Sep 302016
 
Fugees

They say nostalgia works in 20-year cycles, and this year the music of 1996 has been in the media a lot. And if you believe the music blogs, it turns out 1996 was a truly groundbreaking year for every possible genre. Over at SPIN: “The 96 Best Alternative Rock Songs Of 1996.” Complex: “Best Rap Songs of 1996.” Junkee: “Ten reasons 1996 was a great year for dance music”. Loudwire: “10 Best Metal Albums of 1996.” Red Bull Music: “1996: Why it was a great year for pop”. Suck it, 1995! (Kidding; similar articles were of course written last year too.)

We’ll be honest: 1996 was not some magical, pioneering year for cover songs. It was also not a terrible year. It was just, you know, another year. There’s no overarching theorem of 1996’s cover songs that wasn’t true in ’95 or ’97. But even so, Cover Me wasn’t around in 1996, so we never made a Best Cover Songs of 1996 list (our first year-end list came in 2009, with the Kings of Convenience’s “It’s My Party” topping it, and you can catch up on all the lists here). So we decided, before the year ends and we take our look at the best covers songs this year, why not take a nostalgic rewind and do 1996 just for fun, twenty years too late. Continue reading »

Aug 052011
 

This Week on Bandcamp rounds up our favorite covers to hit the site in the past seven days.

Today’s set takes a simpler, quieter approach than most. No dubstep, chillwave, or other “new” sounds to be found here. Just basic productions showcasing classic songs done right. Continue reading »

May 252011
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

Mark Linkous was a genius. A sensitive, fragile, damaged genius who created haunting, lo-fi musical tapestries as Sparklehorse. Linkous, a Virginia Gentleman whose pop band, Dancing Hoods, was chewed up and spit out by the corporate machine in the 1980s, reinvented himself in the ‘90s. There would be four full Sparklehorse releases, and an EP, as well as a couple collaborations: one with Christian Fennesz, and last year’s Dark Night of the Soul with Danger Mouse and David Lynch. Depression, drug overdoses and legal issues would lead to an uneven timeline of Sparklehorse releases over a 15 year period. Sparklehorse is an acquired taste…a complex bottle of blended malt Scotch that has been aging in a cask for decades; its harsh bite and smoky, burning finish a barrier to the three-chord Lite Beer crowd. Linkous’s vocals have a lot to do with Sparklehorse’s sometimes inaccessibility. He doesn’t so much sing as release his breath into the path of a song – the way that one spirit might summon another in your dream. Or nightmare. Continue reading »