Aerosmith’s Joe Perry is no stranger to covers. During his 47-year run as lead guitarist for “America’s Greatest Rock and Roll Band,” Perry and his Aerosmith mates have taken on dozens. Not surprisingly, most, like the band itself, are rooted in R&B with a few Beatles tracks thrown in for good measure. Their long list of covers can be seen here.
For the most part, Joe’s been consistent with a similar formula both as leader of The Joe Perry Project (during two separate stints) and as a solo artist. But as we’ll see, up to and including his latest album, Sweetzerland Manifesto – released last week – one could argue that his personal choices have been a bit more adventurous…Continue reading »
Follow all our Best of 2017 coverage (along with previous year-end lists) here.
Year-end lists are a time to look back. That’s something we’ve been doing a lot of this year.
See, we turned ten years old in 2017 – practically ancient in internet-blog terms – so we’ve indulged in what we feel is well-earned nostalgia. At the beginning of the year, each of our writers picked the ten most important covers in their life (see them here and here and here and here and here and here and here and here and here and here). We even listed the ten most important covers in Cover Me‘s life, from the song that inspired the site to our very first Best of the Year winner.
Then, to cap things off, in October we commissioned a 25-track tribute to the cover song itself – which you can still download for free. We love the covers everyone contributed so much, incidentally, that we didn’t consider them for this list. It’d be like picking favorite children – if you had 25 of ’em.
Oh, and have I mentioned I wrote a book? … What’s that you say? I mentioned that constantly? Well, I’m quite proud of it. It’s called Cover Me: The Stories Behind the Greatest Cover Songs of All Time and it makes a great Christmas gift and – ok, ok, I’ll stop. You can find plenty more about it elsewhere.
Suffice to say, there’s been a lot of looking back this year. And we hope you’ll indulge us this one last glance rearward before we leap into 2018. Because if it’s been a hell of a year for us, it’s certainly also been a hell of a year for the cover song in general. Some of this year’s list ranks among the best covers we’ve ever heard, period. So dig in, and thanks for your support this past decade.
Husband and wife team Cary Ann Hearst and Michael Trent, better known as Shovels & Rope, know their way around a good cover song. We’ve shared a handful of their covers here at the site over the years, including a couple of cuts from their 2015 collection of covers, Busted Jukebox, Volume 1. From that title, it’s almost as if they knew they’d be releasing more covers at some point. Well, surprise! This week sees the release of Busted Jukebox, Volume 2, following the same format of Volume 1: a wide-range of source material reimagined with the help of some musician friends.Continue reading »
Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.
By the time he recorded Rock ‘n’ Roll, John Lennon had been through quite a lot. From the dissolution of the Beatles to the fracturing of his marriage to the ever-present threat of deportation, he clearly had a great deal weighing on him. It was during this same time that he embarked on his legendary “lost weekend” in Los Angeles while estranged from Yoko Ono. Tearing through the city with drinking pal Harry Nilsson, Lennon seemed to fully embrace his chaotic path of self-destruction. While he would eventually come around enough to bring himself out of his increasingly fraught downward spiral, there was a clear spiritual line of demarcation between what came before and what was cut tragically short just a few years later.
It is within this self-reflective/post-self-destructive climate that Lennon embarked on the sessions that would produce Rock ‘n’ Roll. Not only would it represent a return to the music that inspired him in the first place, it also served as a swan song/love letter to fans, as he would, for all intents and purposes, retire from music and the public eye for the next half decade to concentrate on being a father to his son Sean. Because of this, there’s a heavy air of nostalgia at play. From the cover image (John in 1961 Hamburg, with a blurred Paul, George, and Stu Sutcliffe walking past him) down to the track listing, Rock ‘n’ Roll represents something of a mid-life reanalysis of self for the erstwhile Beatle. By returning to his roots, he was able to reassess his own position within and feelings toward the world of pop music. Continue reading »
Last year we here at Cover Me said that we like our occasional long holiday weekends too. This year, it still goes. Enjoy some US of A-centric covers, and have a safe and happy Fourth of July celebration! Continue reading »
In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!
When you consider their longevity, the sheer number and variety of their live performances, and influences as diverse as bluegrass, country, soul, rock, psychedelia, blues, and jazz, it is likely that the Grateful Dead may have recorded and/or performed more covers than any other band that is best known for its original songs. (There’s probably a wedding band out there that has a bigger songbook, but that’s not really the point.) Grateful Dead fans have been trading and cataloging their favorite band’s performances since long before the idea of digital music and the Internet even existed, and now there are numerous databases available online — one of which shows 343 separate covers performed by the band (and solo projects and offshoots), including soundchecks and performances with guests.
Therefore, it is somewhat surprising that Cover Me has never turned its lovelight directly on the Grateful Dead. We have written numerous times about covers of Dead songs, but a quick review of the archives indicates that only three covers by the band have been featured—Bob Dylan’s “Desolation Row” and Merle Haggard’s “Okie From Muskogee” and “Mama Tried.” So, that leaves us a mere 340 to choose from today. To make this project (inspired in part by Phil Lesh’s 75th birthday this Sunday and by the recent announcement of the band’s 50th anniversary shows in Chicago this summer) somewhat less insane, we will limit ourselves only to recordings or performances by the Grateful Dead, proper — no solo projects or anything from after the death of Jerry Garcia. Continue reading »