Oct 162019
 

Some covers are more equal than others. Good, Better, Best looks at three covers and decides who takes home the gold, the silver, and the bronze.

Electric Light Orchestra

The 1977 hit “Mr. Blue Sky” was ELO’s fourth movement in the “Concerto for a Rainy Day” on its 1978 double album Out of the Blue. It enjoyed a #6 position in the UK, a #8 position in the Dutch charts, and peaked at #35 on the Billboard Hot 100.

The song is the most upbeat of the “Concerto.” That’s a fitting and welcome change in a suite that is about the gloom of a soggy day. It’s often been seen as a “Beatlesesque” pop song, with flashes of musical hall revelry. That is an apt description, given that Jeff Lynne was determined at the outset of ELO to bridge pop songs a lá The Beatles with more high-cultured orchestral arrangements.

If we are to look at the numerous covers that Second Hand Songs has compiled, most artists tap into the upbeat nature of the tune. Even Weezer couldn’t resist, featuring the song on their Teal album. Some covers border on bubblegum. Other have it stuck to the bottom of their shoe.

But today I write this review of covers while the sky is overcast, and the humidity is thick. And now that it is autumn, I wondered if there were any covers that cut against the grain and featured a more somber or dark take on “Mr. Blue Sky.” And indeed there are. So, here is my list of the Good, the Better, and the Best.

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Jan 252019
 

As anyone who checked Twitter yesterday is well aware, Weezer shocked the internet with a surprise covers album, dubbed the Teal Album for its absurd yacht-rock cover. The album precedes the band’s long-promised Black Album, set to release March 1st.

Weezer spent 2018 stoking the social media flames with their famous covers bout with Toto, and I think we all just expected “Africa” to be the end of it. But Weezer clearly saw an opportunity to generate some buzz for their new album and upcoming tour with The Pixies. Twitter flames aside, how do the covers on the album actually stack up? Let’s take a look at The Good, The Bad, and The (Really) Ugly. Continue reading »

Jul 182014
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

Matthew Sweet’s career is a textbook example of what happens if you are exceedingly good at something that is not considered to be cool. In this case, that thing is the musical genre of “power pop.” Sweet is almost universally considered to be a master of the genre (usually defined as being a cross between hard rock and pop, with serious Beatles influences), and his best album, 1991’s Girlfriend, is generally considered to be a masterpiece, even by people who generally look down their noses at “power pop.”

As a result, Sweet is a cult hero to some critics and fans who appreciate the tight, hook-filled yet intelligent songwriting that typifies the genre, while remaining unknown to the masses who may – may – have heard one of the two or three Sweet songs that occasionally sneak into a radio or streaming playlist. Of course, the music geeks who write for Cover Me are Sweet fans; we’ve featured his cover work repeatedly, even giving him a birthday tribute featuring covers of his songs by other artists. But never before has he received the sort of career-affirming fawning adulation that can only be found in an “In the Spotlight” feature.
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Jul 092014
 

Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.

Here at Cover Me Q&A, we’ll be taking questions about cover songs and giving as many different answers as we can. This will give us a chance to hold forth on covers we might not otherwise get to talk about, to give Cover Me readers a chance to learn more about individual staffers’ tastes and writing styles, and to provide an opportunity for some back-and-forth, as we’ll be taking requests (learn how to do so at feature’s end).

Today’s question: What’s a song you didn’t know was a cover song?
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Dec 192013
 

I’m not sure there were more great cover songs this year than any other. But there were more good ones.

What I mean by that is, the average quality of the covers we come across in the time we’ve been around has risen, rather dramatically. Whether they’re iTunes homepage singles or some guy emailing us his Bandcamp, more cover songs in 2013 avoid the old pitfalls than ever before. They don’t sound like they were recorded in a cereal box, substitute ear-bleeding volume for actual creativity, or – the worst cover sin of all – try to carbon-copying the original. With the ease of production and distribution available now, artists seemed to record covers only when they felt they had something to add, and do a halfway decent job committing those ideas to 1s and 0s. Continue reading »

May 182011
 

Mayer Hawthorne didn’t crash onto the scene the way other soul revivalists did in 2008. Sharon Jones and Raphael Saadiq cast big shadows that year that proved difficult for other soul revivalists to get out from under. Still, Hawthorne managed to get his voice out there and people tuned in to listen found themselves impressed. “Just Ain’t Gonna Work Out” became a stylish indie hit, shepherding many nerdy white kids into the enticing world of soul music. Hawthorne’s debut album A Strange Arrangement managed to propel him onto the scene, but this new covers EP will give Mayer Hawthorne the sticking power he needs to become an indie powerhouse. If nothing else, it will carry fans over until the long-awaited release of his follow up album How Do You Do this fall. Continue reading »