Andrew Leahey & the Homestead – Lips Like Sugar (Echo and the Bunnymen cover)
Nashville Americana musician Andrew Leahey first heard “Lips Like Sugar” a couple years ago while touring through Texas. Dozing in the van, he woke up to a bandmate blasting the Echo and the Bunnymen hit. “I remember thinking, ‘I hope we don’t crash right now, because I absolutely need to learn how to play this,'” he said. “We’ve been playing it ever since.” He recorded it for his new album Airwaves, out tomorrow.
Bill Frisell and Thomas Morgan – You Only Live Twice (Nancy Sinatra cover)
Guitar great Bill Frisell first recorded the classic James Bond theme a couple years ago for his album (one of our favorites of that year). He revisits it now for a live album with bassist Thomas Morgan. Like any jazz musician worth his martini, Frisell changes and expands the Bond song the second time through. It’s barely recognizable much of the time, but would still be worth a spot on our Best Bond Covers list.Continue reading »
In 2006, everyone was losing their mind over Gnarls Barkley’s breakout single “Crazy.” The song appealed to just about everyone: young/old, black/white, people who dug Motown and people who dug hip-hop. I was working at a record shop at the time, and music lovers turned out in droves to buy the duo’s debut album on CD, even in a era when most listeners were downloading iTunes singles en masse. Like Michael Jackson’s “Billie Jean,” the song blends dark, paranoid lyrics with a danceable groove.Continue reading »
Follow all our Best of 2016 coverage (along with previous year-end lists) here.
2016 in music will be most remembered for one thing: death. It seemed like an unprecedented list of major musical figures left us this year: David Bowie, Prince, Merle Haggard, Leonard Cohen. The list, sadly, goes on and on.
Prominent passings affect many aspects of the music world, but the impact is particularly clear in the world of cover songs: When an artist dies, a lot of people cover his or her songs. The world was hardly hurting for Prince covers before April 21, but afterwards, to paraphrase the man himself, we went crazy. Bruce Springsteen alone became a one-man tribute machine, covering Bowie, Prince, The Eagles’ Glenn Frey, and Suicide’s Alan Vega after they died (it’s a shame his tour ended before Cohen passed because he’d do a great “Everybody Knows”). Our list this year features a number of these tribute covers – though both the Cohen covers listed were actually released before his death, proving there’s no need to wait to honor one of the greats.
Our list also features fantastic final covers by the recently departed, brilliant song-interpreters like Sharon Jones and Allen Toussaint. The fact that they died may add extra meaning to these new songs, but they’d make the list regardless. Whether they performed wonderful covers or wrote wonderful songs for others to cover, we miss these artists because they were great. They don’t need any “death bump.”
The year wasn’t all dire though. Our list features many covers by and of artists who are alive in every sense of the word. Kendrick Lamar and Drake represent the new world of hip-hop, Kacey Musgraves and Sturgill Simpson in country, Animal Collective and Joyce Manor in indie rock, and in too many other genres to name. Jason Isbell currently holds a streak here, making his third consecutive appearance this year.
We also have plenty of artists whose names I won’t highlight here, because you probably won’t have heard of them…yet. We’re not in the business of predicting fame – the music industry is far too fickle for that – but some of our past best-cover winners have gone on to big things this year, like Chance the Rapper (2014 winner) and The Weeknd (2012 winner). Hell, Sturgill (#3 in 2014) just got an Album of the Year Grammy nomination!
Those early covers may have helped kick off such success. A revelatory cover song can help a musician attract early attention. When I interviewed Mark Mothersbaugh recently, he said no one understood what Devo was doing until they covered “Satisfaction.” A familiar song done Devo-style finally made the connection for people. “Whip It” and other original hits would not be far behind.
Maybe some of this year’s under-the-radar names will go on to Weeknd-level superstardom. But even if they don’t, all these covers, by household names and Garageband geeks alike, deserve recognition. We’ll miss all the great musicians who left us this year, but it’s gratifying to see so many promising younger artists coming in to fill their shoes.
– Ray Padgett, Editor in Chief
(Illustration by Sarah Parkinson)
PS. Last year in this space, I mentioned I’m writing a book about cover songs. Well, Cover Me (the book, that is) is finished and will be out next year! In addition to the aforementioned Mothersbaugh, I interviewed Roger Daltrey about “Summertime Blues,” David Byrne about “Take Me to the River,” and many more. Follow our Facebook for updates on preorder, etc. Now, on to the countdown…
Kacey Musgraves, a traditionalist country star trying to drag her genre out of New Nashville Hell, is a fitting choice to pay tribute to a musical act that in the 2000s did the impossible and wrote a universal indie/rap/pop/whatever hit that was so good you didn’t roll your eyes when Rolling Stone named it the #1 song of the decade.
Gnarls Barkley‘s “Crazy” was an inescapable song in 2006 in both its original form and cover renditions. Everyone from The Raconteurs to Nelly Furtado have put their own spin on the highly infectious tune. Although eight years old (yes, you read that correctly), the song still has that freshness to it, and YouTube star Daniela Andrade captures it perfectly with her take on the debut single from Danger Mouse and CeeLo Green.Continue reading »
Hailing from the blues hotbed of St. Louis, Bhi Bhiman isn’t your typical acoustic guitar-strumming, harp-blowing, scratchy-voiced folk troubadour. While many of his folk peers strive for the classic early-Bob Dylan aesthetic, Bhi’s voice has a soulful smoothness to it that makes him sound more like Cee-Lo Green than Ramblin’ Jack Elliot or Woody Guthrie. Considering the obvious vocal resemblance between Bhiman and the former Goodie Mob rapper, it seems only natural that Bhi would offer his own acoustic interpretation of Green’s most vocally-ambitious track, the hit single “Crazy” from the 2006 debut album by Gnarls Barkley, Green’s collaborative project with Danger Mouse.Continue reading »