Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.
Here at Cover Me Q&A, we’ll be taking questions about cover songs and giving as many different answers as we can. This will give us a chance to hold forth on covers we might not otherwise get to talk about, to give Cover Me readers a chance to learn more about individual staffers’ tastes and writing styles, and to provide an opportunity for some back-and-forth, as we’ll be taking requests (learn how to do so at feature’s end).
Today’s question comes from Cover Me writer Jordan Becker: What cover song made you reevaluate your feelings about the original?
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It’s been over six months since we have seen a Lady Gaga cover here on Cover Me, and Folly and the Hunter must have realized that is simply not OK when they decided to perform this cover. OK, maybe the cover was recorded as a thank you to one of the band’s indiegogo contributors, but we still at Cover Me are very grateful. Continue reading »
You might not be familiar with UK singer-songwriter Stella Le Page, but she sure is familiar with some of your favorite artists. Her musical resume includes skills on the piano, keyboard and cello, as well as her former position as synth player for Primary 1 and cello player for Plan B. She hasn’t released a CD yet now that she’s broken out on her own, but she was kind enough to deliver an extremely well done cover song EP titled Home Covers. The EP includes 8 full length songs, including covers of pop superstars Robyn and Lady Gaga, as well as indie-alternatives like James Blake and Little Dragon. Continue reading »
Every Wednesday, our resident Gleek Eric Garneau gives his take on last night’s Glee covers.
In “Mash Off,” New Directions and rival glee club The Troubletones square off in a friendly competition to see who can produce the best mash-up in preparation for the upcoming sectionals competition. But what starts as jovial quickly turns sour, especially for Santana (Naya Rivera), who’s sitting on a pretty big secret that’s about to come out.
It’s about time for Glee‘s annual mash-up episode. I’ve talked before about how much I enjoy it when Glee travels down that particular road, so I’ll just give a quick recap here: mash-ups give Glee a chance to do something it rarely does otherwise, which is get creative with song arrangements. That’s because the show has no choice; these mash-ups have no precedent and are invented specifically for these episodes, which means they have to be at least somewhat creative, even if that creativity’s misdirected. Continue reading »
Cover Me could probably have a new category added to the site just to handle all the Lady Gaga covers. For better or worse, the pop goddess’ songs have come to define mainstream music over the last couple years, and if you’re a young artist looking for a catchy (or ironic) cover, her stuff is a good place to start. Or maybe you’re a living legend of rock guitar and you’ve been making hits since the ’60s. Well, you too can cover Gaga. Continue reading »
You’re not seeing double. The indie pop-rock duo, HelenaMaria, is comprised of identical twins Helena and Maria Mehalis. The two recently covered Lady Gaga’s “Marry The Night” for the Gaga edition of Perez Hilton’s Can You Sing??? contest. Recent winners of the contest were signed to Ellen DeGeneres’ record label, and with chops like these, HelenaMaria may be headed that direction. Continue reading »
Tony Bennett dropped Duets II a couple weeks back, pairing himself with a wide array of singers. One of the surprises was a version of “The Lady Is a Tramp,” reminding us that, oh yeah, Lady Gaga has one hell of a voice. She sounds so natural on the Rodgers and Hart song, you’d never guess this was an unusual pairing. Unless you saw the new music video, though, which looks significantly odder. Continue reading »
This Week on Bandcamp rounds up our favorite covers to hit the site in the past seven days.
Today’s sort-of theme: stripping back big songs. Whether that’s Sonic Youth burners or T-Pain travesties, most of these songs take big ideas and pull them back for intimate performance. Except, you know, when they don’t. Continue reading »