Sep 032020
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

best leonard cohen covers

Last week, Donald Trump gave his headlining speech at the Republican National Convention. Right after, fireworks exploded over the Washington Monument, soundtracked by a cover of “Hallelujah.” A few minutes later, a second singer covered “Hallelujah” while the entire Trump family watched. Both covers were unauthorized, and Leonard Cohen’s estate quickly said they are exploring legal action. (It must also be said that the covers weren’t very good – you won’t find either one on this list.)

Though hardly a shining moment in the history of Cohen covers, this event speaks to the cultural ubiquity of his work, and of “Hallelujah” in particular. For an artist who never sold that many records, Cohen has become about as iconic as icons get. Humble to the end, he would no doubt object – politely, of course – to that statement. But it’s true. His songs transcend his albums, they transcend his performances, they even transcend Leonard Cohen himself.

There’s never a bad time to talk about Leonard Cohen covers, but they’ve really been on my mind the past couple years. Why? Because I’ve been writing an entire book on the subject, which is out today. It’s in the 33 1/3 series of small books on specific albums. The album I selected? The 1991 tribute album I’m Your Fan: The Songs of Leonard Cohen. Without it, you probably wouldn’t even know “Hallelujah”… but we’ll get to that later.

In the book, I explore not just that one tribute album, but the entire history of Leonard Cohen covers generally. It’s a long and fascinating story, but suffice to say here that Cohen wouldn’t have had anywhere near the reach he did without others covering his songs. Covers gave him his start – Judy Collins’s, in particular – and resurrected his career more than once.

There are far too many great Cohen covers to fit in a list like this (and our Patreon supporters will soon get a bonus list of 100 more of them). But we all dug deep to pull the highlights, both the best of the totemic covers as well as brilliant but lesser-known interpretations. The covers span his entire catalog too. Plenty of “Hallelujah”s, of course, and versions of the ’60s songs that made him famous, but also covers of deeper cuts from albums throughout his recording career, up to and including his very last. We hope you’ll discover some new favorites, and maybe be able to listen to the classics you already know in a fresh light.

– Ray Padgett, Editor-in-Chief

Buy I’m Your Fan: The Songs of Leonard Cohen here:
Bloomsbury | Amazon | IndieBound | Barnes and Noble | Bookshop

The list begins on Page 2.

Feb 132020
 
bat for lashes boys of summer

On her fall UK tour, Bat for Lashes unleashed a trio of ’80s covers, tackling Kate Bush’s “This Woman’s Work,” Cyndi Lauper’s “I Drove All Night,” and Don Henley’s “The Boys of Summer.” Now a live recording of the latter forms the title track on a new EP. Continue reading »

Sep 302019
 

Check out the best covers of past months here.

best cover songs september
Anderson .Paak – Old Town Road (Lil Nas X cover)

Given how thoroughly “Old Town Road” dominated the summer – the longest-reigning Billboard #1 in history, for those under-a-rock-dwellers among you – it seems shocking that it took until now for the first truly great cover to emerge. Less shocking: that it came from rapper/singer/drummer extraordinaire Anderson .Paak. Back in May, he performed a more straightforward version with Lil Nas X himself, but for BBC’s Live Lounge he and his band The Free Nationals reinvented it into a soul groove with shades of D’Angelo. Continue reading »

Jun 212019
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

kt tunstalls best cover songs

Tunstall’s debut album, Eye to the Telescope, contains crowd favorites such as “Suddenly I See,”  which graces the iconic opening scene of the film The Devil Wears Prada. However, Tunstall’s breakout hit came in 2004, with “Black Horse and the Cherry Tree.” (Woo hoo!) This song is emblematic of Tunstall’s overall style of guitar playing and vocal tone and features the popular Bo Diddley beat. Continue reading »

Mar 122018
 

Tonight, when the Eagles take the stage in Indianapolis for the start of their 2018 tour, they will be joined by country crooner Vince Gill to fill the void left by the death of Glenn Frey. Those who have followed Gill’s career know that his journey to Eagles-dom began in 1993. That year, he recorded a cover of “I Can’t Tell You Why,” for the triple-platinum covers album Common Thread: The Songs of the Eagles. The album, which will mark its 25th anniversary this fall, was such a commercial success upon its release that it played a major role in reuniting the band.

In the early ‘90s, despite having not played live or recorded in over a decade, the Eagles were as popular as they had ever been. The band’s music dominated classic rock radio. Their Greatest Hits (1971-1975) was on its way to becoming the best-selling album of the 20th century in the U.S. And most of the music coming out of Nashville sounded, well, a lot like the Eagles.

To capitalize on the group’s popularity amongst the boots-and-spurs set, Don Henley and Eagles’ manager Irving Azoff organized the tribute album as a fundraiser for Henley’s environmental charity The Walden Woods Project. To serve as executive producer, Azoff and Henley tapped James Stroud who assembled many of the hottest country stars of the era. “Everybody wanted in,” Stroud told Entertainment Weekly. “Once we started, the phones lit up.”

Common Thread was to Music Row in 1993 what Law & Order was to the New York branch of the Actors Equity Association: a full-fledged jobs program. The album featured 10 solo artists, two bands and one duo. More than 70 musicians and backup singers are directly credited as well as an orchestra called the Nashville String Machine. On the production side, 14 people were listed as producers or co-producers, including Stroud and two of the artists themselves: Suzy Bogguss, who produced her version of “Take It To the Limit;” and Billy Dean, who co-produced his rendition of “Saturday Night.” There were also 25 people listed as engineers, assistant engineers or mixers and seven production assistants. Continue reading »

Mar 022018
 

Cover Classics takes a look at great covers albums of the past, their genesis and their legacies.

tower of song songs of leonard cohen

Last week, I wrote about the hugely influential 1991 tribute album I’m Your Fan: The Songs of Leonard Cohen. How influential? Without it, the world – and Jeff Buckley – might never have heard “Hallelujah.”

The 1995 tribute album Tower of Song is not remotely influential. None of its covers have become classics, nor did they introduce any Cohen deep cuts to the popular cannon. Where I’m Your Fan picked the hippest artists of the time, the Tower of Song curators seem to have gone out of their way to pick the least hip. Billy Joel. Elton John. Don freakin’ Henley. Continue reading »