Mar 252019
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

def leppard covers

It seems like just yesterday. I was listening to the radio, when a song by a previously unheard-of band from Britain – who apparently didn’t know how to spell their own name – came on and my eleven-year-old mind was blown! And while this may sound like a scenario during the height of Beatlemania, this was 1983. This was Def Leppard!

Before I continue, I am not stating that Def Leppard is the Beatles of my generation. However, their album Pyromania was my first purchase, which changed the way I listened to music forever. I am ecstatic that they will be inducted into the Rock and Roll Hall of Fame this year.  I spent some time during my winter break re-listening to all of Def Leppard’s covers. And even though it was difficult, I was able pick my personal Top Five.
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Jul 302018
 
def leppard personal jesus

The Depeche Mode song “Personal Jesus” was originally recorded and released on their 1990 album Violator. Although it was a mid-level hit, reaching number 13 on the Billboard 200, the bluesy rhythm of the song was a bit of a departure for the die-hard fans. The Mona Lisa of cover versions of the song is, of course, the Johnny Cash rendition that appeared on the Rick Ruben produced American IV: The Man Comes Around, and Sammy Hagar then gave the tune some rock&soul on 2013’s Sammy Hagar and Friends. A personal favorite, the surf guitar version by Los Banditos could fit in quite nicely in any Quentin Tarantino movie. Continue reading »

Apr 062018
 

That’s A Cover? explores cover songs that you may have thought were originals.

blondie hanging on the telephone

If you’re a fan of power pop – roughly speaking, the place where early rock n’ roll, ‘60s bubblegum, and the British Invasion converge – then Blondie probably ranks high on your list of faves. Refracting modern rock through multiple lenses – ’50s pop, ’60s girl groups and ’70s punk, to name a few – the band sucked you in with clever, poppy melodies while maintaining a distance sharpened by dark, ironic humor.

If it doesn’t quite represent their commercial peak, the band’s 1978 album Parallel Lines is without much doubt their finest work, crashing out of the gate with “Hanging on the Telephone,” a near-perfect snapshot of illicit romance and sexual frustration, come and gone in 2 minutes 17 seconds. Continue reading »

Mar 242017
 

Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.

emm gryner

In Canada, and among elite musicians, it seems foolish to claim that the work of Emm Gryner flies under the radar. She has a dozen and a half releases to her name, not counting the ones with the folk trio Trent Severn (where she sings and plays bass) and the hard rockers Trapper. She’s played with David Bowie’s band and opened for Def Leppard. Nelly Furtado named her album Science Fair as a desert island disc. Bono was once asked what songs of the previous 20 years he wished he’d written; Gryner’s “Almighty Love” was one of the half-dozen or so he named.
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Nov 222011
 

This week, Cover Me celebrates Freddie Mercury 20 years after his passing. Read Part 1 here.

On April 20, 1992, one of the most impressive collections of musicians ever assembled for one show gathered together to pay tribute to Farrokh Bulsara, better known to the world as Queen frontman Freddie Mercury, who had passed away due to complications from AIDS some six months before. Today, as we approach the 20th anniversary of his passing, Cover Me looks back at this monumental concert event, a celebration of covers and of one of the most unique talents ever to grace the performing arts. Continue reading »

Nov 152011
 

When presented with a series of cover albums called Guilt by Association, one might imagine them to be filled with ironic takes on cheesy pop songs; that threat’s only increased by a volume that promises to present only songs that fall under the classification of “hair metal,” perhaps the most mocked of all genres. Fortunately, Guilt by Association Vol. 3 betrays no sign of hipster bands mocking songs that some people (this reviewer) legitimately love. Instead, it finds a collection of young, talented acts embracing some admittedly overwrought material from the 1980s and truly making it their own. By any metric, Guilt by Association can be considered a success. Continue reading »