Angie McMahon – Knowing Me, Knowing You (ABBA cover)
It comes too late for our Best ABBA Covers countdown, but Angie McMahon’s low-simmer version of “Knowing Me, Knowing You” would make a worthy addition. Though it comes coated in a layer of rock grit, the band’s vocal harmonies stand up to the Swedes. And just wait for Angie McMahon’s cover-closing holler.Continue reading »
Alt-Country trio Puss N Boots (Norah Jones, Catherine Popper, and Sasha Dobson) have been relatively quiet since their debut album No Fools, No Fun, released in 2014. The end of 2019 is seeing a flurry of activity from the edgy ladies, though, with two notable covers and a brand new EP. As a tribute to Tom Petty on his birthday, the trio released their version of “Angel Dream”.Continue reading »
Given how thoroughly “Old Town Road” dominated the summer – the longest-reigning Billboard #1 in history, for those under-a-rock-dwellers among you – it seems shocking that it took until now for the first truly great cover to emerge. Less shocking: that it came from rapper/singer/drummer extraordinaire Anderson .Paak. Back in May, he performed a more straightforward version with Lil Nas X himself, but for BBC’s Live Lounge he and his band The Free Nationals reinvented it into a soul groove with shades of D’Angelo.Continue reading »
Joni Mitchell is 75 and won’t be with us forever. She suffered an aneurysm in 2015, and she’s coping with the little-understood Morgellons disease. She has difficulty walking, and has not spoken publicly in years. But if her place on earth is tenuous, her place in the heavens is secure; millions of people already look up to her every day.
Joni Mitchell’s songs are famous for being intensely personal, a deep expression of her self that people nevertheless relate to. Those who aspire to her voice become near-slavish devotees. There’s a great New Yorker piece about a small show of Joni’s that a drunken Chrissie Hynde gets overly caught up in (“That’s a REAL singer up there!”), and Hynde’s not alone. Mitchell isn’t just a real singer, though. She’s a real songwriter, a real painter, a real guitarist, a real follower of her muse – a real artist, one of the realest of the past hundred years. That authenticity is what continues to bring people into her circle on a daily basis.
In an excellent essay for NPR, Ann Powers wrote: “Like her prime compatriots Bob Dylan and Leonard Cohen and her favorite protégé Prince, no one can adequately echo her; even great singers, taking on her songbook, admit they can only hope to achieve proximity.” Indeed, a Joni Mitchell cover is never just a tribute – it’s an assertion, an artist coming forth to pick up a gauntlet she lay down decades ago.
We found 30 covers that show the artists doing an especially good job at matching their talents to Joni’s, creating new works of art that, no matter how novel or innovative they may be, never set out to eradicate the original artist’s signature. May her art continue to open eyes, whether through her own performances or those of others, for centuries to come.
Andrew Leahey & the Homestead – Lips Like Sugar (Echo and the Bunnymen cover)
Nashville Americana musician Andrew Leahey first heard “Lips Like Sugar” a couple years ago while touring through Texas. Dozing in the van, he woke up to a bandmate blasting the Echo and the Bunnymen hit. “I remember thinking, ‘I hope we don’t crash right now, because I absolutely need to learn how to play this,'” he said. “We’ve been playing it ever since.” He recorded it for his new album Airwaves, out tomorrow.
Bill Frisell and Thomas Morgan – You Only Live Twice (Nancy Sinatra cover)
Guitar great Bill Frisell first recorded the classic James Bond theme a couple years ago for his album (one of our favorites of that year). He revisits it now for a live album with bassist Thomas Morgan. Like any jazz musician worth his martini, Frisell changes and expands the Bond song the second time through. It’s barely recognizable much of the time, but would still be worth a spot on our Best Bond Covers list.Continue reading »
Few expected the movie Roma to be as big a hit as it was (it’s tied for the most Oscar nominations). Even Sony must not have, as they’re just getting around to releasing a soundtrack two months after release – and as Music Inspired By The Film Roma, i.e. must that doesn’t actually appear in the film. But Beck’s beautiful cover of 4AD group Colourbox arrives better late than never. Accompanied by an orchestra and Leslie Feist on backing vocals, he’s never sounded more like Peter Gabriel.Continue reading »