Oct 092017
 
american girl covers

On Friday, we rounded up the best Tom Petty covers to come since his passing. And today, we begin to dig deeper into the archives for a series of Petty tributes featuring older covers.

Petty tended to write songs more crisp and economical than many of his peers – no Dylanesque word salad or proggy flights of weird instrumentation – which lent themselves to abundant covers. You could play any number of Petty songs within a few months of picking up a guitar (being able to solo like Mike Campbell – well, that might take a little longer).

There are many amazing Petty deep cuts to mine. Why, just in the past year we’ve heard two fantastic covers of songs from his obscure 2006 solo album Highway Companion (by Jane Kramer and The National). But we figured we’d start with a classic, a song so obvious I was frankly surprised to dig through the archives and discover we hadn’t given it the Five Good Covers treatment years ago. Well, better late than never. Rest in peace, Tom. Continue reading »

Oct 062017
 
tom petty posthumous covers

Last Monday, America woke up and didn’t want to get out of bed. There was yet another senseless massacre, this time in Las Vegas. Even more traumatic for us music fans, it took place in our church, at a concert venue. Later in the afternoon, the news broke that Tom Petty had died, and, a few hours on, that Tom Petty had died a second time. It was like we were getting sucker punched over and over again.

His words made us feel better: that losing is part of life, but we should never give up hope. That the world may drag us down, but people will be there for us. And that we should be free to chase our dreams, whether it be deep within ourselves or making them part of the world. We shouldn’t back down because Tom wouldn’t. To bullies, to being ostracized, and to being anything but ourselves.

Petty was a classic rock and roll survivor, ruling radio in the 1970s, winning MTV video music awards in the ’80s, and writing the song that came back from the dead to be the only happy moment in Silence of the Lambs in the ’90s. He recorded some of America’s most anthemic and heartfelt music, and although his later output declined some, he never slowed down, collaborating in the supergroup The Traveling Wilburys and becoming Johnny Cash’s sideman with the Heartbreakers, reforming his old band Mudcrutch, and endlessly touring.

Upon the news of his death, artists starting playing tribute covers immediately, both in the studio and onstage. I’ve listened to a few dozen over the past few days. Here are my favorites. Continue reading »

Oct 312016
 
LarkinPoe

Elvis Costello’s recent Detour run (detour… de tour… get it?) was billed as a solo gig, but for half of the show I caught, he wasn’t up there alone. Flanking him was his opening band, the duo Larkin Poe. For instance, here’s the trio on one of Costello’s classics, “Blame It On Cain”:

You can see why Costello has come to depend on them so much at these “solo” dates; he even turned over lead vocals on an unreleased new song, “Burn the Paper Down to Ash.” Larkin Poe’s opening set was every bit as impressive – the fact that they still had energy left to join Costello after it, even more so. Atlanta sisters Megan and Rebecca Lovell stormed the stage, making a mandolin and steel guitar howl and holler with a blues-rock fever. They’ve earned themselves the tagline “the little sisters of the Allman Brothers,” and for good reason. Continue reading »