Nov 052018
 
david crosby woodstock solo

In 1969, on the advice of her manager, the folk singer Joni Mitchell opted out of playing an event dubbed “An Aquarian Exposition” in the tiny farm community of Bethel, N.Y. Had she performed, it’s possible she would have played a rain-drenched set filled with technical difficulties and tried to forget the whole thing. Instead, while watching the events unfold on TV, she was inspired to write a song that would bear the festival’s more popular name: “Woodstock.” Continue reading »

May 012018
 

That’s A Cover? explores cover songs that you may have thought were originals.

hey joe

If great songs are romantic flings—seizing you by the ears and locking you in a passionate, three-minute embrace before they leave you breathless and aching for more—there’s precious few that compare with the record-buying public’s three-year infatuation with the song “Hey, Joe.”

Hundreds of renditions have been recorded, several making the charts. But none proved more lasting than a version committed to wax in late 1966, the debut 7” by a young guitarist you may have heard of. We’ll get to his story in a moment, but first the phenomenon of multiple concurrent covers demands a little exploration. Continue reading »

Apr 122018
 

In Pick Five, great artists pick five cover songs that matter to them.

juliana hatfield covers

Juliana Hatfield is an old hat at making an unlikely song her own. Earlier this year, she made both our Best Cover Songs of January and March roundups. A couple years before that, her version of “Needle in the Hay” was a high point of a Wes Anderson tribute album. A couple years before that, she released a terrific self-titled covers album of her own. I mean, how far back do we want to go here? Hell, she even made our Best Cover Songs of 1996 list! Suffice to say, she knows how to crush a great cover.

That’s why we were so excited to hear about Juliana Hatfield Sings Olivia Newton-John, which comes out tomorrow. It more than lives up to our high expectations. Hatfield takes on hits like “Physical” alongside plenty of deep cuts that prove this is not some gimmick; she’s a genuine fan. Continue reading »

Jun 302017
 

That’s A Cover? explores cover songs that you may have thought were originals.

Come on people now
Smile on your brother
Everybody get together
Try to love one another
Right now

Wow,  that sounds naïve in today’s world, doesn’t it? Watch the news or go on social media and all we see are people screaming at each other, dividing each other and hating each other. Not to mention, why only smile on your brother? What about sisters? And the gender binary should be rejected anyway, right?

In any case, the Youngbloods‘ “Get Together” has become an easy soundtrack shorthand when referring to the optimism of the 1960s (much as Buffalo Springfield‘s “For What It’s Worth” or Crosby, Stills, Nash & Young‘s “Ohio” is used to illustrate the disillusionment and violence of that decade). You just have to hear the opening notes, and you are transported to a world of flower-festooned long hair, tie-dye, fringed vests and pot smoke. Thus, the song’s ubiquity in films, TV and advertising. 

Continue reading »

Feb 162015
 

Sweet Judy “Blue Eyes” Collins is still majestic at 75.  Judy’s new release, Both Sides Now- The Very Best Of includes 28 beautiful original songs and interpretations of legendary songs. Her first single, “Helpless”, is a Neil Young cover, and a duet with Rachael Sage. Judy has called Neil Young a master songwriter. She has been connected to Neil and the rest of Crosby, Stills, and Nash for many years.  It’s her on-again off-again romance with Stephen Stills that inspired Stills to pen the lyrics “change my life, make it right, be my lady…” on “Suite: Judy Blue Eyes”.  This was a failed attempt to get Judy back in the late ’60s. But the song was a hit in 1969 and made Rolling Stone’s 500 Greatest Songs of all Time. You can hear a Collins-Stills duet on the song “Last Thing on My Mind” (2010) on Both Sides Now.

Judy’s been an inspiration to musicians and politicians alike. Bill and Hillary Clinton named their daughter Chelsea after Judy’s rendition of Joni Mitchell’s Chelsea Hotel.

Judy has had her share of struggles; depression, alcoholism, bulimia, and the suicide of her son to name a few battles. She’s triumphed beautifully and is not at all helpless like the title of her first single.  Judy’s graceful collaboration with a very young, virtually unknown artist, Rachael Sage, on her first duet is a testament to her humble and true devotion to music.

 

To read more about Judy, click here.

Apr 192013
 

Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.

Fans of Gram Parsons are generally divided into three camps over 1999’s Return of the Grievous Angel: A Tribute to Gram Parsons. The first thinks it’s brilliant, a reverent homage to a great songwriter and a testament to the weight of his country rock influence. The second likes the raw sound of another tribute album better: 1993’s Conmemorativo: A Tribute to Gram Parsons, featuring the likes of Bob Mould and The Mekons. And the third camp feels that the only person that can sing Gram Parsons songs is Parsons himself.

If we took the philosophy of the last opinion to heart, this site wouldn’t even exist. While the so-called purists would deny any version other than the one by the original artist as being legitimate, it certainly would be a dull world if all musicians were content to color within the lines without recognizing that someone else before them drew those lines. While Conmemorativo does contain some gems, there are two reasons why Return of the Grievous Angel is better: great production values, and the guiding hand of Emmylou Harris, who worked so closely with Parsons and who served as executive producer of the compilation. So count us among the members of that first camp. Now let’s meet the man who inspired the album. Continue reading »