Oct 132010

Every Wednesday, our resident Gleek Eric Garneau gives his take on last night’s Glee covers.

Hello, Glee readers (Gleaders?)! Two important things have happened since last week’s post went up. First: Glee topped the Beatles‘ record for number of entries on the Billboard Hot 100; last week’s releases brought them up to 75 charting tracks, versus the Beatles’ paltry 71 (ironic that last week’s songs included the show’s first #1 Beatles cover, no?). We’re only four episodes into the series’ second season at this point and the show doesn’t seem to be slowing down any time soon, so I can’t imagine what Glee’s record will look like at the end.

Second, I received some feedback that readers might like me to be a little more critical in these roundups—not to tear the show apart (unless it needs it), but to call out performances that maybe weren’t great and spotlight those that were. I’m going to try that out this week and I’d like to start by retroactively saying that I find Rachel’s character insufferable this season, so when “Grilled Cheesus” delivered her singing an awful Barbra Streisand song from a movie that I’m sure would make me want to claw my eyes out, her case was not helped in the slightest. Continue reading »

Jun 212010

We last checked in with the Levi’s Pioneer Sessions a few weeks ago, but it’s kept on rolling along since. We’ve heard She & Him go ‘30s, the Swell Season go disco, Nas go rap royalty, and the Dirty Projectors go Dylan. Well it’s about time to update that list. Four new artists, four new covers. Video and audio for each below.

Jason Mraz offers the most recent submission. He brings a full gospel choir to “Spirit in the Sky,” chosen apparently for its ability to make a friend dance. As good a reason as any I suppose. Before then Columbian electro-pop band brought some south-of-the-border rhythms in a bilingual cover of “Pump Up the Jam,” which fans of a certain will remember from Space Jam. The Shins go all moody-pop on Squeeze’s “Goodbye Girl” while Colbie Caillat belts out Blondie’s “Maria.”
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