Sweet Judy “Blue Eyes” Collins is still majestic at 75. Judy’s new release, Both Sides Now- The Very Best Of includes 28 beautiful original songs and interpretations of legendary songs. Her first single, “Helpless”, is a Neil Young cover, and a duet with Rachael Sage. Judy has called Neil Young a master songwriter. She has been connected to Neil and the rest of Crosby, Stills, and Nash for many years. It’s her on-again off-again romance with Stephen Stills that inspired Stills to pen the lyrics “change my life, make it right, be my lady…” on “Suite: Judy Blue Eyes”. This was a failed attempt to get Judy back in the late ’60s. But the song was a hit in 1969 and made Rolling Stone’s 500 Greatest Songs of all Time. You can hear a Collins-Stills duet on the song “Last Thing on My Mind” (2010) on Both Sides Now.
Judy’s been an inspiration to musicians and politicians alike. Bill and Hillary Clinton named their daughter Chelsea after Judy’s rendition of Joni Mitchell’s Chelsea Hotel.
Judy has had her share of struggles; depression, alcoholism, bulimia, and the suicide of her son to name a few battles. She’s triumphed beautifully and is not at all helpless like the title of her first single. Judy’s graceful collaboration with a very young, virtually unknown artist, Rachael Sage, on her first duet is a testament to her humble and true devotion to music.
In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!
It must be amazing when singers realize that their voices sound particularly good together. Think of The Roches, the Everly Brothers (who have the benefit of being siblings), Crosby, Stills & Nash, Exene Cervenka and John Doe, Gary Louris and Mark Olson, or Jonatha Brooke and Jennifer Kimball. One can imagine the joy that Amy Ray and Emily Saliers felt when they realized that they had something special when they harmonized.Continue reading »
When people look back in 2011 in music a decade from now, one name will come to mind: Adele. In our little world of cover songs, she dominated. Everyone covered Adele this year. It’s not just that we saw more covers of “Rolling in the Deep” than any other song; they beat out second place (probably “Pumped Up Kicks”) by like a factor of five! We generally try to look for larger cover trends in these annual wrap-ups, but it’s hard to remember anything else from this year except the year-long onslaught of Adele covers hitting our mailbox.
There’s only one “Rolling in the Deep” cover in this year’s list though. The rest are all over the place. Some of the artists listed built their covers with lush soundscapes, thick beats, and intricate string work. Others just took guitars or pianos and bowled us over with the emotion in their voices. There may not be much of an overarching “Year in Covers” narrative, but that means there’s a cover or two for everyone. From feel-good takes on rap songs to kill-yourself versions of pop songs, this year’s list features flips, flops, and genre switcheroos of all sorts. A good cover should be informed by the source material but stand on its own, and we’ll be unrolling the 50 finest examples of songs doing just that all week. Start with #50-41 on the next page and check back daily as we count down to the best cover of 2011.
Every Wednesday, our resident Gleek Eric Garneau gives his take on last night’s Glee covers.
In “Extraordinary Merry Christmas,” Artie (Kevin McHale) is offered the chance to direct McKinley’s glee club in a televised Christmas special. Little do the other club members know he takes his Christmas inspiration from some bizarre sources.
“Extraordinary Merry Christmas” is not the first Christmas special to air on television this year. It’s not even the first Glee Christmas special to air, thanks to the irreverent, genius and criminally unpopular NBC sitcom Community, which last Thursday dedicated its entire Christmas episode (entitled “Regional Holiday Music”) to spoofing the Fox musical juggernaut. The staff behind Community probably couldn’t have predicted that they’d get payback for spending a half hour in Glee‘s shoes; this week, Glee decided to live in Community‘s world with an episode you’d expect to see on that show or, really, anywhere but Glee. The Christmas special Artie ends up producing is a (directly referred-to) mash-up of the much-maligned 1978 Star Wars Holiday Special, Judy Garland’s classic 1963 Christmas special, and at the end some Charlie Brown Christmas for good measure. The result basically ends up a cover of a TV show. Though Glee certainly likes to allude to existing pop culture, even going so far as to recreate certain music videos shot-for-shot, it has never lived in another universe for two acts before. That’s Community territory, but Glee pulls it off marvelously.Continue reading »
They Say It’s Your Birthday celebrates an artist’s special day with other people singing his or her songs. Let others do the work for a while. Happy birthday!
Joni Mitchell turns 68 today and, in terms of influence, her star burns as bright as ever. As folk stages its umpteenth popular revival, a whole new generation of folkies, freak-folkies, neofolkies, and indie folkies have taken lessons from decades of her simple, heart-wrenching songs. Dozen of hip, Pitchfork-approved artists namecheck Mitchell in interviews and display an obvious debt in their songs. On Joni’s birthday, we pay tribute to her through some of their tributes.Continue reading »
Post-dubstep songsmith James Blake debuted his piano cover of Joni Mitchell’s “A Case of You” on the BBC last winter and has been playing it live since. Now it finally gets an official release, on his new Enough Thunder EP. The disc drops next week, but you can listen to the official studio version of “A Case of You” now.Continue reading »
Though many people take on the great songs of Joni Mitchell (see covers by Counting Crows, James Blake, and even Phish), few capture the mixture of beauty and pain that characterizes Mitchell’s voice. Toronto indie trio Austra comes close though with their newly released cover of Mitchell’s 1969 classic “Woodstock.” The story behind the track is that Mitchell wasn’t able to attend Woodstock due to her manager telling her that it would be better for her career to appear on a TV show that day; she wrote the song based on her outside view of what happened at the festival that day, and it soon became one of her most well-known tracks and a testament to the monumental event that occurred.Continue reading »