Nov 042020
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

What a Fool Believes covers

Artists are eligible for induction into the Rock & Roll Hall of Fame 25 years after their first release. For the Doobie Brothers, who formed in 1970, it took nearly twice as long. Perhaps that’s because they have had twice as many members as most of the other inductees.

The band became hit makers in the early ‘70s: playing a hybrid of hard rock, country-rock, and blues, mixed with well-manicured harmonies. The Doobies’ sound took a 180-degree turn in 1975 when a young soul singer named Michael McDonald was tapped to fill in for the band’s ailing frontman Tom Johnston. Eventually, Johnston left, and McDonald pushed the band into blue-eyed soul territory.

In 1978, the collective recorded and released its eighth studio album Minute by Minute. With its synth-driven pop sounds, the album was a distinct departure from their earlier music. Before it hit the shelves, the band was certain they had a flop. As McDonald recalled in an episode of VH1’s Behind the Music: “I remember playing that album for a friend of mine and said, ‘Well, what do you think’? And he goes, ‘It’s a piece of shit. It sucks.’ And I remember thinking, ‘I think he’s right.’”

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Jul 302015
 

In Defense takes a second look at a much maligned cover artist or album and asks, “Was it really as bad as all that?”

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It is easy to understand how someone could find a pre-school appropriate cover of “Big Pimpin” musically lacking. By stripping all lyrical content from hip-hop and infusing a heavy dose of xylophone, artistic value becomes shaky. While this style of cover might fit well in a high school talent show, superficially they offer little more than a tight chuckle and warrant slightly more than a participatory prize.

So, why are these covers being defended?
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