Dec 172015
 

Follow all our Best of 2015 coverage (along with previous year-end lists) here.

CoverMeBestSongs2015

I didn’t realize it until I began laying out our post, but this year’s Best Cover Songs list shares quite a few artists with last year’s. And some that showed up here the year before that. Jack White’s on his fourth appearance. And Jason Isbell and Hot Chip not only both reappear from last year, but have moved up in the rankings.

Though we’re always on the lookout for the new (and to be sure, there are plenty of first-timers here too), the number of repeat honorees illustrates how covering a song is a skill just like any other. The relative few artists who have mastered it can probably deliver worthy covers again and again.

How a great cover happens is something I’ve been thinking a lot about this year as I’ve been writing a series of articles diving deep into the creation of iconic cover songs through history (I posted two of them online, and the rest are being turned into a book). In every case the artist had just the right amount of reverence for the original song: honoring its intention without simply aping it. It’s a fine line, and one even otherwise able musicians can’t always walk. Plenty of iconic people don’t make good cover artists (I’d nominate U2 as an example: some revelatory covers of the band, but not a lot by them). Given the skill involved, perhaps it’s no surprise that someone who can do a good cover once can do it again.

So, to longtime readers, you will see some familiar names below. But you’ll also see a lot of new names, and they’re names you should remember. If the past is any guide, you may well see them again next year, and the year after that.

Click on over to page two to begin our countdown, and thanks for reading.

– Ray Padgett, Editor in Chief
(Illustration by Sarah Parkinson)

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Sep 022015
 

Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.

Here at Cover Me Q&A, we’ll be taking questions about cover songs and giving as many different answers as we can. This will give us a chance to hold forth on covers we might not otherwise get to talk about, to give Cover Me readers a chance to learn more about individual staffers’ tastes and writing styles, and to provide an opportunity for some back-and-forth, as we’ll be taking requests (learn how to do so at feature’s end).

Today’s question, from Cover Me staffer Jordan Becker: What’s a cover that made a significant, annoying, and/or unforgivable change to the original lyrics?
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Jul 082015
 

Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.

Here at Cover Me Q&A, we’ll be taking questions about cover songs and giving as many different answers as we can. This will give us a chance to hold forth on covers we might not otherwise get to talk about, to give Cover Me readers a chance to learn more about individual staffers’ tastes and writing styles, and to provide an opportunity for some back-and-forth, as we’ll be taking requests (learn how to do so at feature’s end).

Today’s question, from Cover Me editor-in-chief Ray Padgett: What’s your favorite cover song of 2015 so far?
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May 152015
 

Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

Maybe it is too facile to say that Van Morrison’s second solo album, Astral Weeks, is respected, while its follow up, Moondance, is loved. We looked at Astral Weeks about a year ago, so there’s no reason to repeat that here, but it’s clear that Morrison took a very different approach with the two albums, both of which have entered the rock pantheon as classics (for example, both albums were inducted in the Grammy Hall of Fame and Astral Weeks is 19 on Rolling Stone’s list of the 500 Greatest Albums of all time; Moondance was ranked 66.) But while the older album is revered as a work of art, you actually heard (and still hear) songs from Moondance on the radio. Astral Weeks failed to chart, and no singles from the album were released, but Moondance reached 29 on the Billboard Pop Album chart, and had three singles released.

Astral Weeks is considered to be a unified song cycle or a concept album, filled with stream of consciousness lyrics. The musicians that were recruited mostly had jazz backgrounds, and Morrison encouraged them to improvise after hearing Morrison play the songs on an acoustic guitar. Despite critical acclaim, it received little commercial airplay and limited support from the label, Warner Bros.

After recording Astral Weeks, Morrison and his wife moved into a mountaintop house near Woodstock, in upstate New York. He began to write the songs for Moondance and recruited local musicians for the recording sessions. Although, like with his previous album, there were no formal written charts, Morrison focused this time on shorter, more upbeat and optimistic songs with accessible song structures, in part influenced by another group of Woodstock area residents, The Band. It also was greeted with great reviews, but garnered significantly more radio airplay and immediate sales than its predecessor. And, I would argue, few albums have a stronger first side (when that mattered) than Moondance (“And It Stoned Me”/”Moondance”/”Crazy Love”/”Caravan”/”Into The Mystic”), and side 2 isn’t shabby, either.
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Feb 112015
 

This week, Jason Isbell and his wife Amanda Shires dropped a surprise two-song covers EP called Sea Songs. It features sparse takes on two natically-themed tracks, Warren Zevon‘s “Mutineer” and a more unexpected choice: Lykke Li‘s storming “I Follow Rivers.” They just hit the web, stream both below. Continue reading »

Dec 182014
 

Follow all our Best of 2014 coverage (along with previous year-end lists) here.

A few months ago, I read an interesting interview with an artist named Nouela. You probably haven’t heard of her, but you may have heard her music. She’s become a specialist in a weird but growing niche: covers recorded for movie and television trailers. Whether doing a piano “Sound of Silence” to promote a new HBO show or a brooding “Black Hole Sun” to promote Liam Neeson punching people, she’s found a quickly-growing way of getting her covers out there.

It struck me as part of a growing trend we’ve seen. More and more great covers seem to come from unexpected places. Sure, you’ve got still your standby sources, your b-sides, tribute albums, and radio shows. But new avenues for covers have increasingly crept in. This year saw a Sam Smith cover that is only available to hear under Grey’s Anatomy dialog (thankfully he’s recorded a few live versions too) and a whole covers album recorded to plug a Canadian TV show. Brands have fully embraced covers too, most recently My Morning Jacket’s “This Land Is Your Land” recorded for North Face ads, or Charli XCX and Bleachers trading covers for Kia.

We don’t care where they originated when we make our year-end lists, though, and we would up with some of everything. In our top five alone, we’ve got a live radio session, a deluxe-edition bonus track, and a cover hiding in plain sight on one of the most acclaimed country records of the year. You have to keep an eye on more places than ever to spot the best covers these days. Wherever they come from, we’re glad to have ’em.

Click on over to page two to begin our countdown, and thanks for reading.

– Ray Padgett, Editor in Chief
(Illustration by Sarah Parkinson)