Feb 192021
 

They Say It’s Your Birthday  celebrates an artist’s special day with covers of his or her songs. Let someone else do the work for a while. Happy birthday!

birthday

Hi, I’m Patrick Robbins, the features editor here at Cover Me, and today’s my birthday. Please forgive the self-indulgence of a one-year-older guy for putting up a post that’s about me.

2021 is kind of a big year for me. Not only am I having one of those milestone birthdays – you know, one of those ones that ends in a zero – I’m also having a milestone anniversary. This year marks ten years since I joined the Cover Me staff. In all that time, I’ve gotten off a few good lines here and there (my favorite: a song had “more hooks than Moulty’s closet”), but far more importantly, I’ve found some great covers that I never would have discovered if I hadn’t been looking for them to share and talk about here.

So, as a little birthday present from me to you, I thought I’d pick out some of my favorite discoveries I’ve made over the years. What follows are some of my all-time favorite covers that I found specifically for Cover Me posts (as opposed to covers I already knew about), and links to the pieces in which I originally wrote about them. There’s a lot of songs here, but they’re only about one percent of the songs I’ve written about. So think of these as the cream of my cover crop.

Thanks to all of you for reading Cover Me – without you, this post wouldn’t exist – and here’s to many more birthdays and anniversaries to come.

Continue reading »

Oct 142011
 

Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

Richard Thompson’s solo debut, Henry the Human Fly, began with a song that contained the line, “Don’t expect the words to ring too sweetly on the ear.” This would become his songwriting credo, as he penned lyrics that were incisive, emotive, and not the least bit sentimental, bringing them home with an equally biting guitar. His wife Linda sang with a powerful clarity, her voice full of aching, mischief, mourning, celebration, or whatever else the song might call for. She’s fully entitled to her equal billing. On their debut release as a couple, 1974’s I Want To See the Bright Lights Tonight, Richard and Linda Thompson report what they’ve encountered on a very British Desolation Row, in a musical language that could have been written half a millennium ago or the day after tomorrow. Continue reading »