Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!
When it was first released in 1978, Bob Dylan’s Street Legal got a bum rap. One culprit was the sound. Dylan always preferred recording with the whole band playing at once, and whereas with the right producer a wonderful spontaneity could emerge (think “Like a Rolling Stone”), here it just created a muddy mess. Reviews were scathing. Robert Christgau called it “horrendous” and Jon Pareles noted that “Dylan still needs a producer.” Even Rolling Stone – Dylan champions since way back – labeled it “dead air, or close to it.”
A remaster in the CD era has since redeemed it somewhat and helped push it its proper place in the Dylan pantheon. In the wake of albums like Empire Burlesque – really, all of the ’80s – the big band sound is no longer shocking, and not even bad. It’s no Blonde on Blonde, but a solid B-level effort with a number of gems. “Señor” and “Changing of the Guards” stand among his best songs of the ’70s (though they really fit in better with the late-’70s/early-’80s period than they do with the decade that led up to them). “New Pony” is a fun big-band blues jam, and “Where Are You Tonight” features a wonderfully emotive vocal.