Sep 302022
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

beach boys covers

If you were to look at the charts, the Beach Boys basically stopped having giant hits after 1966’s “Good Vibrations” (with the obvious exception of 1988’s “Kokomo”). They’re a singles band whose singles mostly dried up six years into their sixty-year career. They had a brief run of good-time hits about girls, cars, and surfing, then faded. They’re the band preserved forever in that cornball publicity photo up top.

But that’s not the story these covers tell.

The big hits are here, sure. “Surfer Girl” and “Fun Fun Fun” and “I Get Around” etc. But so are many now-iconic tunes that weren’t hits. “God Only Knows,” the Beach Boys’ most covered song, peaked at #39. By their standards, that’s a straight-up flop. Many other covered songs didn’t even make it that high. But “God Only Knows” has of course belatedly been recognized as one of the great pop songs of the 20th century. As has the album it came off of, Pet Sounds, itself a relative commercial failure.

Pet Sounds, of course, has long since been recognized as a classic. So some artists dig even deeper. “Lonely Sea” is an album cut off their 1963 album Surfin’ U.S.A. “Trader” comes off the 1973 album Holland. Three separate songs here originally came off Surf’s Up, now the go-to pick for artists who want to show they know more than Pet Sounds. Even a song not released until the ‘90s, “Still I Dream of It,” gets a killer cover.

You can trace the story of the Beach Boys’ reputation through these covers. A group once perceived as a lightweight singles act have been fully embraced as musical geniuses, all the way from the hits of the ’60s through the then-overlooked gems of the ‘70s and beyond. Some of these songs below you probably won’t know. Others you will know every single word of…but you’ve never heard them sung like this.

NEXT PAGE →

Jan 082021
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

LA’s Grant Lee Buffalo was formed in the early ’90s out of a regrouped Shiva Burlesque. A folk band juiced up with fuzz boxes, the trio could go from folk to grunge and back in a matter of moments. Lead singer and guitarist Grant-Lee Phillips has an impressive vocal range, which features an impressive falsetto that YouTube bedroom coverers dare not attempt, and makes finding covers of some songs near impossible. Although critical darlings, the band struggled to find success in what was then a radio-dominated music industry, despite great production values and lyrics about the militarization of law enforcement and voter apathy that still hold up today.

A brief reunion tour in 2013 did yield the excellent Live at the Royal Festival Hall, an authentic plugged-in affair that I highly recommend. Since breaking up, Phillips has gone solo under his own name, while bassist Paul Kimble has formed Pistol Star, and drummer Joey Peters has been a member of Rusty Truck and the country revival band Stash.

We’ve talked about the covers Grant Lee Buffalo recorded before; now it’s time to see others covering GLB originals. Let’s go down the rabbit hole.
Continue reading »

May 212020
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

When the indie band Grant Lee Buffalo burst on the scene in the early 1990s, they seemed destined for stardom. Emerging from a residency at L.A.’s Largo nightclub, the fresh young band got snatched up by a major label or two, and embarked on world tours with more seasoned pros–first R.E.M., and later Pearl Jam. Rolling Stone magazine pronounced the guy behind it all, Grant Lee Phillips, the male vocalist of the year in 1994, and Michael Stipe practically started a GLP fan club.

But instead of parlaying the attention into fame and fortune, Phillips grew disillusioned with the star-maker machinery, and the pressure to deliver instantly likable hits. His songs needed time to warm up, he said, like an old car or an old tube amp. By 2000 he had disbanded Grant Lee Buffalo and dissolved their Warner Records contract. He got to work as plain old Grant Lee Phillips. Allying himself with independent labels (Rounder, Yep Roc), he’s been recording and touring on smaller scales ever since. His work earns the critical adoration, and he doesn’t go through gyrations to transform his sound or his image. He has a knack for interesting side hustles, like composing for film and television, and acting, too. You might have seen him on seasons 1-7 of the Gilmore Girls, in the role of the wandering troubadour.

Continue reading »