Willie Nelson’s latest album My Way is billed is as a tribute to Frank Sinatra. But it’s really just another chapter in Nelson’s retelling of the Great American Songbook. It features Nelson’s signature dude ranch cabaret sound that he’s perfected over the course of the last four decades, starting with the 1978 classic Stardust.
Throughout My Way, whether he’s backed by a large orchestra or small jazz combo, Nelson has the uncanny ability to make the tracks his own. There’s his instantly recognizable voice, which still sounds impeccable. He infuses the lush arrangements with heavy amounts of harmonica. While Nelson does not break any new musical ground, listening to the record is a bit like hanging out with an old friend, or at the very least, with a familiar (red-headed) stranger.
Arctic Monkeys got a lot of attention covering the Strokes last week (especially because on his new album, Alex Turner sings: “I just want to be one of the Strokes”). But I preferred their wonderfully sleazy “Lipstick Vogue” cover, played in honor of Costello as he recovered from cancer surgery. Turner’s a product of his influences; in addition to the Strokes and Elvis, he appears to have his Nick Cave snake slither down cold.Continue reading »
In Memoriam pays tribute to those who have left this world, and the songs they left us to remember them by.
On this day 20 years ago, America lost its greatest entertainer when Francis Albert Sinatra passed away at the age of 82 after suffering a fatal heart attack. The renowned singer/actor/producer had been in ill health and out of the public eye for over a year following an earlier heart attack. While it’s appropriate to celebrate his amazing, resilient life, today marks the silver anniversary of a sad day. With that, we thought it would be just as appropriate to remember his talent for interpreting some of the sad songs that were often a source of comfort for many.
I was inspired to take this approach after reading an insightful thread in the popular Steve Hoffman music forum titled “Sinatra’s best sad songs.” There, one member astutely posted: “With Sinatra, there are sad songs, sadder songs, and ‘dark night of the soul’ sad songs.” Many have become pop/jazz standards and Sinatra is often credited with recording a definitive version. Here are covers of five songs that were mentioned frequently; we believe The Chairman would have smilingly approved.Continue reading »
In the Spotlight showcases a cross-section of an artist’s cover work.View past installments, then post suggestions for future picks in the comments!
Our casual Sex Pistols stroll down memory lane concludes today with a look at the covers they performed themselves. If you’ve been with us through the series, we’ve presented their one-and-only studio album Never Mind The Bullocks, Here’s The Sex Pistols as a Full Album feature along with several single-artist tributes to the entire album. We’ve also covered the covers spawned from each of their four singles: “Anarchy In the U.K.,” “God Save The Queen,” “Pretty Vacant,” and “Holidays In The Sun.”
Covers performed by the band first started to appear on official commercial releases only after the Rotten/Jones/Cook/Vicious line-up imploded in January of 1978. However, like most new bands with limited original material, covers were part of their live sets from the start. And since the band’s break-up, several poorly recorded versions from those early shows have found their way to market. But the bulk of any discussion about cover versions performed by the punk icons will focus on The Great Rock ‘n’ Roll Swindle, the early 1979 double soundtrack album from the “mockumentary” film about the band of the same name.Continue reading »
Follow all our Best of 2017 coverage (along with previous year-end lists) here.
Year-end lists are a time to look back. That’s something we’ve been doing a lot of this year.
See, we turned ten years old in 2017 – practically ancient in internet-blog terms – so we’ve indulged in what we feel is well-earned nostalgia. At the beginning of the year, each of our writers picked the ten most important covers in their life (see them here and here and here and here and here and here and here and here and here and here). We even listed the ten most important covers in Cover Me‘s life, from the song that inspired the site to our very first Best of the Year winner.
Then, to cap things off, in October we commissioned a 25-track tribute to the cover song itself – which you can still download for free. We love the covers everyone contributed so much, incidentally, that we didn’t consider them for this list. It’d be like picking favorite children – if you had 25 of ’em.
Oh, and have I mentioned I wrote a book? … What’s that you say? I mentioned that constantly? Well, I’m quite proud of it. It’s called Cover Me: The Stories Behind the Greatest Cover Songs of All Time and it makes a great Christmas gift and – ok, ok, I’ll stop. You can find plenty more about it elsewhere.
Suffice to say, there’s been a lot of looking back this year. And we hope you’ll indulge us this one last glance rearward before we leap into 2018. Because if it’s been a hell of a year for us, it’s certainly also been a hell of a year for the cover song in general. Some of this year’s list ranks among the best covers we’ve ever heard, period. So dig in, and thanks for your support this past decade.
Happy Birthday to Ol’ Blue Eyes, The Chairman of the Board, The Voice! Francis Albert Sinatra was born on this day in 1915 in Hoboken, New Jersey. America’s greatest entertainer, the most prolific of all time, made countless songs his own with his signature phrasing and style. But before his passing in 1998, how many songs did the quintessential cover artist actually write himself – not just perform? And of interest to Cover Me readers, which artists have successfully covered his songs?
Sinatra made his bones as an interpreter of other peoples’ songs. He was an artist, yes, but not the kind who labored over lyrics or composed the musical notes. A look through his vast catalog shows that he recorded nearly 1,000 different song titles with an additional 400-600 multiple recordings of the same title. A further look shows that only seven of those titles carry his name; always as a co-writer/contributor, none were penned by him alone. In a career that spanned over seven decades, those seven songs were written and originally recorded between 1941-1958 while Sinatra was between the ages of 26 and 43. In chronological order, here are the seven songs he helped write: