While Phil Collins’s current Still Not Dead Yet tour has been a mostly a celebratory affair, it also bears a tinge of bittersweetness. A variety of physical ailments have impaired Phil’s ability to move around, requiring him to be seated for the majority of the shows. But despite these challenges, there is a particular song Phil makes a point of standing up to deliver most nights. It’s not one of the perky sing-alongs like “Sussudio” or “Invisible Touch,” but his eternally haunting, bitter and thunderous “In The Air Tonight.”
AURORA – Across the Universe (The Beatles cover)
The first of a couple Beatles covers this month, AURORA’s “Across the Universe” doesn’t reinvent the wheel, it just removes a few spokes. The Norwegian singer-songwriter strips everything away but keys and a bunch of voices (there’s a guitarist too, though barely audible). It’s all the song needs.
Amaara – House of Cards (Radiohead cover)
We just posted the 45 best Radiohead covers ever, but there’s already a 46th. Unsurprising, really, considering how much this band gets covered. The musical project of actor Kaelen Amara Ohm, Amaara took on the In Rainbows gem “House of Cards.” Her cover carries echoes of the haunting original, but with a smoother electro-ambient sheen.
Chris Anderson – Eh-Hee / Digging in the Dirt (Dave Matthews / Peter Gabriel cover)
Composer Chris Anderson draws from some pretty deep wells of music knowledge on his new Song Cycle. He covers Laurie Anderson and John Cage and Tom Waits – twice. He covers Peter Gabriel twice too, on a beautiful “Mercy Street” and more subtly here, working bits of “Digging in the Dirt” into – of all things – a gospel Dave Matthews cover. “The addition of a choir was important to me to create the feeling of a ground-swell of support,” he writes in an email. “The fact that the song is about ‘knocking the devil to his knees’ made the gospel choir a natural choice.”
Our 50 Best Cover Songs of 2018 post goes up Monday and, as always, the cuts to get it down to size were brutal. I know it’s going to rough going when the painful cuts begin when the list is still pushing 100. The final and toughest cut of all – the 51st Best Cover of 2018, as it were – came last: singer-songwriter Phoebe Bridgers’ mesmerizing take on Tom Petty’s “It’ll All Work Out.” It still hurts that that one didn’t make it, so I’ll give it a little extra shine here (go listen to it here!).
Bridgers’ cover of The Cure’s “Friday I’m in Love” might have been a year-end contender too had it come out a month ago. Just as she did with the Petty deep cut, she strips all the production away, leaving only a spare keyboard and layers of ethereal harmonies. “Friday I’m in Love” gets covered far less than comparable Cure hits, sometimes derided as a less artful pop-radio play (it didn’t even rank in Rolling Stone’s fan-voted Best Cure Songs list). Bridgers redeems the song on her stunning cover, recorded for a new Spotify Single, and will hopefully inspire more closet “Friday I’m in Love” fans to cover the song.
A few years ago I attended a musical variety show with bunch of artists playing a few songs apiece. Eric Bazilian, frontman for ’80s new-wave band The Hooters, played a couple Hooters hits for his set before closing with a surprise cover: Joan Osborne’s “One of Us” (as in, “What if God was…”). His version was revelatory, loud and rocking and fun, a far cry from the self-serious lite-FM ballad that dominated airwaves in the mid-’90s. It totally reinvented the song, doing everything a great cover should.
I only learned later that it was not, in fact, a cover. Bazilian in fact wrote the song for Osborne, never properly releasing it himself. But his version made me reappraise a song I had grown to hate through overexposure (no knock on Joan, a talented song-interpreter on several terrific soul-covers albums who gets unfairly tarred by the “one-hit wonder” brush).