Sep 072016

Earlier this summer, we got an email from a band we’d never heard of: 48 Cameras. They sent very little information, just short clips of some cover songs on Facebook. But those clips were amazing. We’ve been bugging us ever since for full versions, and they’ve finally obliged with an upcoming covers album, Songs Our Mothers Taught Us. It’s easily one of the strangest and most fascinating covers album of the year, Tom Waits meets Serge Gainsbourg meets Twin Peaks. They cover a whole bunch of classic songs on the album – “My Funny Valentine,” “By the Time We Get to Phoenix,” “Famous Blue Raincoat” – but none sounds like any version we’ve ever heard.

Despite having worked together for thirty years, the band members have never met. They live all over Europe and work remotely, with different people in the ever-changing lineup contributing to different tracks. “Our music could be a music written in a foreign language which we would not totally like to master,” says frontman (for lack of a better term) Jean M. Mathoul. Continue reading »

Mar 172016

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!


Dolly Parton is one of the true legends of country & western music. Half a century after the release of her first true C&W album, 1966’s Hello, I’m Dolly, she’s announced a 60-city North American tour that will promote her upcoming 2-CD set Pure & Simple, containing both new material and greatest hits from throughout her career. For all her years in the musical industry, Dolly has never forgotten her roots, and she continues to perform at a high level at an age when most artists are tired of the road.

When looking back over her career, it’s clear that she’s an original, and her critical and commercial success as a songwriter reflects that. But like any true great, she knows the value of a good cover song. Millions and millions of dollars, in the case of Whitney Houston’s version of Dolly’s “I Will Always Love You,” but the cover songs that Dolly herself records have worth that goes beyond the bank. She’s had huge success with covers in each of the last several decades. Here are some of her best.
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Jan 262016

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.


“In The Pines,” AKA “Where Did You Sleep Last Night,” AKA “Black Girl,” is a traditional Appalachian folk song, nearly a century and a half old, that encompasses elements of searing heartbreak, perceived betrayal, death (by decapitation in many cases), and murder. Not to mention the fact the the song title is named after a location where “the sun don’t ever shine” and “we shiver when the cold wind blows.”

Not exactly “Kumbaya,” right? Which is fortunate, because if this song had been about the warm and fuzzies, it never would have lasted to become the haunting classic it remains today.

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Dec 022014

In Defense takes a second look at a much-maligned cover artist or album and asks, “Was it really as bad as all that?”

Defense? I never knew Linda Ronstadt was under attack. OK, not true, I’ve known she tends to get many a sneery put-down from “real” musos, dissing both her voice and her choices of material, citing that “real” artists have way more credibility (and way fewer sales.) Beautiful but soulless, they call her and her voice, short on originality and innovation. A famous early putdown was around her being merely a competent backing singer, the irony being that ability potentially defines far greater technique than the relative ease of a solo performance, as those who have sung with her (Neil Young, Emmylou Harris, and legions more) have been more than happy to testify. I guess it stems down to generalizations around any successful artist, particularly if blessed also with photogenicity and famous boyfriends.
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Jul 102014

Covers albums are commonly filled with songs that have special meaning to the band and often had an impact on the members. “Break-Up album” usually refers to a collection of songs dedicated to the end of a recent, often painful, relationship. Brooklyn band Quiet Loudly missed both of those memos. Their album is filled with songs chosen at the whim of a few fans who pledged a certain amount on the previous album’s Kickstarter, and the “Break Up” referred to is the band itself. Continue reading »

Jul 032014

Stepping outside of comfort zones is an interesting test for musicians. Do they only do one thing well or can they sound authentic when they move into other genres? CMT Crossroads recently paired Kacey Musgraves and Katy Perry for a set of each other’s songs and a couple of covers. It may look like a battle of the lightweights, but Musgraves revealed a relaxed stage presence and effortless, clear vocals while Perry’s voice sounded forced, at times, and she seemed to be trying a little too hard, at least on the country tunes. Continue reading »