In Prince’s recent Lopez Tonight appearance, he once again attacked one of his favorite targets: cover songs. “I don’t mind fans singing the songs, my problem is when the industry covers the music,” Prince told George Lopez. “You see, covering the music means your version doesn’t exist anymore. There’s this thing called the compulsory license law which allows artists to take your music at will. That doesn’t exist in any other art form – there’s only one version of Law & Order, but there are several versions of ‘Kiss’ and ‘Purple Rain.’” Continue reading »
Of the critically beloved UK female solo acts to impact the American music scene in the latter half of the last decade, Corinne Bailey Rae occupied the middle of the spectrum in nearly every way. While every bit as accomplished as her fellow exports, she was neither as brash as Lily Allen nor as morose as Adele, more earthly than Alison Goldfrapp and less ethereal than Duffy, not a controversial troubled auteur like Amy Winehouse nor pre-packaged pop product like Leona Lewis. Rae might be the most accessible artist of the bunch, particularly on her self-titled 2005 debut album, which earned Grammy nods for the album and singles, “Like a Star” and “Put Your Records On.” Following her husband’s sudden death from accidental overdose in early 2008, though, Rae took an indefinite hiatus from music, finally returning in early 2010 with The Sea, which displayed the singer’s artistic growth without abandoning the singer’s comfortable, if not especially adventurous, brand of mellow neo-soul.
