Aerosmith’s Joe Perry is no stranger to covers. During his 47-year run as lead guitarist for “America’s Greatest Rock and Roll Band,” Perry and his Aerosmith mates have taken on dozens. Not surprisingly, most, like the band itself, are rooted in R&B with a few Beatles tracks thrown in for good measure. Their long list of covers can be seen here.
For the most part, Joe’s been consistent with a similar formula both as leader of The Joe Perry Project (during two separate stints) and as a solo artist. But as we’ll see, up to and including his latest album, Sweetzerland Manifesto – released last week – one could argue that his personal choices have been a bit more adventurous…Continue reading »
2017 was a particularly tough year with the loss of so many musicians, and 2018 is starting out with more sadness. Dolores O’ Riordan, lead singer of The Cranberries and one of the most recognizable female vocalists in history, has passed away at the age of 46. Their influence, and specifically, O’Riordan’s leadership, can be felt in the generations of musicians who have followed them, as described beautifully by Hozier: “My first time hearing Dolores O’Riordan’s voice was unforgettable. It threw into question what a voice could sound like in that context of rock. I’d never heard somebody use their instrument in that way.”
The Cranberries released very few covers in their career: two for tribute albums, and a third, a cover of Elvis Presley’s “In The Ghetto” on their album Wake Up and Smell the Coffee.
The first of two compilation covers, “(They Long to Be) Close to You”, can be found on If I Were a Carpenter, a tribute album to The Carpenters. O’Riordan’s voice is the immediate tip off that we have flashed forward almost 25 years from the original hit. With sparse instrumentals, the Irish lilt is especially pronounced, as is the slightly darker tone of O’Riordan’s voice from Karen’s sweetly sung rendition. It’s a lovely cover, and a standout on the album.Continue reading »
Follow all our Best of 2017 coverage (along with previous year-end lists) here.
Year-end lists are a time to look back. That’s something we’ve been doing a lot of this year.
See, we turned ten years old in 2017 – practically ancient in internet-blog terms – so we’ve indulged in what we feel is well-earned nostalgia. At the beginning of the year, each of our writers picked the ten most important covers in their life (see them here and here and here and here and here and here and here and here and here and here). We even listed the ten most important covers in Cover Me‘s life, from the song that inspired the site to our very first Best of the Year winner.
Then, to cap things off, in October we commissioned a 25-track tribute to the cover song itself – which you can still download for free. We love the covers everyone contributed so much, incidentally, that we didn’t consider them for this list. It’d be like picking favorite children – if you had 25 of ’em.
Oh, and have I mentioned I wrote a book? … What’s that you say? I mentioned that constantly? Well, I’m quite proud of it. It’s called Cover Me: The Stories Behind the Greatest Cover Songs of All Time and it makes a great Christmas gift and – ok, ok, I’ll stop. You can find plenty more about it elsewhere.
Suffice to say, there’s been a lot of looking back this year. And we hope you’ll indulge us this one last glance rearward before we leap into 2018. Because if it’s been a hell of a year for us, it’s certainly also been a hell of a year for the cover song in general. Some of this year’s list ranks among the best covers we’ve ever heard, period. So dig in, and thanks for your support this past decade.
Follow all our Best of 2017 coverage (along with previous year-end lists) here.
Cover albums come and go from memory. It’s sort of inherent in the genre. When a major release comes out – a cover album by one prominent artist, or a tribute compilation by many – it tends to garner an avalanche of blog posts, then get forgotten within a year or two. Many deserve to, no doubt…but not all.
So, since we’ve been looking back a lot this year to celebrate our tenth birthday, I dug back into our previous year-end album lists. My original plan was to see which of our past #1s held up and which didn’t, but I was pleasantly surprised to find they were all still enjoyable. But many, even those that were big deals at the time, have been semi-forgotten.
So I thought, before we dive into this year’s crop, let’s remember what came before. We didn’t do a list the first couple years, but here’s every album we’ve named #1 so far, along with an excerpt of our reviews:
2009: The Lemonheads – ‘Varshons’
“Twelve songs of booze-pop genius cover both classic tunes by songwriters like Leonard Cohen (Liv Tyler guests!) and Townes Van Zandt and obscurities from July and the unfortunately-named FuckEmos.” See that year’s full list here.
2010: Peter Gabriel – ‘Scratch My Back’
“Against all odds, Gabriel builds an orchestra-filled, indie-fied, emotion-fueled masterpiece.” See that year’s full list here.
2011: Baaba Kulka – ‘Baaba Kulka’
“It’s a boisterous Iron Maiden celebration by a collective that may not have a metal bone in its body, but invite big grins while you sing (and dance) along with the wildest crossover album this side of Warsaw.” See that year’s full list here.
2012: Neil Young & Crazy Horse – ‘Americana’
“When you press play the first thing that strikes you is the fuzz of the power chords, the strained bellows, the cardboard-box bashing of the drums. Neil and the Horse’s ragged glory rages so hard the source material becomes secondary.” See that year’s full list here.
2013: Xiu Xiu – ‘Nina’
“Xiu Xiu’s Nina Simone tribute album isn’t an easy listen. It’s not necessarily an enjoyable one either. What it is though is riveting.” See that year’s full list here.
2014: Andrew Bird – ‘Things Are Really Great Here, Sort Of…’
“In Bird’s delivery, the Handsome Family’s songs of old, weird Americana kitsch will hopefully reach listeners who might find the originals too weird.” See that year’s full list here.
2015: Bob Dylan – ‘Shadows in the Night’
“Him releasing an album of songs associated with Frank Sinatra was no surprise at all; he’s been operating in the Ol’ Blues Eyes vein for decades now, just with a (very) different instrument.” See that year’s full list here.
2016: Various Artists – ‘God Don’t Never Change: The Songs of Blind Willie Johnson’
“When it comes to preserving the depth and breadth of the contexts and traditions of American music that informed Blind Willie Johnson’s ecclesiastic but world-weary growl, it helps that the nine artists here…are able to handle the spiritual aspects of Johnson’s work.” See that year’s full list here.
Okay, now that you’re all caught up – let’s see what this year holds!
I was studying abroad one semester and found myself with a lot of free time – school work was light, and a college student’s budget limited my international explorations – so I decided to start a blog. A second blog actually, since for several years I had run a personal blog of concert reviews and bootleg downloads called Dylan, Etc (it had more “Dylan” than it did “Etc”). I’d fallen in love with the cover song after hearing Bob Dylan (who else) play a revelatory cover of “Summertime” on his short-lived radio show. I’d already hosted a Cover Me college radio show, and decided to expand us to the World Wide Web.
These were the days of the so-called “MP3 blog,” which included a vibrant subgenre of cover-songs blogs. That’s right, I’d like to claim credit for inventing the category, but I didn’t – not even close. RIP to Copy Right?, Cover Freak, Fong Songs, and the rest of the pioneers – and shoutout to our fellow survivors from that era, Coverville, which was releasing podcasts before most people knew what that word meant, and the folk blog Cover Lay Down, which began around the same time as us.
A lot has changed over the past decade. We’ve published 3,564 posts as of this one. Oh, and did you notice the pronoun change there? Cover Me is no longer an “I” – it’s a “we”, with over 60 writers contributing over the years. We’ve grown from an ugly Blogspot to our spiffy own domain (which is overdue for a redesign itself, frankly). And in case the large banner ads all over the site weren’t clue enough, I just released a book also called Cover Me, which – back-patting alert – Variety called “one of the best multi-subject music books to come down the pike in years.”
We wanted to do something special to celebrate our tenth birthday. And we wanted to celebrate not just ourselves, but celebrate the cover song itself. So we put together this little album Cover Me Turns 10: A Covers Tribute to Covers as a gift to our readers. We contacted several dozen of our musician friends and asked them to cover a cover. That is, to honor the many great songs we might not even know without an iconic cover – Aretha Franklin reinventing Otis Redding’s “Respect,” Quiet Riot amplifying Slade’s call to feel the noize, Prince learning that nothing compares 2 Sinéad O’Connor.
We’re honored that so many of our favorite musicians contributed, and frankly speechless at how great a job they did. So speechless, in fact, that we asked them all to introduce their own work with a few sentences. A million thanks to all of them, and also to Cover Me writer and art whiz Sean Balkwill for designing the lovely – ahem – cover. The whole thing is free to download at Bandcamp until downloads run out, and free to stream forever.
Enough chatter from me. For ten years this blog has been all about celebrating the music and we’re not going to stop now. Thanks for taking this journey with us.
Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.
“For Your Love” was where English teen Graham Gouldman’s songwriting trilogy for the Yardbirds began. The band’s pivot away from their R&B roots to a more “experimental-yet-accessible” sound kicked off in 1965 when they picked up three Gouldman-penned tunes. “For Your Love,” the first single to be released, became an immediate hit in the UK (#1 on NME) and reached #6 in the US and #1 in Canada. It’s become known as one of the great classics of the British Invasion and paved the way for the similar success achieved by Gouldman’s other contributions, “Heart Full of Soul” and “Evil Hearted You.”
The band made a concerted effort to create a unique arrangement for the song. Gouldman and rhythm guitarist Chris Dreja are both on the record citing the song’s “weirdness” due to elements like the (accidental) addition of the now-signature minor chord harpsichord introduction, bongos, and a bowed bass. The end product sounded like two songs fused together; one with an ancient or middle eastern feel, the other, an R&B standard. Legendary guitarist Eric Clapton can be heard playing on the bridge, his final recorded notes with the Yardbirds before leaving the group after the song’s release (to be replaced by Jeff Beck).
We’ve identified over 60 verified covers of the song. Gouldman fans can find the first recording of his own song in our covers review of The Yardbirds’ Greatest Hits. For this global hit, we’ve selected five additional favorites and a bushel of bonus tracks for you to enjoy… Continue reading »