Sep 132019
 

Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

Oh Mercy

Oh Mercy characteristically pops up in lists of later Dylan records deemed decent. Sure, everything he produces is briefly heralded as a return to form – if, that is, he has written any of the songs, which takes away anything really recent – but a couple of listens and most are back down in the crate alongside Shot of Love and Planet Waves. But Oh Mercy has stuck, at least with me, arguably hindered no little by the typically crickets and crayfish production of Daniel Lanois. So, then, guess, how old is it? Ten, fifteen years? Nope. Thirty years. As in, THIRTY YEARS!!! How can that be, it’s half a life, well half mine, but, there you have it, it is.
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Oct 102012
 

Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

The importance of Neil Young‘s 1977 career retrospective Decade, released thirty-five years ago this month, cannot be overstated. It served to establish Young as a major artist in the canon of rock, and was so full of transcendent moments that it needed three albums to hold them all. It offered unreleased tracks at a time when that Just Wasn’t Done, and the quality of those tracks conveyed the impression that Young wrote so many masterpieces he could afford to keep most of them locked away. It gave real insight to the creative process, with Young’s handwritten liner notes saying more in three lines than his critics could in three paragraphs. Its summing up a career with hits, rarities, and deep cuts selected by Young himself made it a sort of Mesozoic box set, one whose template wouldn’t be followed for years but is now de rigueur. Most of all, it’s a way to get some of the greatest music of the ’60s and ’70s in one place – and since Young’s range is so great, there’s always something on it that you’re in the mood to hear. Continue reading »