Check out the best covers of past months here.
Promoting her new album That’s How Rumors Get Started, Margo Price has been on a great covers kick. She recently tackled a political country classic at the Grand Ole Opry, Bob Dylan on CBS, and John Lennon from her house. Now she’s teamed up with Band of Heathens to cover a Lucinda Williams classic. To quote Lucinda on Instagram, “Get to Slidell, girl!!” Continue reading »
Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!
One thing I’ve noticed since Tom Petty’s death, one year ago today, is that he’s been re-appreciated as an album artist. Unlike many of his peers, he never had a world-conquering Born in the U.S.A. or Rumours. His best-selling album – by far – is 1993’s Greatest Hits. But when icons pass, their catalogs get re-assessed.
Some have made the case for Damn the Torpedoes or Full Moon Fever as the best Petty album, and those two – one recorded with the Heartbreakers, one sounding like it might as well have been – certainly offer quintessential Petty-brand rock. But as a complete album statement, Wildflowers tops the list for me. It had a few radio-ready hits – didn’t they all? – but on the whole it presented a softer singer-songwriter side of Petty, harmonies and strummed acoustics subbing in for the big arena-rock choruses.
So, though we’ve paid tribute to Petty before, on the one-year anniversary of his death we wanted to complete a project that we’ve been working on for a while: giving Wildflowers the Full-Album treatment. One roadblock that previously kept us from completing this was that, as in so much of Petty’s career, the hits loomed large. We found ourselves with hundreds of “You Don’t Know How It Feels” covers to choose from, but nothing for some deeper cuts.
So, to quote a band Petty revered as much as any musician, we got by with a little help from our friends. Two of the below songs are exclusives recorded just for this, the first covers – the first good covers, at any rate – of several lesser-known gems. Having songs like this sneaking under the mainstream radar is proof that Petty was, in the end, an album artist as good as they come. Continue reading »
Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.
It feels a little strange saying “spoiler alert” about a movie that’s closing in on fifty years old and is a huge cult favorite besides, but if you’ve seen Harold and Maude, you know the importance the Cat Stevens song “Trouble” has in the movie. The sequence is unforgettable, and one viewing will forever tie the song to that series of images.
Of course, the song didn’t need Harold and Maude to stand out – it was a key track on Mona Bone Jakon, the album that reintroduced Stevens to the listening public as an introspective singer-songwriter over a year and a half before the movie’s release. No longer a chamber-popster, Stevens looked long and hard at himself and humbly reported what he’d found to listeners who could relate. They still do.
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April was the best month for covers of the year so far. There’s no particular reason for that, I suspect. These things just ebb and flow. But the fact remains that it was a proverbial embarrassment of riches, as the length of the list below confirms.
As always, there’s no quality difference between the main picks and the honorable mentions; a cover’s categorization is only determined by how much I had to say about it. Continue reading »
Last Monday, America woke up and didn’t want to get out of bed. There was yet another senseless massacre, this time in Las Vegas. Even more traumatic for us music fans, it took place in our church, at a concert venue. Later in the afternoon, the news broke that Tom Petty had died, and, a few hours on, that Tom Petty had died a second time. It was like we were getting sucker punched over and over again.
His words made us feel better: that losing is part of life, but we should never give up hope. That the world may drag us down, but people will be there for us. And that we should be free to chase our dreams, whether it be deep within ourselves or making them part of the world. We shouldn’t back down because Tom wouldn’t. To bullies, to being ostracized, and to being anything but ourselves.
Petty was a classic rock and roll survivor, ruling radio in the 1970s, winning MTV video music awards in the ’80s, and writing the song that came back from the dead to be the only happy moment in Silence of the Lambs in the ’90s. He recorded some of America’s most anthemic and heartfelt music, and although his later output declined some, he never slowed down, collaborating in the supergroup The Traveling Wilburys and becoming Johnny Cash’s sideman with the Heartbreakers, reforming his old band Mudcrutch, and endlessly touring.
Upon the news of his death, artists starting playing tribute covers immediately, both in the studio and onstage. I’ve listened to a few dozen over the past few days. Here are my favorites. Continue reading »
Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.
Ray Padgett founded Cover Me in 2007. He has a book about cover songs coming out in October (see #9 below) which you can preorder at Amazon.
For the past two weeks, our writers have been writing about the ten cover songs that matter the most to them (catch up here). I will be doing the same, but for me, the list is slightly different. I founded this site ten years ago this year, and the covers that are the most important to me double as the covers that are most important to Cover Me.
Any cover I’ve loved for the past decade has made its way to Cover Me, and many of Cover Me’s milestones became important covers to me – even ones that are basically coincidences. I don’t know how well I’d remember Lucinda Williams’ Shel Silverstein cover otherwise (though it’s worth remembering), but because premiering it was our first post of months of work re-designing and re-launching the site from scratch (RIP covermesongs.blogspot.com), it holds a special place in my heart.
So here are the songs that matter the most to me, which double as a history of this website from its inception to today. Whether you started reading us last week or last decade, thanks for you support all these years. See you in another ten.
– Ray Padgett
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