“You’ve got to know when to hold ’em/Know when to fold ’em” might be one of the most recognizable choruses of the last 50 years. Even people who don’t know the song “The Gambler,” know those lines.
On March 20, the world learned of the death of the singer most associated with those words, Kenny Rogers, who passed away at the age of 81. As with a star of his caliber, his death was greeted with a major outpouring of condolences across the celebrity world and lengthy obituaries in most major news outlets. Very few publications mentioned the one tidbit we here at Cover Me are most interested in: the fact that Rogers’ version of “The Gambler” was a cover.
Many musicians, unable to go on the road, have taken to performing concerts in their home in the past week. Personally, I have spent a huge amount of time watching various these live streams. The performances have been moving and powerful, an unusually intimate way to see some of your favorite musicians.
Many such shows have included covers, songs that feel right to sing right now, like John Lennon’s “Isolation” or Leonard Cohen’s “Hallelujah.” So I decided to round up some of my favorites below.
Unfortunately, many live stream platforms don’t archive the content, so if you miss it live, it’s gone (another reason to watch these streams!). But plenty of great covers have remained online. Check ’em out below, and let us know in the comments what others we shouldn’t miss.Continue reading »
Fifty years ago, a covers album wasn’t called a “covers album.” It was called an album. Full stop.
Frank Sinatra, Elvis, Billie Holiday – most albums anyone bought were “covers albums” as we’d think of them today, but that’s not how folks thought of them then. Once the public began putting a premium on singers writing their own songs in the ’60s the concept of course shifted, so that an artist doing a covers album has to be like Michael Jordan playing baseball – an okay diversion but let’s get back to the main event please.
More so this year than ever before though, that pendulum seems to be swinging back in small but meaningful ways to what an album originally meant. More and more artists are releasing LPs saying, this is not my new quote-on-quote “covers album,” this is my new album (that happens to consist of covers). The attitude showcases a confidence and surety of purpose that shows they take performing other peoples songs every bit as seriously as they do their own.
That holds true for both of our top two covers albums this year, and plenty more sprinkled throughout. Which isn’t to knock anyone doing a covers album as a lark, novelty, tribute, or side project – you’ll see plenty of those here as well – but any blurred lines that put a “covers album” on the same level as a “normal” album have to be a good thing.
With the release of their debut album Moonwater, Brooklyn-based pop-rockers CHAPPO are ready to start touring the country. In order to kick off this tour, the band released Nothin’ To Sell You, an EP of some pretty fantastic covers.Continue reading »
They Say It’s Your Birthday celebrates an artist’s special day with other people singing his or her songs. Let others do the work for a while. Happy birthday!
And then there was one. With his brother Robin’s passing in May, Barry Gibb became the sole surviving Bee Gee; today marks the first time since he was three years old that he doesn’t have a brother Gibb around to see him celebrate his birthday.
“I will live on the music,” he tweeted to his fans, “and no matter what stage I’m standing on my three brothers will be standing there with me.”Continue reading »
If you’re at a karaoke bar and you see a guy and a girl go up together, brace yourself. Odds are two to one they’re going to sing “Islands in the Stream,” the treacly 1983 duet by Kenny Rogers and Dolly Parton. If anyone can bring some street cred to the song that inspired “Ghetto Superstar,” though, it’s My Morning Jacket.Continue reading »