Samples in hip hop are a main ingredient of many successful hits. “No Church In The Wild” is no exception. That beautiful looped guitar riff comes from the talented master, Phil Manzanera, of Roxy Music. Phil’s solo work, “K-Scope” from 1978, was sampled by Kanye West and Jay-Z in their 2011 song.
Tender, haunting and undeniably impressive – enigmatic duo Louise Millar and Michael Macias take on Kanye West‘s 2005 smash-hit “Gold Digger” and reinterpret it with their own seductive, downtempo spin.
It’s hard to believe it’s been 10 years since the racy tune featuring Jamie Foxx was first released, sweeping us all up in a Kanye-induced dance craze, but a decade later, Twin Duo still manage to find a way to reinvent it. The Sydney-based pair rework Yeezy’s classic radio hit with chilling grace, expertly weaving their way through the song and stripping it down to a gentle and minimalistic rework – ultimately transforming the once raunchy and vigorously executed “Gold Digger” into a heart-wrenching, moody serenade, rich with mellow synths and chilled vibes.
They Say It’s Your Birthday celebrates an artist’s special day with other people singing his or her songs. Let others do the work for a while. Happy birthday!
The American Dream is to be self-made. To carve out an identity wholly one’s own and to succeed beyond one’s wildest imagination.
The life and times of Shawn Carter are a blueprint of the American Dream and bear striking resemblance to one of modern American fiction’s greatest protagonists, Jay Gatsby.
Both F. Scott Fitzgerald’s eponymous parvenu and the Brooklyn-born MC sprung from conceptions of themselves – impoverished Midwestern teenager James Gatz morphed into the infamous Jay Gatsby while Shawn Carter took on the nom de rappeur Jay-Z.
Both knew the excesses and trappings of extraordinary wealth as young men and both fell in love with golden girl goddesses with voices full of money.
One noteworthy difference between Gatsby and Jay-Z?
Gatsby was a man, a mere mortal, damned and doomed from the onset, whereas Jay-Z is also Jay-Hova, and gods are not as easily felled.
I’ve got to admit I came to this one quite cynical but as most cover junkies will admit cover versions are always so intriguing as we get to see how an artist has put their own spin on a song. This is one of my favourite Kanye songs, the production on it possibly his best work so I was intrigued to see how a Welsh singer-songwriter with a dream-pop and James Blake-esque sound could do it justice.
Lorde has taken the world by storm with her infectious hit “Royals.” Even though her debut album, Pure Heroine, won’t be released until September 30th, the 16-year-old New Zealand native has been dubbed the new queen of alternative and opened up New Zealand’s iHeartRadio festival. During her set, she pulled out this cover of Kanye West‘s “Hold My Liquor.”
Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.
King Crimson’s debut album, In the Court of the Crimson King, is iconic. The cover, a painting of a screaming creature (reportedly the only painting ever by computer programmer Barry Godber, who passed away shortly after the album’s release at the age of 24), is instantly recognizable and unforgettable. Although it was not the first prog-rock album, In the Court raised the bar and in many ways created the road map for the successes and excesses of the style. Nearly 44 years after the album’s release, it was discussed on, of all places, a New York Mets broadcast, and not because Mets fans so often have the same look on their faces.
Crimson leader Robert Fripp has described the first song on the record, “21st Century Schizoid Man,” as the first heavy metal song. That’s a claim that’s far from settled, but the crunching riff and distorted vocals and music displayed here would in fact become mandatory in the metal songs that followed in its wake. (Still, it is amusing to think of vocalist Greg Lake as a heavy metal godfather.) But the song also has a jazzy middle section, some virtuoso guitar soloing, and a free-time ending. Lyrically, the song is typical Peter Sinfield, filled with bizarre and obscure allusions and dystopian imagery which many have related to the Vietnam War. Fripp, at least once, dedicated “21st Century Schizoid Man” to Spiro Agnew.
The song has often been covered, more often than not in a metal style. As we will see, other covers pick up on the various styles included in the original. But not always.
With the release of Yeezus, the too-easy-to-quote interview with The New York Times, and the recent birth of his daughter with Kim Kardashian, Kanye West is someone – whether you like it or not – you have heard come up in conversation as of late. Although it is too early for covers off of the rapper’s sixth solo album to start popping up, singer Fabienne takes us back to when we all started admiring (or hating) the rapper in pink polo shirts with her rendition of “Slow Jamz.”