Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.
Here at Cover Me Q&A, we’ll be taking questions about cover songs and giving as many different answers as we can. This will give us a chance to hold forth on covers we might not otherwise get to talk about, to give Cover Me readers a chance to learn more about individual staffers’ tastes and writing styles, and to provide an opportunity for some back-and-forth, as we’ll be taking requests (learn how to do so at feature’s end).
Today’s question comes from Cover Me staffer Mike Misch: What cover song shouldn’t work as well as it does?
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In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!
Early this year 10,000 Maniacs released Music From The Motion Picture, their first new release in 14 years, garnering some of the best reviews of their career; their lead singer, Mary Ramsey, is celebrating her 20th anniversary with the band this year. You can be excused for not knowing this, as many think the band (who hereinafter we’ll call 10KM) began and ended with the membership of Natalie Merchant, the vocalist and primary lyricist during their most commercially successful period. Indeed, Merchant is one of the key figures of 10KM’s legacy, and easily the best known, but it takes strong will, talent, and no small genius to maintain that legacy, and all credit to Ramsey for doing so.
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They Say It’s Your Birthday celebrates an artist’s special day with other people singing his or her songs. Let others do the work for a while. Happy birthday!
And then there was one. With his brother Robin’s passing in May, Barry Gibb became the sole surviving Bee Gee; today marks the first time since he was three years old that he doesn’t have a brother Gibb around to see him celebrate his birthday.
“I will live on the music,” he tweeted to his fans, “and no matter what stage I’m standing on my three brothers will be standing there with me.” Continue reading »
Original Pop Diva. Powerhouse. Train-wreck. Amongst these and other controversial titles eulogizing Whitney Houston upon her passing last week, let us add one more: Queen of Covers.
It’s true that Houston’s legacy shines bright with accolades that are all-Whitney. The diva received more than 400 industry awards in her lifetime, including six Grammys and 20 Billboard Awards; she scored an impressive string of seven number-one singles with “Saving All My Love For You,” “How Will I Know,” “Greatest Love of All,” “I Wanna Dance With Somebody (Who Loves Me),” “Didn’t We Almost Have It All,” “So Emotional,” and “Where Do Broken Hearts Go;” her debut album, “Whitney Houston” was the best-selling female vocal record, ever, upon its release. And never mind the music career, the lady was also a critically acclaimed actor, model and producer. Oh yes, and a mom. Continue reading »
When people look back in 2011 in music a decade from now, one name will come to mind: Adele. In our little world of cover songs, she dominated. Everyone covered Adele this year. It’s not just that we saw more covers of “Rolling in the Deep” than any other song; they beat out second place (probably “Pumped Up Kicks”) by like a factor of five! We generally try to look for larger cover trends in these annual wrap-ups, but it’s hard to remember anything else from this year except the year-long onslaught of Adele covers hitting our mailbox.
There’s only one “Rolling in the Deep” cover in this year’s list though. The rest are all over the place. Some of the artists listed built their covers with lush soundscapes, thick beats, and intricate string work. Others just took guitars or pianos and bowled us over with the emotion in their voices. There may not be much of an overarching “Year in Covers” narrative, but that means there’s a cover or two for everyone. From feel-good takes on rap songs to kill-yourself versions of pop songs, this year’s list features flips, flops, and genre switcheroos of all sorts. A good cover should be informed by the source material but stand on its own, and we’ll be unrolling the 50 finest examples of songs doing just that all week. Start with #50-41 on the next page and check back daily as we count down to the best cover of 2011.
Every Wednesday, our resident Gleek Eric Garneau gives his take on last night’s Glee covers.
In “I Kissed a Girl,” Santana (Naya Rivera) grapples with being forced out of the closet while the show’s two elections (Kurt Hummel for student body president and Burt Hummel for Congress) enter their last days. Meanwhile, the competition between the New Directions glee club and rivals the Troubletones cools down as the groups come together to help Santana through her identity crisis.
Before we get too deep into this week’s episode, we need to backtrack a bit to our previous entry. I had mentioned how much I enjoyed last episode’s closing Adele mash-up, “Rumor Has It/Someone Like You,” and apparently I wasn’t the only one. Besides commenters and friends of this site, the music-buying public also voiced their support, giving Glee its best-performing single by far in a long, long time. “Rumor Has It/Someone Like You” hit number 11 on the U.S. charts; the next highest-charting song from this season, a cover of Coldplay’s “Fix You,” didn’t even crack the top 40 (it settled at 59). The last Glee song that did so well was actually one of their original numbers from the middle of season two, “Loser Like Me.” The last cover to rival the Adele mash-up’s performance was “Forget You,” which you may recall unfortunately featured Gwyneth Paltrow. Not a bad accomplishment for Glee‘s 300th song then, eh? Perhaps that mash-up signals a return to a more pop-oriented soundtrack after a first few months dominated by musical numbers. Continue reading »
It was early 1986 when Pegi Young told her husband Neil Young that they would need to build a school to suit the special needs of their son, Ben. She then suggested that in order to pay for it, that Neil call his friend Bruce Springsteen and put together a concert to fund it. 25 years later, the Bridge School Benefit concert has become an annual tradition where superstars from all genres of music come to share the gift of music to support this amazing school. The Bridge shows are all acoustic and offer a unique setting where artists can experiment with their material and get the chance to sit in and play with friends and heroes alike. Continue reading »
If you’re at a karaoke bar and you see a guy and a girl go up together, brace yourself. Odds are two to one they’re going to sing “Islands in the Stream,” the treacly 1983 duet by Kenny Rogers and Dolly Parton. If anyone can bring some street cred to the song that inspired “Ghetto Superstar,” though, it’s My Morning Jacket. Continue reading »