aeseaes – Realiti (Grimes cover)
Bandits on the Run – Back to Black (Amy Winehouse cover)
Two things strike me as I scan through our list this year. This first is that many of the highest-ranking covers are tributes to recently-deceased icons. No surprise there, I suppose. But none actually pay tribute to artists that died in 2018. They honor those we’ve been honoring for two or three years now – your Pettys, your Princes, your Bowies. Hundreds of covers of each of these legends appeared in the first days after their deaths, but many of the best posthumous covers took longer to emerge.
Good covers take time. That principle – the cover-song equivalent of the slow food movement, perhaps – holds true throughout the list. Sure, a few here appear to have arisen from sudden moments of brilliance, flash-arranged for some concert or radio promo session. But many more reveal months or even years of painstaking work to nail every element. Making someone else’s song one’s own isn’t easy. These 50 covers took the time to get it right.
– Ray Padgett, Editor-in-Chief
Start the countdown on the next page…
You probably haven’t heard of California funk duo Scary Pockets. We hadn’t either, until stumbling upon their amazing sax-jazz cover of Willy Wonka and the Chocolate Factory highlight “Pure Imagination.” But we should have. Turns out their keyboard player, Jack Conte, was half of one of YouTube’s first viral covers groups: Pomplamoose. (Conte also founded popular crowdfunding platform Patreon – needless to say, Scary Pockets has a page).
That’s the resume, but what hooked me before I discovered any of that were their new cover videos. Like a ’70s funk version of Postmodern Jukebox, Conte and his guitarist partner Ryan Lerman bring in guest singers for vintage soul takes on pop hits across the genre map. Start where I did, with a smooth jazz take on “Pure Imagination” featuring saxophonist Sam Gendel.
Ten years ago today, I had a whim.
I was studying abroad one semester and found myself with a lot of free time – school work was light, and a college student’s budget limited my international explorations – so I decided to start a blog. A second blog actually, since for several years I had run a personal blog of concert reviews and bootleg downloads called Dylan, Etc (it had more “Dylan” than it did “Etc”). I’d fallen in love with the cover song after hearing Bob Dylan (who else) play a revelatory cover of “Summertime” on his short-lived radio show. I’d already hosted a Cover Me college radio show, and decided to expand us to the World Wide Web.
These were the days of the so-called “MP3 blog,” which included a vibrant subgenre of cover-songs blogs. That’s right, I’d like to claim credit for inventing the category, but I didn’t – not even close. RIP to Copy Right?, Cover Freak, Fong Songs, and the rest of the pioneers – and shoutout to our fellow survivors from that era, Coverville, which was releasing podcasts before most people knew what that word meant, and the folk blog Cover Lay Down, which began around the same time as us.
A lot has changed over the past decade. We’ve published 3,564 posts as of this one. Oh, and did you notice the pronoun change there? Cover Me is no longer an “I” – it’s a “we”, with over 60 writers contributing over the years. We’ve grown from an ugly Blogspot to our spiffy own domain (which is overdue for a redesign itself, frankly). And in case the large banner ads all over the site weren’t clue enough, I just released a book also called Cover Me, which – back-patting alert – Variety called “one of the best multi-subject music books to come down the pike in years.”
We wanted to do something special to celebrate our tenth birthday. And we wanted to celebrate not just ourselves, but celebrate the cover song itself. So we put together this little album Cover Me Turns 10: A Covers Tribute to Covers as a gift to our readers. We contacted several dozen of our musician friends and asked them to cover a cover. That is, to honor the many great songs we might not even know without an iconic cover – Aretha Franklin reinventing Otis Redding’s “Respect,” Quiet Riot amplifying Slade’s call to feel the noize, Prince learning that nothing compares 2 Sinéad O’Connor.
We’re honored that so many of our favorite musicians contributed, and frankly speechless at how great a job they did. So speechless, in fact, that we asked them all to introduce their own work with a few sentences. A million thanks to all of them, and also to Cover Me writer and art whiz Sean Balkwill for designing the lovely – ahem – cover. The whole thing is free to download at Bandcamp until downloads run out, and free to stream forever.
Enough chatter from me. For ten years this blog has been all about celebrating the music and we’re not going to stop now. Thanks for taking this journey with us.
– Ray Padgett
Cover Me Founder
Caroline Baran is an amazingly talented 15 year old singer who made her debut on old-timey covers series Postmodern Jukebox in 2016 singing Cyndi Lauper’s “Time After Time”. She was discovered during a Postmodern Jukebox competition, and boy what a discovery. Like a young Alicia Keys, Baran possesses an understanding of music that is far beyond her years. Coupled with a voice that is both technically and musically superb, Baran is a rare young talent, as evidenced in this gorgeous rendition of Metallica’s “Nothing Else Matters”.
Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.
London’s Tom Rosenthal writes songs with titles like “Toby Carr’s Difficult Relationship With Tuna” and “Watching You Watching YouTube in the Dark.” His piano playing is less playing than painting, capturing various shades and hues with his arrangements. Here at Cover Me, we’re glad to do our part in turning his designation as “Britain’s Best Unknown Songwriter” into a thing of the past. We just choose to do it by featuring his work on other people’s songwriting.