Apr 062018
 

That’s A Cover? explores cover songs that you may have thought were originals.

blondie hanging on the telephone

If you’re a fan of power pop – roughly speaking, the place where early rock n’ roll, ‘60s bubblegum, and the British Invasion converge – then Blondie probably ranks high on your list of faves. Refracting modern rock through multiple lenses – ’50s pop, ’60s girl groups and ’70s punk, to name a few – the band sucked you in with clever, poppy melodies while maintaining a distance sharpened by dark, ironic humor.

If it doesn’t quite represent their commercial peak, the band’s 1978 album Parallel Lines is without much doubt their finest work, crashing out of the gate with “Hanging on the Telephone,” a near-perfect snapshot of illicit romance and sexual frustration, come and gone in 2 minutes 17 seconds. Continue reading »

Mar 242017
 

Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.

emm gryner

In Canada, and among elite musicians, it seems foolish to claim that the work of Emm Gryner flies under the radar. She has a dozen and a half releases to her name, not counting the ones with the folk trio Trent Severn (where she sings and plays bass) and the hard rockers Trapper. She’s played with David Bowie’s band and opened for Def Leppard. Nelly Furtado named her album Science Fair as a desert island disc. Bono was once asked what songs of the previous 20 years he wished he’d written; Gryner’s “Almighty Love” was one of the half-dozen or so he named.
Continue reading »

Nov 222011
 

This week, Cover Me celebrates Freddie Mercury 20 years after his passing. Read Part 1 here.

On April 20, 1992, one of the most impressive collections of musicians ever assembled for one show gathered together to pay tribute to Farrokh Bulsara, better known to the world as Queen frontman Freddie Mercury, who had passed away due to complications from AIDS some six months before. Today, as we approach the 20th anniversary of his passing, Cover Me looks back at this monumental concert event, a celebration of covers and of one of the most unique talents ever to grace the performing arts. Continue reading »

Nov 152011
 

When presented with a series of cover albums called Guilt by Association, one might imagine them to be filled with ironic takes on cheesy pop songs; that threat’s only increased by a volume that promises to present only songs that fall under the classification of “hair metal,” perhaps the most mocked of all genres. Fortunately, Guilt by Association Vol. 3 betrays no sign of hipster bands mocking songs that some people (this reviewer) legitimately love. Instead, it finds a collection of young, talented acts embracing some admittedly overwrought material from the 1980s and truly making it their own. By any metric, Guilt by Association can be considered a success. Continue reading »

Jun 212011
 

Ohio indie rockers Lovedrug have recently released a slew of cover songs to preface their new album Best of I AM LOVEDRUG. The album will feature a wide range of covers of the likes of Third Eye Blind, Fleetwood Mac, Def Leppard and then some. Check out a few preview tracks.

A band has to be either quite confident in their credibility or have an uncanny ability to laugh at themselves  to take on a song by Darren Hayes, Savage Garden frontman. When it comes to a Savage Garden cover there’s only one direction a band can take it: up, and that is where Lovedrug goes with it. They take it up into the clouds and far beyond what one might consider the realm of possibility when it came to this song. Lovedrug unmasked the potential in “Insatiable” and managed to distort it into a techno-indie song with ironic panache. Continue reading »

Hair Metal

 Posted by at 2:00 pm  4 Responses »
Mar 152010
 

When The Darkness hit the scene in the 2003, critics began braying about the “hair metal revival.” Well, as it turned out that “revival” was pretty much confined to one band and, really, to one song. Once college kids got sick of shredding their vocal chords trying to hit the “I Believe in a Thing Called Love” high notes, hair metal slunk back to 1984. This is probably a good thing, though it did produce some memorable songs the first time around.


Bran Van 3000 – Cum on Feel the Noize (Slade / Quiet Riot)
[Buy]
Slade had a hit in the U.K. with this rock and roll tribute to poor spelling, but it took Quiet Riot’s glammed-up cover to bring it stateside. Sadly, the subdued dance version by Montreal electronica collective Bran Van 3000 (best known for “Drinking in L.A.) didn’t have the same impact.

My Morning Jacket – Home Sweet Home (Mötley Crüe) [Buy]
After three hours of heavy rain, it was 3 a.m. and all but the most devoted fans had left My Morning Jacket’s epic Bonnaroo 2008 set. Those who remained were treated to this one-time-only Crüe cöver, with a special appearance by Zach Galfianakis (dressed as Little Orphan Annie).

The Swirling Eddies – Sing Along Song (Stryper) [Buy]
When Christian music apes a popular trend, it tends to be accused (fairly) of presenting a watered-down version of the real thing. Not Stryper. If anything, they made hair metal more outrageous with yellow and black spandex, extra makeup, and songs about Jesus. [more Christian rock covers]

The Diamond Family Archive – Here I Go Again (Whitesnake) [Buy]
DFA’s Laurence Collyer says a friend described this song as the soundtrack of his life. A lingerie-clad model splayed across a Jaguar? I wish this was what my life sounded like! [more Diamond Family Archive covers]

The Breeders – Lord of the Thighs (Aerosmith) [Buy]
In their “60 Cover Versions That Rattle the State of Song” article, The Wire wrote, “As sung by Josephine Wiggs, The Breeders’ version of Aerosmith’s ‘Lord Of The Thighs’ did as much to upend 1970s and 80s cock rock as anything in the grunge era.” A bit of an exaggeration perhaps, but still, good song.

Reel Big Fish – Nothin’ But a Good Time (Poison) [Buy]
Reel Big Fish’s 2009 covers album Fame, Fortune and Fornication took on not one, but two Poison songs (the other was “Talk Dirty to Me”). The horn part reminds me of “Disco Inferno.” [more Poison covers]

Emm Gryner – Pour Some Sugar on Me (Def Leppard) [Buy]
Girl Versions finds Gryner putting here piano chick-pop spin on songs by male songwriters from Ozzy to Fugazi. Somehow even the most unlikely choices sound like lite radio staples. [more Def Leppard covers]

Pernilla Andersson – Don’t Let Me Down (Twisted Sister) [Buy]
White taking hair metal to its natural transgendered extreme, Twisted Sister created two of the most enduring headbangers in “We’re Not Gonna Take It” and “I Wanna Rock” (each featuring a fantastic Animal House-spoofing music video). Sweden’s Pernilla Andersson makes the quiet case for one of their lesser-known tunes.

Toy Dolls – The Final Countdown (Europe) [Buy]
Someday someone will find a way to cover this song that isn’t fantastic. From Laibach’s heavy industrial to these guys’ kazoos though, I haven’t heard it yet.

The Lost Fingers – You Give Love a Bad Name (Bon Jovi) [Buy]
In 2008 the Lost Fingers gave the world Lost in the 80s, a fantastic cover album that brought everyone from AC/DC to Technotronic to a funky bluegrass hoedown. The fact that the lead singer sounds like he’s losing his voice here only adds authenticity.