There’s a great new interview on Joe Pug’s The Working Songwriter podcast with My Morning Jacket guitar god Carl Broemel. Among many other subjects, he talks about falling in love with David Rawlings’ guitar playing, and how what initially sounded like wrong notes at the beginning of “Time the Revelator” turned magical once his ears adjusted.
In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!
Gillian Welch is a yankee. There, it’s said. One would have a hard time discerning it from her mix of folk and bluegrass arrangements, but there’s a Big Apple right there on her birth certificate. So let it be noted that, when compared to some “legitimate” country music popularized and sung by those born and bred in the South, with their auto-tuned cartoonish absence of substance, an overabundance of shiny objects and pyrotechnics, and some ghastly redneck rap thrown in, it’s obvious that birthplace alone has little influence on how traditional or great country music is.