As we all remain stuck inside, those of us with musical talent have been performing tons of live streams online. Some streams vanish into the ether as soon as they finish, but many remain archived online. And many include covers.
Last week we rounded up a batch of the best, and today we round up another. There are far too many happening to make any claims to a definitive list. These are just some that caught my ear. What other live-from-home covers have you enjoyed? Share some more recommendations for us all in the comments!Continue reading »
Andrew Leahey & the Homestead – Lips Like Sugar (Echo and the Bunnymen cover)
Nashville Americana musician Andrew Leahey first heard “Lips Like Sugar” a couple years ago while touring through Texas. Dozing in the van, he woke up to a bandmate blasting the Echo and the Bunnymen hit. “I remember thinking, ‘I hope we don’t crash right now, because I absolutely need to learn how to play this,'” he said. “We’ve been playing it ever since.” He recorded it for his new album Airwaves, out tomorrow.
Bill Frisell and Thomas Morgan – You Only Live Twice (Nancy Sinatra cover)
Guitar great Bill Frisell first recorded the classic James Bond theme a couple years ago for his album (one of our favorites of that year). He revisits it now for a live album with bassist Thomas Morgan. Like any jazz musician worth his martini, Frisell changes and expands the Bond song the second time through. It’s barely recognizable much of the time, but would still be worth a spot on our Best Bond Covers list.Continue reading »
There are no shortages of Jason Molina tributes worth a listen. Given that he died of complications of alcoholism, such tributes tend to either emphasize the apocalyptic content of his songs as a kind of in-process suicide note or go the other way and play up aspects of his songs that bear witness to a stubborn and against-the-odds act of survival.
The key to two new covers’ success, though, is that where other tributes have often stemmed from their creator’s personal relationship to Molina – relationships that tended to color the songs as an argument about their creator – Kevin Morby and Waxahatchee’s Katie Crutchfield came to this project out of a shared love for the songs themselves. The result is two faithful but interpolated duets, sung in the style of something like “Islands in the Stream.” Continue reading »
Follow all our Best of 2017 coverage (along with previous year-end lists) here.
Year-end lists are a time to look back. That’s something we’ve been doing a lot of this year.
See, we turned ten years old in 2017 – practically ancient in internet-blog terms – so we’ve indulged in what we feel is well-earned nostalgia. At the beginning of the year, each of our writers picked the ten most important covers in their life (see them here and here and here and here and here and here and here and here and here and here). We even listed the ten most important covers in Cover Me‘s life, from the song that inspired the site to our very first Best of the Year winner.
Then, to cap things off, in October we commissioned a 25-track tribute to the cover song itself – which you can still download for free. We love the covers everyone contributed so much, incidentally, that we didn’t consider them for this list. It’d be like picking favorite children – if you had 25 of ’em.
Oh, and have I mentioned I wrote a book? … What’s that you say? I mentioned that constantly? Well, I’m quite proud of it. It’s called Cover Me: The Stories Behind the Greatest Cover Songs of All Time and it makes a great Christmas gift and – ok, ok, I’ll stop. You can find plenty more about it elsewhere.
Suffice to say, there’s been a lot of looking back this year. And we hope you’ll indulge us this one last glance rearward before we leap into 2018. Because if it’s been a hell of a year for us, it’s certainly also been a hell of a year for the cover song in general. Some of this year’s list ranks among the best covers we’ve ever heard, period. So dig in, and thanks for your support this past decade.
The Guardian once called punk quartet the Germs “the most outrageous band on the West Coast.” Often cited as one of the first hardcore bands, their influence far outpaces their discography (a single album before frontman Darby Crash overdosed on heroin). Guitarist Pat Smear achieved greater fame in Nirvana and the Foo Fighters, but the Germs’ music today sounds as aggressive and vital as it did in the late 1970s.
Well, not in Kevin Morby’s hands it doesn’t. His cover of the Germs’ “Caught in My Eye” is one of those where you have to double check the original lyrics to make sure it’s even the same song. The laid-back acoustic picker gives the hardcore punk tune a very different tone. Shimmery steel guitar and lilting female backing vocals invoke Laurel Canyon a decade before punk even came along. It’s beautiful in a way the original most assuredly is not, a radical transformation that works against all odds.Continue reading »