They Say It’s Your Birthday celebrates an artist’s special day with other people singing his or her songs. Let others do the work for a while. Happy birthday!
Electric, Richard Thompson’s newest album, followed the pattern of all his releases – first-rate material, critical hosannas, sales to his devoted core following, and no long-deserved breakthrough to the masses. Having been through this for four and a half decades now, he’d be forgiven for growing complacent with this level of acceptance; instead, he continues to take chances, and his playing and songwriting continue to stand astride a very tall mountain with very little room for others to join him at the peak. Continue reading »
When a band hasn’t released a studio album of new music in four years, and then puts out an album made up entirely of cover songs, you might expect their fans to get restless. For Counting Crows fans, though, Underwater Sunshine (Or What We Did On Our Summer Vacation) is no less sweet because the band didn’t write the songs. Lead singer Adam Duritz and the gang have been doing covers, in full or sneakily added as bridges in live shows, since their inception. And, as Duritz says in the liner notes, “I’ve never stopped being a fan” of other people’s music. Continue reading »
Adam Duritz of the Counting Crows has long worn his influences on his sleeve, and the band often does live covers of their favorite artists. If you are an aspiring artist, head over to Indabamusic where you have until March 1st to submit your own Counting Crows cover for the chance at a signed Squier guitar, $600 to Guitar Center, and inclusion of your song on an EP. If you’re not into making music, you can head over and start listening to the submissions. Cover Me veteran Allison Crowe has already submitted a stunning version of “Raining in Baltimore.“ Continue reading »
Dylan Covers A-Z presents covers of every single Bob Dylan song. View the full series here.
Sure, Bob Dylan’s birthday may technically be over, but Bob Dylan’s birthweek is still going strong. So we continue our five-part series showcasing covers of every Dylan song today with the biggest installment yet. A full 60 covers await on the following pages, with heavyweights like the Isley Brothers and the Clash and newcomers like Adele and the Morning Benders. The latest chunk spans the letters K (Guns n’ Roses’ “Knockin’ on Heaven’s Door”) through O (Crooked Still’s “Oxford Town”) and features some of Bob’s best known songs. “Mr. Tambourine Man.” “Like a Rolling Stone.” “Masters of War.” “Lay, Lady, Lay.” The list goes on.
Click the page numbers down below to start listening. If you’re just joining us, here’s where we are so far:
Part 1: “Absolutely Sweet Marie” – “Everything Is Broken”
Part 2: “Father of Night” – “Just Like Tom Thumb’s Blues”
Part 3: “Knockin’ on Heaven’s Door” – “Oxford Town”
Part 4: “Peggy Day” – “Sweetheart Like You” [Coming Thursday]
Part 5: “T.V Talkin’ Song” – “4th Time Around” [Coming Friday]
Continued on Page 2…
Live Collection brings together every live cover we can find from an artist. And we find a lot.
Over the past decade, Portland quintet the Decemberists have gone from indie darlings to indie darlings with a number-one album. This year’s The King is Dead took the band to new levels of commercial success, shining some national attention on a band whose name was once known only to the chamber pop-obsessed and English majors. It may not be too unfounded to compare this band’s story to that of R.E.M.’s in the ‘80s; in fact, given the unabashed fandom they display on The King is Dead, that’s a comparison they’d probably happily invite.
The collection of covers crooned by the Decemberists mostly betrays their too-cool-for-school nature. They seem to have hit all the requisites that prove you listened to hip music in the ’80s – the Velvet Underground, the Smiths, Echo & the Bunnymen, etc. However, there’s a few genuine surprises here. Embarrassing reading of the Outfield‘s “Your Love” notwithstanding, there’s some real pleasure to be had in the band’s delight at ripping into Heart‘s “Crazy on You,” or in their surprisingly earnest rendition of Bad Company‘s “Feel Like Making Love.” Band leader Colin Meloy also turns in an intimate, slowed-down version of Cheap Trick‘s “Summer Girls” to great effect. Even the band’s usual bombast makes itself known in the 16-minute epic of Pink Floyd‘s “Echoes.” Continue reading »