Sep 062016
 
eurythmics

Eurythmics haven’t released an album or toured since 1999, but for whatever reason this summer has seen a surge of covers. And not even just more versions of “Sweet Dreams (Are Made of This),” but other singles and deeper cuts. It’s probably just coincidence (unless Dave Stewart releasing his memoir earlier this year was a catalyst), but whatever the reason, we’re always happy to get new interpretations of their catchy-but-slightly-odd dance classics.

First up was Iron And Wine’s Sam Beam and Jesca Hoop. Earlier this year, they teamed up for a duets album Love Letter For Fire, and this summer they added an outtake: a cover of “Love Is a Stranger.” If you know even the tiniest thing about Beam or Hoop, it will not surprise you one iota to learn they take the pop song in a radically different direction. Their voices blend beautifully on the delicate acoustic cover. Continue reading »

Feb 032015
 

Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.

OK, where do I begin? Cover Classics is the name of the game, yet few, perhaps, would accord Annie Lennox’s Medusa that status, at least not within the world of critics, who, by and large, were damning, back before it became the norm to decry the later efforts of Ms. Lennox. This isn’t an In Defense piece, so I am not required to address her current standing (to some relief), yet I want to. So what to say of an artist who was once so right, then suddenly so wrong? And is that view still applicable?
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Jun 182012
 

Sometimes doing something new with a song can mean doing nothing new with the song at all – or, at least, nothing new with the song being covered. That’s precisely the case with Katie Herzig’s take on “Sweet Dreams (Are Made of This).” The Eurythmics cover in question is fantastically faithful; where it becomes especially awesome, though, is when Katie and the band break – ever so briefly – into The White Stripes‘ “Seven Nation Army.” Continue reading »

Aug 082011
 

Festivals often entice artists to perform covers. What better way to convert the uninitiated than by drawing them in with a song they know and then (ideally) hooking them by transforming it into your sound? This past weekend’s Lollapalooza, though, seemed to offer even more cover performances than usual. Greg Kot of the Chicago Tribune even christened Saturday “#80snight” to keep track of all the ‘80s covers performed. Continue reading »

Apr 182011
 

Though identical sisters The Watson Twins first broke through as backup for Jenny Lewis on Rabbit Fur Coat, they’ve stepped into the spotlight on their own with three albums of ethereal indie-folk. They follow up last year’s Talking to You, Talking to Me with the eclectic, literally-named EP Night Covers. The Kentucky-born duo revealed an intriguing range of artists in the tracklisting when they chatted with Cover Me last week. On Night Covers, they create a cohesive mini-album from diverse source material, staying true to the style established on their previous releases. The sisters told Cover Me that they “ha[d] a lot of fans asking for recordings of [live] covers” after playing the tracks on tour, which prompted them to take the pleasant, restrained, and occasionally quirky arrangements on Night Covers into the studio. Continue reading »

Feb 242011
 

The opening words to the latest Sucker Punch trailer, punctuated like they’re spoken: I lost everyone I’ve ever loved. Then they locked me away. With nowhere to hide. From the pain. Just when you think all hope for this film is lost, though, Led Zeppelin’s “When the Levee Breaks” kicks in. Sure, they keep blathering about escaping from some asylum that apparently only holds gorgeous teens (and they want to escape why?), but at least music supervisor Tyler Bates seems set to deliver. Continue reading »