Jun 262020
 

John HartfordOn the Road: A Tribute to John HartfordSongwriter, banjo-picker, old-time fiddler, dancer, tv star, radio dj, and, perhaps most importantly, professional riverboat pilot. Welcome to the weird, wide world of John Hartford.

Hartford was a cross between Bill Monroe and Mark Twain—he titled one of his albums Mark Twang. He was among the first to join hippie sensibilities with hillbilly ways. During the late ’60s and early ’70s, Hartford was both a vivid reminder of America’s past musical heritage, and also a harbinger of things to come; he shaped contemporary music almost in spite of himself. “Newgrass,” which in turn fed into the jam band phenomena, is basically Hartford’s concoction (though mandolinist Sam Bush gets some credit too). Even Americana, as it is currently defined, is impossible to imagine without him—the blockbuster O Brother, Where Art Thou project has Hartford’s fingerprints and spirit all over it.

So a new John Hartford Tribute album is most welcomed, and now we have one in hand: On the Road, from LoHi Records. It’s a dang good tribute album, too, starting with the opening cut (by Hartford’s co-conspirator Sam Bush), and never letting up.
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Mar 112016
 

Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

americanbeauty

In 1970, Wally Heider’s San Francisco recording studio was the percolating epicenter of the psychedelic rock universe. The Grateful Dead, Jefferson Airplane, David Crosby, Graham Nash, Neil Young, and Carlos Santana shared this transcendent studio space, which Phil Lesh classified as “jammer heaven.” This was where the Grateful Dead’s American Beauty was born.

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Oct 302012
 

This was the first year that the  free, three-day music festival Hardly Strictly Bluegrass was without it’s founder Warren Hellman. Warren passed late last year and left a San Francisco tradition that is being faithfully carried out by an army of music lovers, bigger and better than ever. This year’s festival in Golden Gate Park featured 6 stages,  a crowd of 600,000 and 88 acts with a variety of artists like Patti Smith, Elvis Costello, The Lumineers, Steve Earle, Emmylou Harris, Conor Oberst, The Civil Wars, Son Volt, Ralph Stanley, Nick Lowe and many more. Check out a handful of the many covers from the weekend below! Continue reading »

The Moon

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Jul 232009
 

The fortieth anniversary of our moon landing has generated a good deal of buzz (pun intended). Much of it is bemoaning the current state of N.A.S.A. which, without the Soviets around the keep them on their toes, hasn’t done a lot of late. They’re currently saying by 2020 we can get somebody to the moon. Again. Umm…yay? I understand that with the current economic and political climate we’ve got larger priorities, but with the current climate climate we can’t forget about the rest of space entirely. Earth’s only got so long.

Shout Out Loud – Man on the Moon (R.E.M.)
There’s no doubt this is a great song, but if you’re like me you’ve heard it just one too many times. It’s starting to get a grocery-store vibe, which is a shame. Add a little world-techno backbeat, some gospel harmonies and it’s rejuvenated. [Buy]

Keller Williams – Moondance (Van Morrison)
Keller’s an interesting cat. He’s a staple of the jam band scene on one hand (generally a negative in my book), but he does all sorts of interesting things with loops, creating songs with layer upon layer, all by himself. Here’s a live trick of that sort, a ten-minute long acoustic-jazz frolic. [Buy]

The Pale – Walking on the Moon (The Police)
The moon, being smaller than the earth, has a weaker field of gravity. Sting seems to get that on one hand, noting that “giant steps are what you take.” But then he confusingly follows that with “I hope my legs don’t break.” With so little gravity, why exactly is he worried about his legs breaking? Perhaps this should have gone in last week’s bad lyric post. [Buy]

The White Stripes – Moonage Daydream (David Bowie)
I can’t quite figure out why Jack White seems to be hacking an English accent in the intro here, but trying to second-guess Jack never ends well. Regardless, he’s clearly a big Ziggy Stardust fan; in 2006 “It Ain’t Easy” became a Raconteurs set staple. [Buy]

Rasputina – Bad Mood Rising (Creedence Clearwater Revival)
When I saw her play this live Melora Craeger mentioned that she loved the song, but thought the original was way too peppy for the lyrical content. Transpose into a minor key, play on a cello, and her goth-swamp take creates a song both haunting and haunted. [Buy]

Clinker – I’ll Shoot the Moon (Tom Waits)
Tom Waits has a lot of moon tunes. “Grapefruit Moon.” “Drunk on the Moon.” Etc. This one gets a little white-boy Latino touch, bouncing along with cocky swagger and background singers who seem to accept the offer. [Buy]

Bob Dylan – Moon River (Mercer/Mancini)
Bob’s only played this one once, at an Indiana show in August of 1990. He dedicated it to “Stevie Souls” or something of that nature, but I can’t figure out who that is. This here’s an audience recording and it ain’t pristine, but it’s more than listenable. [Buy]

Sheila E. and Pete Escovedo – The Ballad of the Sun & Moon (Alejandro Escovedo)
Escovedo Sr. got some big names to pitch in for his Por Vida tribute when he struggled with Hepatitus C. Here Sheila E., of Prince entourage fame, backs up Escovedo Jr. who – surprise! – sounds a lot like his dad. [Buy]

Maria Muldaur – Moonlight (Bob Dylan)
This is exactly the sort of cover I normally hate. Smooth jazz by a woman who thinks she’s the second coming of Billy Holiday. Blech. Muldaur is pure class and, with the right song choice — this is one of Dylan’s jazziest — pulls it off beautifully. [Buy]

The Flaming Lips – Moonlight Mile (The Rolling Stones)
In their marathon Bonnaroo ’07 show, they played their regular set (complete with spaceship), then busted out a series of obscurities and covers for those few still remaining at three a.m. Here’s one of them, slowly welcoming the early morning hours. [Buy]