Nov 232023
 

Cover Genres takes a look at cover songs in a very specific musical style.

Minnie Riperton

Back in 2022, right here on Cover Me, I wrote a confessional essay titled Soul In The Middle Of The Road. It was all about my weird, scarily specific obsession with R&B covers of soft rock songs from the ’70s and early ’80s that were recorded during that same era. Well, here’s where I confess to you that it wasn’t quite the whole story. My affliction actually runs a bit deeper than I first described. In addition to my soft-soul craving, I have a side obsession with R&B covers of classic, dirty, Dad-approved late ’60s ‘n’ ’70s-era ROCK songs recorded during those same years. Yes, you guessed it: it’s sequel time! Welcome to Exorcist II: The Heretic The Rock Of Soul, an over-the-top sister piece to that original essay.

Before we start, I need to lay out a particular parameter regarding the songs included in this love letter/essay. There are multitudes of fine soul-ified covers of songs by Bob Dylan, The Rolling Stones, and The Beatles. Everyone from Aretha to Stevie Wonder to Otis Redding has recorded something from at least one of their songbooks, as have a myriad of incredible others.

We’re not gonna talk about those.

Instead, we’re gonna be adventurous mofos. The fact is, at this stage of humanity, none of us need to hear another cover of “Let It Be,” good, bad, or otherwise (don’t freakin’ pretend like you do). Besides, it’s way more fun to look past the well-trod songbooks of rock’s behemoths and dig a little deeper. All of which is to say, we’re gonna get weird and occasionally obscure here. In a few cases, you may not be familiar with the originals. I know I wasn’t when I first heard several of these covers. So as an added bonus, I’m going to include links to some of the lesser-known tracks just so you can check them out and potentially be even more blown away by the reinterpretations (Hope says hopefully).

Okay, are you ready to hear some fine, old-school late ’60s and ’70s FM radio nuggets by wonderfully sludgy stalwarts/stallions/stadium stalkers like Cream, Free, and Mr. Springsteen get transformed into mighty ‘n’ righteous clouds of joy (and shimmery beautiful tears)? Then let’s get crackin’ (chronologically).
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Feb 112011
 

Live Collection brings together every live cover we can find from an artist. And we find a lot.


Hailing from Chicago, IL, the Smashing Pumpkins helped blaze a trail for the wave of apathy that infected most ’90s alternative rock. They also gave hip kids from the Midwest the first nationally-recognizable band they could take pride in since Cheap Trick. Formed in 1988, the Pumpkins enjoyed over a decade of fame and influence until noted in-fighting brought about their dissolution at the turn of the millennium. After numerous side-projects and member-shuffling, the Pumpkins have once again taken to the stage under the leadership of Billy Corgan, perhaps one of rock music’s true auteurs.

The Pumpkins have celebrated their diverse influences via cover songs throughout their career. A quick scan of their recorded catalog reveals studio takes of tracks originally by acts like the Cars, Van Halen, Alice Cooper, the Cure and Missing Persons. Their live shows are similarly peppered with covers that one might not expect to hear from these iconic slackers. Some of these do seem like a natural fit though: it’s not too hard to draw a line to the Pumpkins from Neil Young, Depeche Mode or Pink Floyd, for instance. Continue reading »

Jan 042011
 

Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.

Many people who know Tim Reynolds came to him via one man: Dave Matthews. The two toured together as an acoustic duo for years. He toured with Dave Matthews & Friends and finally became an official Dave Matthews Band member in 2008. Saying Reynolds would be nothing without Matthews gives him too little credit; prowess this impressive couldn’t go unheard forever. Without Dave though, Reynolds’ career trajectory would look very different.

Before you dismiss him as some leech riding Matthews’ coattails though, you need to hear his solo stuff. Whether you think Matthews is a modern prophet or self-important fratboy is irrelevant. Even the most ardent Dave-bashers can enjoy Reynolds’ guitar mastery. No mindless jamming here; when Reynolds sets out on an instrumental journey, he does so with purpose. Continue reading »