With the possible exception of Martin Scorsese, no movie director has been more closely identified with his soundtracks than Wes Anderson. He has consistently selected songs by well-known artists that, through no fault of their own, have become three-quarters forgotten over the years, and reintroduced them to the world as the classics they had always been. If someone calls a song a prime candidate for the next Wes Anderson soundtrack (Guilty!), an instant and accurate picture is created. The soundtracks show a cohesion that’s rare in these days of we-want-a-hit soundtracks, where the earmarked smash doesn’t play until the final credits have started rolling, and they have become high points in the experience of watching Anderson’s movies. Now the American Laundromat Records label has collected covers of some of those high points on I Saved Latin! A Tribute to Wes Anderson, resulting in the best tribute album of the year.
When people look back in 2011 in music a decade from now, one name will come to mind: Adele. In our little world of cover songs, she dominated. Everyone covered Adele this year. It’s not just that we saw more covers of “Rolling in the Deep” than any other song; they beat out second place (probably “Pumped Up Kicks”) by like a factor of five! We generally try to look for larger cover trends in these annual wrap-ups, but it’s hard to remember anything else from this year except the year-long onslaught of Adele covers hitting our mailbox.
There’s only one “Rolling in the Deep” cover in this year’s list though. The rest are all over the place. Some of the artists listed built their covers with lush soundscapes, thick beats, and intricate string work. Others just took guitars or pianos and bowled us over with the emotion in their voices. There may not be much of an overarching “Year in Covers” narrative, but that means there’s a cover or two for everyone. From feel-good takes on rap songs to kill-yourself versions of pop songs, this year’s list features flips, flops, and genre switcheroos of all sorts. A good cover should be informed by the source material but stand on its own, and we’ll be unrolling the 50 finest examples of songs doing just that all week. Start with #50-41 on the next page and check back daily as we count down to the best cover of 2011.
Chimes of Freedom: The Songs of Bob Dylan Honoring 50 Years of Amnesty International doesn’t come out for another month, but the massive four-disc tribute is available to stream below. We’re just making our way through it ourselves, but the Gaslight Anthem’s “Changing of the Guards” and Queens of the Stone Age‘s “Outlaw Blues” are early highlights. On the flip side, Ke$ha‘s “Don’t Think Twice, It’s Alright” is truly atrocious (though Miley Cyrus‘ “You’re Gonna Make Me Lonesome When You Go” isn’t bad at all). For whatever reason, you can stream 60-second excerpts of the first two discs and the full songs for the second two. At 2+ hours of music, though, we think you’ll survive. Stream the album below, then tell us what the best/worst songs are in the comments. (via Facebook)
Can you ever have ever too much Bob Dylan? With the release of an astounding line-up of artists for the latest Dylan tribute, the answer is a resounding – never! Last month we brought you more info on the upcoming Bob Dylan tribute album, Chimes of Freedom: The Songs of Bob Dylan Honoring 50 Years of Amnesty International (including Ke$ha’s unfortunate quote comparing her music to that of the legend), but the full tracklist gets us even more excited. Elvis Costello! The Gaslight Anthem! Pete Townshend! Flogging Molly! Kronos Quartet!
New Hampshire roots-rock trio Aunt Martha landed a coveted spot on the lineup of Bonnaroo next week and they’re celebrating in style: by covering songs by their Bonnaroo 2011 peers. Starting last month with Arcade Fire’s “Rebellion (Lies),” they’ve been posting a new cover recording to Vimeo every few days and it’s about time we rounded up some of the best of them.
When most people think of Devo, they think of crazy plastic hats, elaborate costumes, and, occasionally, Swiffer Wet Jets. Freelance Whales tackle one of Devo’s other singles, “Girl U Want,” and whip it into something completely different. Going for a more true-to-the-lyrics tone, Freelance Whales takes the original poppy and upbeat synth and turns it into a ballad, slowing down the synth and adding finger-picking banjo. Unrequited love never sounded so good.