Mar 272019
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

landslide covers

It’s a powerhouse year of inductees into the Rock and Roll Hall of Fame, and as we witness the pinnacle of success for some of our favorite artists, it’s fascinating to look back at their humble beginnings. Stevie Nicks wasn’t always Fleetwood Mac or even her magical solo artist self. Before Fleetwood Mac, there was an everyday life as a waitress and…..the song “Landslide.” Read on for Nicks’ story of how the song came to be from an interview with Performing Songwriter in 2003. Continue reading »

Dec 122018
 
phoebe bridgers the cure

Our 50 Best Cover Songs of 2018 post goes up Monday and, as always, the cuts to get it down to size were brutal. I know it’s going to rough going when the painful cuts begin when the list is still pushing 100. The final and toughest cut of all – the 51st Best Cover of 2018, as it were – came last: singer-songwriter Phoebe Bridgers’ mesmerizing take on Tom Petty’s “It’ll All Work Out.” It still hurts that that one didn’t make it, so I’ll give it a little extra shine here (go listen to it here!).

Bridgers’ cover of The Cure’s “Friday I’m in Love” might have been a year-end contender too had it come out a month ago. Just as she did with the Petty deep cut, she strips all the production away, leaving only a spare keyboard and layers of ethereal harmonies. “Friday I’m in Love” gets covered far less than comparable Cure hits, sometimes derided as a less artful pop-radio play (it didn’t even rank in Rolling Stone’s fan-voted Best Cure Songs list). Bridgers redeems the song on her stunning cover, recorded for a new Spotify Single, and will hopefully inspire more closet “Friday I’m in Love” fans to cover the song. Continue reading »

Oct 312018
 
cover songs october
AJ Lambert – Lush Life (Frank Sinatra cover)

Frank Sinatra’s granddaughter covers Frank Sinatra. You think you know where this story ends: fawning nepotism. But despite familial loyalty, A.J. Lambert isn’t afraid to twist “Lush Life,” adding a Lynchian undercurrent of menace. More of an overcurrent in the crawling, nose-bleeding video.

Amy Shark – Teenage Dirtbag (Wheatus cover)

Every month, one or two of these selections invariably hail from Spotify’s terrific new cover-sessions series. My only gripe is that they came with no information, the sort a band would write in the YouTube description or press release announcing a new cover, or say on stage before performing one live. That’s now solved with Spotify’s new “Under Cover” podcast, in which the artists performing the covers talk about them. We learn that Amy Shark tried to make “Teenage Dirtbag” a Pixies song, and that she considered the song her anthem when she was young. She says: “The first time I heard ‘Teenage Dirtbag,’ I was in high school. I was crazy obsessed with it to the point where it was in my head every day all day. I would sing it in all day in school. Even teachers would say, ‘Amy, please listen to something else.'” Continue reading »

Apr 272018
 

‘The Best Ever’ series counts down our favorite covers of great artists.

fleetwood mac covers

Lindsey Buckingham is out of Fleetwood Mac for reasons that, a few weeks later, remain as enigmatic as many of the band’s best songs. He was fired – or quit? – amid reports that he wanted to work on a solo album while everyone else wanted to tour. This after reports a couple years ago that he wanted to do a Fleetwood Mac album and Stevie didn’t. Their professional lives today are as complicated and messy as their romantic ones once were.

And let’s be honest: He’ll be back in a few years for a dramatic “reunion tour.” But why wait that long to celebrate this great band? We decided to use the excuse of the recent news to pay tribute to one of the most cover-able bands of all time. And lord knows we’ve paid tribute before, full album tributes to Rumours and Tusk and much more (a bunch of links a the bottom).

But now, just as we did with the Talking Heads last month, we’re looking at the entire catalogue, ranking the top thirty covers of Fleetwood Mac songs from any album or era. There’s no specific Lindsey-focus or anything. Though the majority of songs are from the the classic lineup (including a number from Lindsey’s passion project Tusk), a handful come from the band’s blues beginnings before he or Stevie joined. If the record sleeve said “Fleetwood Mac,” it was fair game for artists to reinterpret – and boy, have they ever. Without further ado, thirty artists who listened carefully to the sound, then played the way they felt it. Continue reading »

Mar 312015
 

I had high hopes for Robert Earl Keen’s new album, Happy Prisoner: The Bluegrass Sessions. My first exposure to REK was 1989’s West Textures, still for me his best work, partly because the acoustic band accompanying him on that is a bluegrass band, even if the songs aren’t. Keen’s style, for me, has never quite suited electricity. Combine this with my love of bluegrass, and surely this would be a no-brainer?

Well, I liked it, but if I’m honest, I only liked it some. Positives first: Keen has the ideal woebegone plaintiveness for this sort of material (think Droopy with a recording contract), as he plumbs death, prison and heartbreak in turn. (Have you ever heard a truly happy bluegrass song?) The band, including Danny Barnes of Bad Livers repute on banjo, underpin his singing with zest and vim, and a plethora of guests add to an agreeable mix. Of these, special mention to erstwhile Dixie Chick Natalie Maines (daughter of Lloyd Maines, the album’s producer), bringing more sprightliness to the oft-covered “Lonesome Stranger” than can be found on some of the album’s other numbers.
Continue reading »

Apr 142014
 
Dixie Chicks

Get ready to feel the all of the feelings, because the ever-fabulous Dixie Chicks have covered Miley Cyrus’ “Wrecking Ball.” This stripped-down ode to heartbreak hits with even more intensity than the original. Natalie Maines’ vocals take no prisoners, and with the help of beautiful harmonies and a stunning violin bridge, it’s safe to say this country-fried “Wrecking Ball” has my approval. Continue reading »