Aug 212015

Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.


One of the perks of writing for Cover Me is the degree to which it gives you the chance to make discoveries. For instance, I was searching for some good Clash covers (more on why in a minute) and it led to find the 2006 album Stereo Also Playable Mono by MakroSoft. After listening to a few tracks, I got the impression that John Barry, Lalo Schifrin, and Ennio Morricone had gotten together, in a laboratory sponsored by Kraftwerk, and created film scores based on some of the immortal songs of the previous half century.
Continue reading »

Dec 072011

Every Wednesday, our resident Gleek Eric Garneau gives his take on last night’s Glee covers.

In “Hold on to Sixteen,” New Directions and their rival glee club the TroubleTones compete in the Sectionals competition. Meanwhile, Quinn (Dianna Agron) plots to get Shelby (Idina Menzel) fired and an old friend returns to McKinley High.

Just last week I was thinking about how, in the future, we’ll be able to look back and pinpoint lackluster Glee episodes with an alarming degree of certainty based solely on the presence of Sam Evans (Chord Overstreet), a character who appeared only in season two, which seems generally agreed-upon as the worst of Glee‘s output to date. It should be no surprise, then, that when Sam returns to the show this week he brings with him a very season two-styled episode that feels the need to rush through a whirlwind of plot points without really doing justice to any of them. Even though “Hold on to Sixteen” is one of those special “competition” episodes that brings plots to their culmination by design, everything about it feels so hurried that nothing really has a chance to land – it’s 20 minutes of plot, then 20 minutes of performances, then a tacked-on happy ending. Honestly, I did not enjoy it. Continue reading »

Aug 092011

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

For most of their existence, Athens, GA quartet (later trio) R.E.M. has been synonymous with college rock. As early pioneers of the alternative movement that bucked popular trends like hair metal and new wave, R.E.M. gained significant notoriety among their core fan base with strong ’80s efforts like Murmur and Life’s Rich Pageant before finding mainstream success with hits such as 1987’s “The One I Love” and 1991’s monster single “Losing My Religion.” They continue to record to this day, and still have legions of devoted fans. In fact, they released their 15th studio album, Collapse Into Now, only a few months ago, taking them into the 31st consecutive year of their career. Continue reading »