Nov 222019
 

Come On Up To The HouseThere are several reasons why Come On up To The House: Women Sing Waits had to be more than good, not least the fact this is scarcely the first such project. Waits cover albums by individual female artists – Holly Cole and Scarlett Johansson, just as a couple f’rinstances – are already lining up in judgement and for comparison. Then there are the myriad individual covers songs scattered across the repertoire of innumerable women of note. Why, I can find ten quality female-sung versions of “The Heart of Saturday Night” at the drop of a pork pie hat.

So why should this be so? What’s the draw here? Firstly must be the innate quality of the songs, somehow inhabiting a timeless era unsullied by the insistent imprints of any one style or structure. Secondly – and I tread carefully here – Waits’ voice and arrangements aren’t overly, shall we say, to all tastes, the combination of corncrake and clatter sometimes masking the delicate beauty in some of his work, especially the later years. The female voice will often draw this closer into focus than ol’ ‘Frank’ at his wildest, silk purses from, well, you know. Finally, it is now so very long since any new, it seems timely to have a reminder of him. And maybe a prompt for his muse? Continue reading »

Aug 272019
 
women sing waits tribute

One of the best tribute albums of the 2000s was 2008’s Cinnamon Girl: Women Artists Cover Neil Young for Charity. Now there’s a sequel of sorts, albeit one produced by a different label: Come On Up To The House: Women Sing Waits.

Out November 22 on Dualtone, the album features 12 artists across generations covering Tom Waits hits and deep cuts. Personally, I’m excited to hear Phoebe Bridgers tackle “Georgia Lee” and Kat Edmonson do “You Can Never Hold Back Spring” – two songs that don’t get covered often enough. But the hits are there too: “Jersey Girl” (Corinne Bailey Rae), “Ol’ 55” (Shelby Lynne & Allison Moorer), “Hold On” (Aimee Mann), and of course “Downtown Train” (Courtney Marie Andrews). Continue reading »

Jan 312016
 

They Say It’s Your Birthday celebrates an artist’s special day with other people singing his or her songs. Let others do the work for a while. Happy birthday!

justintimberlake

Justin Timberlake shouldn’t be what he is. Starting out in a boy band doesn’t normally signal the beginning of a long career. N’Sync was, like most boy bands before them, a meteor, designed to burn hot and then disappear. But a funny thing happened: Justin Timberlake emerged out of what was left and got to work transforming himself into a star.

When N’Sync put itself on the shelf in 2002, Justin responded by putting out his first solo album, Justified. He made no secret of his ambitions, stating he’d like to pattern himself after Michael Jackson. A lofty goal, but Timberlake put the time in, touring hard and putting out danceable tunes with wide appeal. His next album, though, would put the world on notice.
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Nov 132015
 

Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

lz3

When Led Zeppelin III was released 45 years ago, it seemed destined to disappoint both the fans who wanted “Whole Lotta More Love” and the critics who weren’t all that keen on the band to begin with. Oh, sure, “Immigrant Song” was an instant hard-rock classic, and “Since I’ve Been Loving You” was blues as slow and heavy as you could hope for, but this album’s heart and soul lay with its acoustic numbers on what was then called Side Two. This wouldn’t do – hadn’t these guys already set up camp in the heavy metal slums? How dare they pretend to be other than what they were?

Of course, time has proven Zeppelin the wiser. III proved them capable of expanding their palette, showing more sides and more shades than the wannabes who were only capable of following one set of Zep’s footprints. The critics have come around, taking note of the bucolic dimension Jimmy Page and Robert Plant brought to their songwriting after a recharging stay in a quiet cottage in Wales named Bron-Yr-Aur. And the fans? Well, Led Zeppelin was never going to lose their fans.
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Jun 102015
 

Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.

Here at Cover Me Q&A, we’ll be taking questions about cover songs and giving as many different answers as we can. This will give us a chance to hold forth on covers we might not otherwise get to talk about, to give Cover Me readers a chance to learn more about individual staffers’ tastes and writing styles, and to provide an opportunity for some back-and-forth, as we’ll be taking requests (learn how to do so at feature’s end).

Today’s question, from Cover Me staffer Raphael Camara: What’s a song that’s been covered too many times?
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Apr 212011
 

In Prince’s recent Lopez Tonight appearance, he once again attacked one of his favorite targets: cover songs. “I don’t mind fans singing the songs, my problem is when the industry covers the music,” Prince told George Lopez. “You see, covering the music means your version doesn’t exist anymore. There’s this thing called the compulsory license law which allows artists to take your music at will. That doesn’t exist in any other art form – there’s only one version of Law & Order, but there are several versions of ‘Kiss’ and ‘Purple Rain.'” Continue reading »