Jul 312023
 
best cover songs
Bob Dylan — Bad Actor (Merle Haggard cover)

Bob Dylan has been on a covers roll this year. On tour, he has primarily covered a number of Dead (“Truckin’,” “Stella Blue,” “Brokedown Palace”) or Dead-associated (“Not Fade Away,” “Only a River”) songs. But he’s dipped into other classic catalogs occasionally too. He did Van Morrison’s “Into the Mystic” for the first time and then, not long after, maybe the deepest cut yet: Merle Haggard’s 2016 track “Bad Actor.” The tape took a while to surface. It was worth the wait. Continue reading »

Jun 062023
 
juliana hatfield elo

Multi-instrumentalist Juliana Hatfield’s eclectic indie career frequently, pleasingly, takes in cover versions. Adept changes of tone feature in her full-album tributes to The Police and Olivia Newton-John, which received good reviews here. Her ongoing efforts capture the musical influences, on her music and moods, of her formative years. In the latest installment, Hatfield showcases the Electric Light Orchestra’s (ELO‘s) canon in her new project, a self-described “labour of love.” A new single release is the first fruit of that work, “Don’t Bring Me Down.” Continue reading »

Aug 052019
 
pop etc strange magic,

If you are a longtime listener of Cover Me with a photographic memory, you may recall our feature on acclaimed band The Morning Benders and their outrageously sweet Bedroom Covers Collection from back in 2011. The band have since changed their name to POP ETC, but their rapturous love for classic pop remains intact.

Their latest release, the career-spanning Covers Collection 2007-2019 features a staggering 21 songs (including a few of the old Bedroom Covers) and covers tracks from a wide range of artists including The Ronettes, The Strokes and Fleetwood Mac. The band’s main man Chris Chu says: “Ever since I started making music, I’ve loved covering songs. Aside from the sheer joy of it, it was a way for for me to study songwriting and practice my home recording skills. Listening back to them now, I’m reminded of just how enjoyable it is to cover a great song, how much these songs mean to me, and how much I’ve learned from these amazing songwriters and bands.” Continue reading »

Jul 182014
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

Matthew Sweet’s career is a textbook example of what happens if you are exceedingly good at something that is not considered to be cool. In this case, that thing is the musical genre of “power pop.” Sweet is almost universally considered to be a master of the genre (usually defined as being a cross between hard rock and pop, with serious Beatles influences), and his best album, 1991’s Girlfriend, is generally considered to be a masterpiece, even by people who generally look down their noses at “power pop.”

As a result, Sweet is a cult hero to some critics and fans who appreciate the tight, hook-filled yet intelligent songwriting that typifies the genre, while remaining unknown to the masses who may – may – have heard one of the two or three Sweet songs that occasionally sneak into a radio or streaming playlist. Of course, the music geeks who write for Cover Me are Sweet fans; we’ve featured his cover work repeatedly, even giving him a birthday tribute featuring covers of his songs by other artists. But never before has he received the sort of career-affirming fawning adulation that can only be found in an “In the Spotlight” feature.
Continue reading »

Jul 092014
 

Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.

Here at Cover Me Q&A, we’ll be taking questions about cover songs and giving as many different answers as we can. This will give us a chance to hold forth on covers we might not otherwise get to talk about, to give Cover Me readers a chance to learn more about individual staffers’ tastes and writing styles, and to provide an opportunity for some back-and-forth, as we’ll be taking requests (learn how to do so at feature’s end).

Today’s question: What’s a song you didn’t know was a cover song?
Continue reading »

Apr 192011
 

Live Collection brings together every live cover we can find from an artist. And we find a lot.

Over the past decade, Portland quintet the Decemberists have gone from indie darlings to indie darlings with a number-one album. This year’s The King is Dead took the band to new levels of commercial success, shining some national attention on a band whose name was once known only to the chamber pop-obsessed and English majors. It may not be too unfounded to compare this band’s story to that of R.E.M.’s in the ‘80s; in fact, given the unabashed fandom they display on The King is Dead, that’s a comparison they’d probably happily invite.

The collection of covers crooned by the Decemberists mostly betrays their too-cool-for-school nature. They seem to have hit all the requisites that prove you listened to hip music in the ’80s – the Velvet Underground, the Smiths, Echo & the Bunnymen, etc. However, there’s a few genuine surprises here. Embarrassing reading of the Outfield‘s “Your Love” notwithstanding, there’s some real pleasure to be had in the band’s delight at ripping into Heart‘s “Crazy on You,” or in their surprisingly earnest rendition of Bad Company‘s “Feel Like Making Love.” Band leader Colin Meloy also turns in an intimate, slowed-down version of Cheap Trick‘s “Summer Girls” to great effect. Even the band’s usual bombast makes itself known in the 16-minute epic of Pink Floyd‘s “Echoes.” Continue reading »