Jun 302017
 

That’s A Cover? explores cover songs that you may have thought were originals.

Come on people now
Smile on your brother
Everybody get together
Try to love one another
Right now

Wow,  that sounds naïve in today’s world, doesn’t it? Watch the news or go on social media and all we see are people screaming at each other, dividing each other and hating each other. Not to mention, why only smile on your brother? What about sisters? And the gender binary should be rejected anyway, right?

In any case, the Youngbloods‘ “Get Together” has become an easy soundtrack shorthand when referring to the optimism of the 1960s (much as Buffalo Springfield‘s “For What It’s Worth” or Crosby, Stills, Nash & Young‘s “Ohio” is used to illustrate the disillusionment and violence of that decade). You just have to hear the opening notes, and you are transported to a world of flower-festooned long hair, tie-dye, fringed vests and pot smoke. Thus, the song’s ubiquity in films, TV and advertising. 

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Jan 302016
 

They Say It’s Your Birthday celebrates an artist’s special day with other people singing his or her songs. Let others do the work for a while. Happy birthday!

 marty-balin

Ah, Marty Balin. You have a great, blue-eyed soul voice. You were one of the founders of one of the seminal bands of the 1960s, the Jefferson Airplane. You wrote and sang lead on a number of classic and hit songs. You were knocked unconscious by Hell’s Angels on stage at Altamont. You are a member of the Rock and Roll Hall of Fame. And yet, if you stopped someone on the street—even someone who grew up during the 60s or 70s—it is likely that your name would be met with a blank stare, while your former bandmate Grace Slick’s probably would be recognized. Although your solo career had a few minor hits, they were few and far between. And you continue to occasionally gig and record with some of your old bandmates, who try to carry on their old sound, with limited success.

But a lack of name recognition, and a relatively indifferent solo career, cannot detract from your accomplishments, Marty. Sure, your star might have dimmed in comparison to Slick’s beautiful, outrageous mess, and you might have lost control of what you created, leaving and returning over the years. But many of your songs have proven to be timeless, while the drug/psychedelic/experimental tunes that surrounded yours on albums now sound dated and even silly.
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Sep 132013
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

Gillian Welch is a yankee. There, it’s said. One would have a hard time discerning it from her mix of folk and bluegrass arrangements, but there’s a Big Apple right there on her birth certificate. So let it be noted that, when compared to some “legitimate” country music popularized and sung by those born and bred in the South, with their auto-tuned cartoonish absence of substance, an overabundance of shiny objects and pyrotechnics, and some ghastly redneck rap thrown in, it’s obvious that birthplace alone has little influence on how traditional or great country music is.
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May 242013
 

Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

Every day, more music is released. Most of it will be quickly forgotten, some of it will resonate with an audience, and a very, very small percentage will be listened to for years to come. An even smaller subset can fairly be said to embody a particular moment in time. Surrealistic Pillow, the second release by the Jefferson Airplane, is one of those special albums. Released in early 1967 by a group of hippies who also happened to be extraordinary songwriters and musicians, it is both a classic and a reflection of its era.
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Feb 242011
 

The opening words to the latest Sucker Punch trailer, punctuated like they’re spoken: I lost everyone I’ve ever loved. Then they locked me away. With nowhere to hide. From the pain. Just when you think all hope for this film is lost, though, Led Zeppelin’s “When the Levee Breaks” kicks in. Sure, they keep blathering about escaping from some asylum that apparently only holds gorgeous teens (and they want to escape why?), but at least music supervisor Tyler Bates seems set to deliver. Continue reading »