Jul 032023
 

FolkocracyRufus Wainwright’s Folkocracy is a reminder of how different a context is the word folk, when there is that Atlantic Ocean dividing America and Europe. This album feels a very North American version, where, broadly, anything much with an acoustic guitar, and on the softer side of rock, fits the bill, with often a fair old slice of the older social commentators, Seeger, Guthrie et al, chucked in for good measure. In the UK, folk tends more to the trad. arr., in style if not necessarily sacrosanct in content, and of a devoutly Celtic or Anglo hue. Wainwright doesn’t totally ignore any particular aul’ country, but Folkocracy is full of nods, sometimes eccentric, to an early 60’s heyday of Kingston Trios, Peter Paul and Mary and that ilk, if with a few left field lurches into Broadway and Hollywood. At times it is astonishing, in a beguiling way, sometimes bewildering and sometimes just plain odd. But, overall, this album is impressive, if more on the side of to be admired more than loved, with a slew of guests adding their varied (and variable) flavors at several stages along the way.
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Feb 142023
 
new beach boys covers

Four days after the Grammy Awards, the Recording Academy returns to the Dolby Theatre in LA to stage an all-star tribute to The Beach Boys. All surviving bandmembers were present to watch a host of A-list artists tackle their hits and, occasionally, deeper cuts. The proceedings were filmed for A Grammy Salute To The Beach Boys, which will air later this year, but for now you can preview it with audience footage that landed on YouTube.

Below, find videos of Beach Boys covers from Mumford & Sons, St. Vincent, Beck, My Morning Jacket, Weezer, LeAnn Rimes, Brandi Carlile, Fall Out Boy, Little Big Town, Charlie Puth, Norah Jones, Pentatonix, and Hanson, along with a couple cool duets among the artists performing: Beck and Jim James of My Morning Jacket doing “Good Vibrations,” Carlile and Legend doing “God Only Knows” (pictured above), and Luke Spiller of The Struts & Taylor Momsen of The Pretty Reckless doing a medley of “Surfin’ USA” and “Fun Fun Fun.”

It’s a little hard to compare them all since sound quality is inconsistent, but three performances that stand out here at Mumford & Sons collaborating with Sam Gendel on a strange jazzy “I Know There’s an Answer,” St. Vincent crooning “You Still Believe in Me,” and LeAnn Rimes singing the hell out of “Caroline No.” And Weezer, of course, who were made to do crunchy power-pop covers of Beach Boys hits. (I couldn’t find any video of three performers from this show: Andy Grammer, Lady A, and Take 6).

Mumford & Sons – I Know There’s an Answer

St. Vincent – You Still Believe in Me

Beck – Sloop John B

My Morning Jacket – I Get Around

Beck & Jim James – Good Vibrations

Weezer – California Girls

LeAnn Rimes – Caroline No

Brandi Carlile – In My Room

John Legend – Sail On Sailor

Brandi Carlile & John Legend – God Only Knows

Fall Out Boy – Do You Wanna Dance [5th slide]

Little Big Town – Help Me Rhonda

Charlie Puth – Wouldn’t It Be Nice

Foster the People – Do It Again

Norah Jones – Warmth of the Sun

Pentatonix – Heroes and Villains

Luke Spiller & Taylor Momsen – Surfin’ USA / Fun Fun Fun

Hanson – Barbara Ann [4th slide]

Apr 112018
 

Check out more Rock and Roll Hall of Fame Class of 2018 cover features here.

rock and roll hall of fame covers

This week we’ve posted tributes to three of this year’s six Rock and Roll Hall of Fame inductees: The Cars, Dire Straits, and Nina Simone. And lord knows we’ve posted plenty of covers of the other three over the years: Bon Jovi, The Moody Blues, and “Early Influence” inductee Sister Rosetta Tharpe. But to celebrate them all in one place in advance of this weekend’s induction ceremony, we thought we’d round up a few of the best covers we didn’t include in all those other features. Continue reading »

Feb 102012
 

In 1961 the Freedom Riders set out to protest segregation in interstate travel, leaving from Washington, D.C. into the Deep South. Their buses were ambushed and set on fire, their bodies beaten by mobs, the Klan and Southern police. Many of them ended up in Mississippi’s Parchman Penitentiary. Expressing their determination, the prisoners would often unite in one voice singing “Ain’t Gonna Let Nobody Turn Me Round.” The song is based on a spiritual called “Don’t Let Nobody Turn You ‘Round.”  With recordings and performances by Joan Baez and other artists, it became known as a freedom-song for civil rights. Continue reading »

Dec 142011
 

As you are surely aware, all week we are meticulously counting down the Best Cover Songs of 2011. While we do that list, though, other publications have been putting out their own best songs list. There is no firm consensus for #1, but we are seeing many of the same tracks pop up over and over again. So we tossed together a set of the best free covers of the best songs of the year. Continue reading »

Jun 272011
 

Near the end of Bob Marley‘s life when cancer had begun to take it’s course he wrote “Redemption Song.”  In a song that gives a glimpse into his dealing with mortality, he delivered one of the more widely covered acoustic spiritual ballads today. Some of the versions that ring true to the soul of the song include a haunting rendition by Johnny Cash & Joe Strummer and a live tribute by Lauryn Hill with Ziggy Marley. Continue reading »