. After a few successful YouTube and single collaborations, the pair has decided to release an album under their new name. Their first release was a cover of Rihanna and Calvin Harris’ “We Found Love.” Continue reading »

Jul 052011
 

Nu-metal titans Linkin Park take a lot of flack, most of it entirely deserved. When we saw they covered Adele’s breakout smash “Rolling in the Deep” at London’s iTunes Festival over the weekend, we got ready to laugh. Would it be a rap-rock atrocity? A techno-laced shredder? None of the above. In fact, it’s what we expected least of all: good. Continue reading »

One Year!

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Oct 212008
 

It’s a big week here at Cover Me: our one-year birthday. Not only that, but today is yours truly’s birthday (though I’m older than one). So though it’s been a rough week for cover bloggers, with bowhowdy getting his files taken down and Fong getting a cease-and-desist letter, let’s celebrate these two birthdays with some tunes. I was going to do a theme on birthdays or celebrations, but thought, this is a special week that deserves special treatment. So for the first time ever, I’m saying to hell with a theme. I’m going to post what I want. Many of these are among my favorite covers ever; others are just some I’m into right now. Enjoy all of ‘em, and here’s to another good year of music!
-Ray

Billy Stewart – Summertime (Gershwin Brothers)
If you held a gun to my head (please don’t) and made me choose my favorite cover ever, I’d probably mutter something about this one. The song’s an old classic, a beautiful song, but one I often find rather dreary. As people drone on and on, you wonder if they enjoy the summertime so much, why do they sound so depressed? Not the case with Stewart, who bebops his way through shrieks, scat vocals, and false endings to blast the sound of summer right into your eardrums. And this version has Bob Dylan introing the song too – bonus! [Buy]

Jamelia – Numb (Linkin Park)
I originally discovered this tune on the sadly-defunct Copy, Right, the blog that pioneered the cover tune before any other. This song was huge for a while, and then quickly forgotten as a relic of our angsty middle school years. Jamelia breathes a second life in it, keeping the energy but bringing out a tune buried deep in the faux-anger of the original. [Buy]

We Are Scientists – Sie Hat Was Vermisst (Bela B.)
Love them though I do, in many way We Are Scientists is a predictable brand, jaunty rock with pop hooks in the vein of Franz Ferdinand. On their cover choices, however, they take elaborate risks, having improbably successes with everything from Boyz II Men to Sigur Rós. The most risky must be this, an obscure song by a solo album of the popular German punk group Die Ärzte. How these scientists even discovered this tune is a mystery itself, but you don’t need to understand the words to hear the dark tension. [Buy]

Jars of Clay – All My Tears (Julie Miller)
Now here’s something a little more uplifting, a gospel tune by these Christian rockers that, if you believe this stuff, might bring tears itself. [Buy]

R.E.M. – First We Take Manhattan (Leonard Cohen)
My favorite Leonard Cohen song, I posted Kid Harpoon’s riotous cover in this blog’s infancy (this post, though the link’s dead), but this one is a slow-builder, taking six minutes to pound away at your resistance. It sounds so much like an R.E.M. song I’m wondering if Cohen plagiarized. [Buy]

Patti Smith – Gloria (Van Morrison)
Smith adds enough of her own words that it’s practically an original, but her version’s true heart still lies in its punk take on Van the Man. Hers is a sneer for the ages, a sound of its time and above it that sound fresh and vibrant today. [Buy]

Elliott Murphy – Blind Willie McTell (Bob Dylan)
Live covers are a risky business. When an artist goes to the effort to record a cover on an album, it usually shows that they have something new to bring to it. In a live show, however, people can play whatever the hell they want. Of Montreal’s much-talked about take on “Smells Like Teen Spirit” must have been a blast for everyone there, but for those of us that missed it, it just sounds like another boring cover of “Smells Like Teen Spirit.” Exceptions like this make live covers worth seeking out yet. One of my favorite Dylan covers ever, this acoustic duet features fabulous fretwork that perfectly matches Murphy and his unnamed companion’s crescendoing voices. [Buy]

Sharif – Disturbia (Rihanna)
Sure, saying this is one of my favorite covers of all time may be a bit of a stretch, but like many I haven’t been able to get this tune out of my head for weeks. I posted a cover of it last week. Here’s another. [Buy]

Everything But The Girl – Downtown Train (Tom Waits)
Rod Stewart’s version makes you vomit. This one may make you weep. [Buy]

Bruce Springsteen – Detroit Medley (Mitch Ryder, et al.)
Let’s bring in the new year of blogging on a hard-rocking note. Springsteen is unmatched at 50’s covers, and this live favorite never fails to get me dancing. Good golly, miss Molly! [Buy]

Dirty Pop

 Posted by at 11:40 pm  No Responses »
Nov 032007
 

Doing a 180 from the last post’s Dylan covers, today we’re gonna showcase covers of the lowest of the low, the pop song. We’re talking the song that’s written by a team of middle-aged men for some dimwit nineteen year old to auto-tune her way through. Basically, everything you hear on the radio these days. As you might imagine, take away the elaborate production and the irritating fact that someone’s making a killing with these songs, and you wind up with lots of potential for fun covers. With comps like Pop Goes Punk selling big, the pop cover is almost a genre by itself. Here it is, done right.

Jenny Owen Youngs – Hot In Herre (Nelly)
Probably my favorite of the bunch, it takes a real talent to turn a rap song into a…non rap song. But she does it, adding a cutesy tune that is fabulously inappropriate for the lyrics, complete with awkward white-dude backing vocals. Finds like this are why I follow covers.

The Mountain Goats – The Sign (Ace of Base)
A folky duet by a group that seems to be enjoying this one a little too much. The lead singer was quoted as saying this was not supposed to be a joke cover, but rather should bring out the lyrical quality of the original. Whatever.

Willie Nelson – Time After Time (Cyndi Lauper)
If you didn’t know the original, you’d be hard-pressed to figure out this wasn’t a Willie Nelson song with a particularly catchy melody. He plays with the rhythm of the chorus in a way that throws you at first, but works.

Matt Weddle – Hey Ya! (Outkast)
A Youtube sensation, this version takes the quirky pop sensation and plays it straight, an irony-free meditation on hype and failure. When people perform pop songs as if there’s a deep meaning, 99% of the time they sound like idiots. This is the other 1%.

Jamelia – Numb (Linkin Park)
This was on pretty constant rotation for weeks after I discovered it at Copy, Right. Stripping down the heavy-handed production of the original in favor of heavily-strummed acoustic guitars (perhaps the main staple of good pop covers) reveals an incredibly catchy melody.

Shawn Colvin – Crazy (Gnarls Barkley)
One of today’s premier cover artists, this one floated around the blogosphere when it came out last year. It’s very tightly done, if perhaps a little precious.

The Raconteurs – Crazy (Gnarls Barkley)
And, on the exact opposite end of the spectrum, we have Jack White’s side project here. They performed this live a few times in ’06, including this version at Lollapalooza, thrash-rocking it out with some banshee squealing choruses.

Fountains of Wayne – Baby One More Time (Britney Spears)
Sounds about like what you would think Fountains of Wayne doing a Britney Spears song might sound like.

Nickel Creek – Toxic (Britney Spears)
More modern Britney here, this one’s a little love or hate, with fiddle, banjo, and loads of falsetto. I love it.

Dartmouth Aires – Ask the Lonely (Journey)
What pop cover set would be complete without a little Journey, the definition of guilty pleasure? And with a soloist who can belt it like just like Steve Perry, it doesn’t get better. [Note: Apparently Journey’s just good for acapella; Petra Hayden (formerly of the Decemberists) does a nice Don’t Stop Believing.]

Astrid Swan – When You Were Young (The Killers)
I feel like I’m showing all my cards in this entry, as many of these are among my favorite covers ever. The piano by itself would be pretty enough; add on top of it her gorgeous voice and you’ve got a version better than the original.

The Mooney Suzuki – Just Like Jesse James (Cher)
Just released on the album Guilt By Association, it’s another one that sounds so perfect for its context that it’s hard to remember it used to be very, very different.

Hurra Torpedo – Total Eclipse of the Heart (Bonnie Tyler)
The rhythm is off, the guitar playing is out-of-tune, and the vocalist can’t sing. But it’s being played by the leading Norwegian kitchen appliance band, so really what more do you need? (Don’t believe me…to youtube!)

John West – Umbrella (Rihanna)
There are a billion cover versions of this already, by everyone from Mandy Moore to Tegan and Sara, but the cello in this one makes it better than most. It takes the über-catchy factor out of the song, making it an acoustic slow jam that rocks you to sleep.