Jun 112018
 

In Pick Five, great artists pick five cover songs that matter to them.

the posies covers

Beloved power-pop stalwarts The Posies turn 30 this year, and are celebrating with an ambitious round of reissues of their first three major-label albums: 1990’s Dear 23 (out this Friday), 1993’s Frosting on the Beater (out August 3), and 1996’s Amazing Disgrace (out October 28). All feature new remasters from the original tapes and unheard bonus tracks. While we wait, relive the original version of one of their biggest hits, “Dream All Day.”

The band is currently on a lengthy 30th anniversary tour (upcoming dates at the bottom, and also here), but founding members Ken Stringfellow and Jon Auer took some downtime in the van to tell us about their favorite cover songs. As will not surprise anyone who’s heard their music, they really like Elvis Costello! Also not surprising: These two guys know their stuff, digging deep into the crates of soul, college-rock, and beyond.

And now, join Ken and Jon as they lead you on a guided tour through their cover-song collections… Continue reading »

May 312018
 
best cover songs may

The usual disclaimer: Our monthly “Best Cover Songs” aren’t ranked, and the “Honorable Mentions” aren’t necessarily worse than the others.

Update: Hear me discuss this list, along with our Best Pink Floyd Covers ranking, on SiriusXM Volume:
https://soundcloud.com/siriusxmentertainment/ray-padgett-of-covermesongscom-favorite-covers-in-may-covers-of-pink-floyd

Angus and Julia Stone – Passionfruit (Drake cover)


Three prominent indie artists covered Drake’s “Passionfruit” this month: Franz Ferdinand, Cornelius, and, the best of the bunch, Angus and Julia Stone. Covering a rap song is easier, I suppose, when there’s no actual rapping. Few political or racial minefields in the lyrics for artists to navigate help too (for a counterexample: this month’s worst cover). For Triple J’s great series “Like a Version,” Angus and Julia Stone brought their beautiful harmonies to a smooth soul bed. It floats like Gram and Emmylou singing a Marvin Gaye song. Continue reading »

Feb 102016
 

Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.

sons of bill

Sons of Bill hails from Charlottesville, Virginia. The band was formed by brothers James, Sam, and Abe Wilson, whose father Bill is a professor of theology and Southern literature at the University of Virginia. The lineup, filled out by Seth Green and Todd Wellons, has honed their sound across four albums. Their latest, Love and Logic, is a huge step forward in the band’s literary and thoughtful brand of Southern rock. Ken Coomer, of Uncle Tupelo and Wilco, produced the record, saying it “takes [him] back to some of the creative heights” he found with the latter band. That’s high praise indeed, but Sons of Bill deserves it. They’ve toured the States and Europe relentlessly, working hard to win fans over one at a time both with their original music and with a selection of covers. The songs they choose reflect their wide range of influences. Here’s some of their best cover work.

Continue reading »

Jul 312013
 

Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.

Here at Cover Me Q&A, we’ll be taking questions about cover songs and giving as many different answers as we can. This will give us a chance to hold forth on covers we might not otherwise get to talk about, to give Cover Me readers a chance to learn more about individual staffers’ tastes and writing styles, and to provide an opportunity for some back-and-forth, as we’ll be taking requests (learn how to do so at feature’s end).

Today’s question: What’s a song you hated until you heard it covered?

Continue reading »

Jun 022011
 

Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.

Bursting onto the scene in the early ‘80s, Jason & the Scorchers laid waste to preconceived notions of what country-rock should sound like and would influence countless bands that would follow their cowpunk/alt-country path. Though well supported by their record label (EMI), Jason & the Scorchers still struggled to find mainstream acceptance in a decade where country radio was in the doldrums and rock radio was seemingly waiting for whatever Mutt Lange would produce next. In 1983, EMI made their first and best attempt to break Jason & the Scorchers big via a video of a cover song added to their reissued EP Fervor. “Absolutely Sweet Marie” would find its way to MTV and the cult following began to broaden. Continue reading »