Country supergroup The Highwomen are wielding some killer harmonies and fierce lyrics as they tour in support of their upcoming self titled album due out September 6th. For the soundtrack for the movie The Kitchen, a high stakes drama about an all female gangster organization, the quartet performed a powerful rendition of Fleetwood Mac’s “The Chain”. They’ve since covered it a couple times live: at a recent visit to Howard Stern’s SiriusXM show and again sitting in a circle backstage at Jimmy Fallon’s show a few days ago – with Fallon himself. Both live versions also feature an uncredited Jason Isbell on guitar.
Anais Mitchell & The Staves – Strong Enough (Sheryl Crow cover)
For a few years now, long-running French video company La Blogothèque has been filming a series they call “One to One” at Bon Iver’s various European festivals. They blindfold one audience member and bring them into a private room for a concert for one. Bon Iver did one, and Damien Rice’s is a must-watch. Personally, that experience sounds more awkward than enjoyable – especially with all the cameras in your face – so I’d rather just watch someone else’s personal concert on video. This one is a gem, feature The Staves with Anais Mitchell delivering a gorgeously-harmonized Sheryl Crow cover.
Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.
Did you hear “Born in the U.S.A.” at your Fourth of July BBQ? Maybe a diehard Springsteen fan even played the full album. It certainly packs a punch; seven of the album’s twelve songs became top-10 hit singles. Taking patriotism to a whole new level, this album was even the first commercial CD made in the United States.
Marking the 30th anniversary of the Born in the U.S.A. album, Dead Man’s Town was released in 2014 with the premise that the original album was so good that, as Luther Dickinson of North Mississippi Allstars states, “any of those songs could be played with acoustic guitar alone and still be great.”
Rolling Stone described the album as “reimagining Born in the U.S.A.… with a reduced approach more influenced by that of the acoustic Nebraska.” This cover album certainly would have followed Nebraska more congruously than the original Born in the U.S.A., which marked a departure from Springsteen’s earlier work yet brought him his greatest commercial success.
Dead Man’s Town captures the melancholy aspects of the Fourth of July, a holiday that marks the inflection point of the summer. Summer love is bending towards goodbye. Back to school advertisements abound. If you are looking for a soundtrack to summer’s end or a new take on your favorite Springsteen classics, this is the album for you. Here is a taste of what this album has to offer.
Ashley O [Miley Cyrus] – Right Where I Belong (Nine Inch Nails cover)
The second-most-bonkers cover of the month (just wait ’til we get to “Spicy”) comes from – who else – Miley Cyrus. On a new episode of Black Mirror, she covers/parodies angsty Nine Inch Nails songs as the most insipid of pop jams. Trent Reznor, for one, says he is very much on board (given the lyric changes, these covers required his legal approval). Miley’s songs in character as Ashley O are outrageous and borderline offensive, which is kind of the point. “On a Roll” (FKA “Head Like a Hole”) has gotten most of the attention, but “Right Where I Belong” is more listenable. Marginally.
When Jason Isbell was asked to contribute a song to A Star is Born, after reading the screenplay he dug deep into his well of past demons to guess the struggles Bradley Cooper’s character Jackson Maine might have been going through. Drawing on his own path to becoming sober with help from his wife Amanda Shires, Isbell sums up the journey perfectly in 2:40 of near-perfect song: “I’m glad I can’t go back to where I came from / I’m glad those days are gone, gone for good.”
‘The Best Ever’ series counts down our favorite covers of great artists.
Neil Young released his self-titled debut solo album on January 22, 1969. Well, technically he re-released it that day. It had initially landed without much fanfare the previous November, only for Young to quickly pull it from shelves due to what he deemed a subpar mix. Even in his professional infancy, decades before Pono and the Neil Young Archives, he was a stickler for quality control.
We hope this list would pass muster with him. At 50 songs, it’s our longest to date (tied only with The Rolling Stones) and still barely scratches the surface. We could have quite easily listed the best 50 covers of “Heart of Gold” or “Like a Hurricane” alone. He gets covered about as much as any songwriter alive, and about as well too.
Neil hasn’t slowed down in his own age, and neither has the flow of new covers. Some of the covers below came out near 50 years ago themselves. Others only landed in the last year or two. No doubt another contender will arrive tomorrow. Neil never stops, and, thankfully, neither do covers of his songs.