Is there an unwritten rule that all of the best dream pop has to come from Baltimore, Maryland? With Beach House, Future Islands, and Lower Dens all hailing from the birthplace of the Star Spangled Banner, it seems like it is. Lower Islands, whose latest release Escape From Evil is making every indie critic swoon, celebrated their recent success with this cover of Hall & Oates “Maneater.”
It seems that gorgeous, soulful musicians are springing up on the Interwebs at a younger and younger age. Only a few years ago, a 15-year-old Birdy filled people with awe with her goosebump-inducing covers of Bon Iver and Phoenix. Ont’ Sofa Gibson Sessions recently introduced the world to 14-year-old Billie Tweddle with her quiet but powerful rendition of Hall & Oates’ “You make My Dreams Come True.”
Rumer is one of those performers who works for years to become an overnight success; she won Mojo’s 2011 Best Breakthrough Act award more than a decade after she started performing. One listen to her and you’ll wonder what took the world so long. Her voice is regularly compared to Karen Carpenter’s, and she doesn’t just sound at home singing the soft-pop sound of ’70s AM radio – she makes that sound matter like no one else has dared to in a long time.
Living in the S.F. Bay Area, I have had the pleasure of being in the know when it comes to Nicki Bluhm and The Gramblers. The soulful, rocking Bluhm is a regular live performer who turns up at the big festivals, as a guest vocalist and headlining her own gigs. A week ago a friend of mine, who is friends with Nicki, posted her most recent “Van Session” song to his Facebook, a cover of Hall and Oates‘ “I Can’t Go For That”.
Every Wednesday, our resident Gleek Eric Garneau gives his take on last night’s Glee covers.
In “Mash Off,” New Directions and rival glee club The Troubletones square off in a friendly competition to see who can produce the best mash-up in preparation for the upcoming sectionals competition. But what starts as jovial quickly turns sour, especially for Santana (Naya Rivera), who’s sitting on a pretty big secret that’s about to come out.
It’s about time for Glee‘s annual mash-up episode. I’ve talked before about how much I enjoy it when Glee travels down that particular road, so I’ll just give a quick recap here: mash-ups give Glee a chance to do something it rarely does otherwise, which is get creative with song arrangements. That’s because the show has no choice; these mash-ups have no precedent and are invented specifically for these episodes, which means they have to be at least somewhat creative, even if that creativity’s misdirected.
Download This scours the web’s dark corners for cool cover freebies. View past installments.
The 21st century has been good to Daryl Hall and John Oates. They’ve experienced an enormous resurgence of popularity among capricious young listeners and have maintained an enviable momentum of success, both together and solo. Oh, and people love to cover them.