That’s A Cover? explores cover songs that you may have thought were originals.
If you’re a fan of power pop – roughly speaking, the place where early rock n’ roll, ‘60s bubblegum, and the British Invasion converge – then Blondie probably ranks high on your list of faves. Refracting modern rock through multiple lenses – ’50s pop, ’60s girl groups and ’70s punk, to name a few – the band sucked you in with clever, poppy melodies while maintaining a distance sharpened by dark, ironic humor.
If it doesn’t quite represent their commercial peak, the band’s 1978 album Parallel Lines is without much doubt their finest work, crashing out of the gate with “Hanging on the Telephone,” a near-perfect snapshot of illicit romance and sexual frustration, come and gone in 2 minutes 17 seconds.Continue reading »
Follow all our Best of 2017 coverage (along with previous year-end lists) here.
Year-end lists are a time to look back. That’s something we’ve been doing a lot of this year.
See, we turned ten years old in 2017 – practically ancient in internet-blog terms – so we’ve indulged in what we feel is well-earned nostalgia. At the beginning of the year, each of our writers picked the ten most important covers in their life (see them here and here and here and here and here and here and here and here and here and here). We even listed the ten most important covers in Cover Me‘s life, from the song that inspired the site to our very first Best of the Year winner.
Then, to cap things off, in October we commissioned a 25-track tribute to the cover song itself – which you can still download for free. We love the covers everyone contributed so much, incidentally, that we didn’t consider them for this list. It’d be like picking favorite children – if you had 25 of ’em.
Oh, and have I mentioned I wrote a book? … What’s that you say? I mentioned that constantly? Well, I’m quite proud of it. It’s called Cover Me: The Stories Behind the Greatest Cover Songs of All Time and it makes a great Christmas gift and – ok, ok, I’ll stop. You can find plenty more about it elsewhere.
Suffice to say, there’s been a lot of looking back this year. And we hope you’ll indulge us this one last glance rearward before we leap into 2018. Because if it’s been a hell of a year for us, it’s certainly also been a hell of a year for the cover song in general. Some of this year’s list ranks among the best covers we’ve ever heard, period. So dig in, and thanks for your support this past decade.
The National have been covering regionally-appropriate songs on many of their tour stops: New Order in Manchester, Queen in London, etc. When I saw them in Queens last month, they played the Ramones’ “The KKK Took My Baby Away,” joking that Joey Ramone wrote it after his Queens neighbor Donald Trump stole his girlfriend. It was a blast to watch, but the shaky cell phone videos that surfaced didn’t quite live up to the live experience.
Luckily, the National have kept the song in their setlists (complete with the Trump joke). They tagged it onto the end of their recent KCRW Morning Becomes Eclectic performance – so now we finally have good video. “This is a true story,” Matt Berninger deadpans.Continue reading »
We’ll be honest: 1996 was not some magical, pioneering year for cover songs. It was also not a terrible year. It was just, you know, another year. There’s no overarching theorem of 1996’s cover songs that wasn’t true in ’95 or ’97. But even so, Cover Me wasn’t around in 1996, so we never made a Best Cover Songs of 1996 list (our first year-end list came in 2009, with the Kings of Convenience’s “It’s My Party” topping it, and you can catch up on all the lists here). So we decided, before the year ends and we take our look at the best covers songs this year, why not take a nostalgic rewind and do 1996 just for fun, twenty years too late.Continue reading »
Some covers are more equal than others. Good, Better, Best looks at three covers and decides who takes home the gold, the silver, and the bronze.
Because I decided to fight for what was rightfully and legally mine, a full album that I recorded was never released. I’m not being paid, nor have I ever been paid, as an artist for “Sea of Love.” I never received justice and to this day have not received justice. – Phil Phillips
The author of “Sea of Love,” John Phillip Batiste (he Anglicized it for the benefit of non-French-speaking DJs), got more pain than joy from his big hit. Written to woo a girl he didn’t wind up with, co-credited to a record store owner who Phillips claims had no hand in writing it, the original “Sea of Love” went to number one in 1959, but only earned its author $6800. His album was permanently shelved after the label got in a dispute with the record store owner, and Phillips was unable to get out from under his five-year contract; by 1964, Beatlemania had hit and Phillips’ time in the spotlight was over.
Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.
Indeed, who knows, it being all of 45 years since this song first graced any an ear. For many, their first encounter with “Who Knows Where the Time Goes?” happened thanks to the Judy Collins version; many others were introduced via the Fairport Convention version, which of course included Sandy Denny as lead vocalist. But she actually first recorded the song with her earlier group, the Strawbs. (I’m choosing to ignore the lyrical shift from morning sky to evening sky to purple sky.) Folk will vie with each other as to which is the true “original”, and Sandy is no longer, these thirty-odd years, able to adjudicate. I dare say there is even an as-yet-discovered demo knocking around, Sandy solo, but so much of her vault has been plundered that maybe I’m wrong. (And, of course, I am! And it is definitely purple!) Continue reading »