Quickies rounds up new can’t-miss covers. Download ‘em below.

When L.A. punk band the Bronx formed side project Mariachi El Bronx, many assumed it was a gag. Two albums into their new mariachi-band career, they clearly aren’t joking. Their new Roy Orbison cover shows some serious Mexicali chops (though we still want to hear what a punk-Bronx cover of this would sound like).
MP3: Mariachi El Bronx – Only The Lonely (Roy Orbison cover) Continue reading »

In Defense takes a second look at a much maligned cover artist or album and asks, “was it really as bad as all that?”


When the Watchmen movie came out in March 2009, my primary job consisted of owning and operating a comic book store. Because that film is based on one of the most acclaimed graphic novels of all time, the few weeks that followed its release saw me inundated with complaints about its content. The number one gripe: an overabundance of Dr. Manhattan’s junk. Number two: “Why did they play that corny ‘Hallelujah’ cover during the sex scene?”

As anyone familiar with that scene can attest, of course, Watchmen — in keeping with its mostly retro soundtrack — employed the original Leonard Cohen track from 1984’s Various Positions. In fact, that instance marks one of the only major uses of the original recording in a mass-media production. Thanks to Shrek, The O.C., X Factor and a host of others, though, the song’s become inescapable via its many covers. Jeff Buckley, Rufus Wainwright, k.d. lang and more have all had their say on this one. In a 2009 interview with Jian Ghomeshi of The Guardian, Cohen revealed that he’d felt sympathy for a review of Watchmen which asked for a moratorium of “Hallelujah” in popular culture. Quoth Cohen: “I think it’s a good song, but I think too many people sing it.” Continue reading »

John Cale just turned 69 and several cover tributes have emerged to the legendary Velvet Undreground violist. Noah and the Whale covered Cale on his birthday, and Danish singer Agnes Obel did it a few months before that (but just released it for free in honor of the legend). Sadly, neither chose “The Man Who Couldn’t Afford to Orgy,” but the tunes they picked prove a lively, just-dissonant-enough tribute. Continue reading »

Over the past few weeks, artists have been unleashing a blizzard of Christmas covers. From live tapings to unexpected albums, these holiday presents came in all shapes and sizes. We kept up as best we could (see ‘em all here), but so many came in we couldn’t possibly post them all. So instead, we collected our favorite Christmas covers from this year in a special mixtape.

This 60-minute tape, which you can download or stream below, mixes the classics with the obscure. It includes refreshingly original covers of famous hymns and unexpected runs through buried nuggets. It finds indie up-and-comers mingling with longtime favorites. Continue reading »

Christmas songs have a tendency to be beat-you-over-the-head literal. Whether they tell the story of Jesus or of Santa, the narrative arc leaves limited room for creativity. John Cale’s “Child’s Christmas in Wales” provides a refreshingly poetic counterpoint. The Velvet Underground alumnus first released this holiday downer on his 1973 album Paris 1919, basing the tune off a Dylan Thomas story of the same name. “Ten murdered oranges bled on board ship” proves a bit more thought-provoking than “Chestnuts roasting on an open fire” (though you may think twice about inviting Mr. Cale to your Christmas party). Continue reading »

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