May 132014
 

Wes Anderson fans, rejoice! The director, known for his twee composition and killer soundtracks, is being recognized by American Laundromat Records in the form of song. I Saved Latin! A Tribute to Wes Anderson, is a 23-track, 2-disc compilation set full of covers of songs that appear on Anderson’s quirk-filled films. The album, which is being released today, features covers by Telekinesis, Margot & the Nuclear So & Sos, and this cover of Elliott Smith‘s “Needle in the Hay,” by Juliana Hatfield. Continue reading »

May 132014
 

With the possible exception of Martin Scorsese, no movie director has been more closely identified with his soundtracks than Wes Anderson. He has consistently selected songs by well-known artists that, through no fault of their own, have become three-quarters forgotten over the years, and reintroduced them to the world as the classics they had always been. If someone calls a song a prime candidate for the next Wes Anderson soundtrack (Guilty!), an instant and accurate picture is created. The soundtracks show a cohesion that’s rare in these days of we-want-a-hit soundtracks, where the earmarked smash doesn’t play until the final credits have started rolling, and they have become high points in the experience of watching Anderson’s movies. Now the American Laundromat Records label has collected covers of some of those high points on I Saved Latin! A Tribute to Wes Anderson, resulting in the best tribute album of the year.
Continue reading »

Apr 172013
 

They Say It’s Your Birthday celebrates an artist’s special day with other people singing his or her songs. Let others do the work for a while. Happy birthday!

It’s hard to believe, but in a couple months we’ll be celebrating the twentieth anniversary of the release of Exile in Guyville, the benchmark indie album that revealed Liz Phair to the world at large. She won a reputation for her lyrical candor, never using a euphemism when a dysphemism will do (look that up in your Funk & Wagnalls), and delivering those lyrics in a perfectly imperfect everywoman voice, set to spare but incredibly catchy melodies. Subsequent albums saw her staying true to her voice no matter where it took her, and as songs like “H.W.C.” attested, she never lost her spunk. Continue reading »