Apr 122013
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

There’s a feel to the Pixies’ “Where Is My Mind?” that can be hard to pinpoint. There’s the Caribbean element to it, the literal storytelling of swimming in the ocean with sea creatures, but there’s no island feel to go with the lyrics; there’s the tricks, the spinning, the looming possibility of one’s empty head collapsing, and yet none of the nauseous dread that these images evoke. Instead, fittingly, the feel is one of distance – everything is there, all those lyrics and thoughts laid out, and yet they’re not what the song is about. It’s about a theme, a feeling, an environment, a difficult-to-pinpoint quality that brings the listener in. It’s a song that’s easy to cover and yet incredibly difficult to cover well, a song where a good cover is measured in its ability to capture something intangible.

Some artists, however, manage to capture it (or something close to it), and leave us not just enjoying a song but wondering the very question posed in the title. Continue reading »

Dec 062011
 

I have no hard data to back this up, but I suspect that EPs play a larger role in the world of cover songs than they do elsewhere. In the wider world, EPs tend to be an afterthought, a set of rejects or remixes that may or may not be worthwhile. People pay little attention to EPs, and artists act accordingly, saving their real statements for the full-lengths. In our world, though, we see as many EPs as we do proper albums, and they’re every bit as good. An artist may hesitate to put out a “cover album” – still a loaded term in some circles – but in the age of Garageband and Bandcamp, it’s only too easy to record a half dozen covers and toss ‘em out between albums. Therefore, in honor of the EP’s prominence in our world, we present our favorite EPs of 2011 (with an MP3 from each). Continue reading »

Oct 072011
 

You’ve probably never heard of Glowbug until now, but his new covers EP Covered in Lights Vol. 1 should get your attention. The Washington state producer crafts a warm ambient-dance pop that exhibits far more character than these hazy laptop productions generally muster. Over the course of four songs, he converts beloved alternative/indie songs and bands into his upbeat electronica. Oh, and best of all, it’s free. Continue reading »