As you may have heard, this year marks the 50th birthday of the Beatles’ seminal album Revolver. We already put together our own tribute album, but the celebration continued this past weekend with another set of covers. For his radio show, Howard Stern collected all-new recordings of every track by some serious heavy hitters, from vets like James Taylor and Cheap Trick to newer buzz bands like Nathaniel Rateliff & The Night Sweats and Milk Carton Kids. And we’ve got every song below.
Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.
Here at Cover Me Q&A, we’ll be taking questions about cover songs and giving as many different answers as we can. This will give us a chance to hold forth on covers we might not otherwise get to talk about, to give Cover Me readers a chance to learn more about individual staffers’ tastes and writing styles, and to provide an opportunity for some back-and-forth, as we’ll be taking requests (learn how to do so at feature’s end).
Today’s question: What’s a favorite country & western cover of a non-country & western song?
Who is Mike Doughty? The ex-frontman of Soul Coughing? An acoustic singer/songwriter? An acclaimed poet and writer? The latest offering from Mr. Doughty, whoever he may be, is The Flip Is Another Honey, a smattering of cover tunes ranging from John Denver to Cheap Trick to Guys and Dolls. And, as you may expect, Doughty will break some rules.
Mike Doughty, who first found fame in the mid-90’s with his alt-rock outfit Soul Coughing and has been a solo act since 2000, announced last week that his next album will be comprised of nothing but covers. The Flip is Another Honey, due out November 6th, has a tracklist covering commonplace songs (“Take Me Home, Country Roads” by John Denver, “Southern Girls” by Cheap Trick) and lesser-known tracks (“Boy + Angel” by Doveman, “Ta Douleur” by Camille, “Mistress” by Red House Painters).
Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.
When Cheap Trick were getting ready to record In Color, their second album, they had a backlog of great material to choose from. One song had just missed the cut on their first album (which was a shame, as it blistered), and now they were ready to bring it to the world. But producer Tom Werman wanted to emphasize Cheap Trick’s melodicism, and while In Color won a lot of well-deserved plaudits, their rerecording of that great gem twinkled more than it stomped, and it lost all its muscle in the process. Then they traveled halfway around the world to an arena in downtown Tokyo, where Robin Zander pointed at thousands of screaming Japanese girls and informed them, “I want… YOU… to want… ME.” The song blasted back across the ocean and into Billboard‘s top ten, and ever since then “I Want You To Want Me” has been a part of the world’s immortal soundtrack, a song that you’ve somehow always known.