William Elliott Whitmore is 40, but he has always sounded like a much older man, with a deep, soulful voice that gives everything he sings a certain gravitas. Think Tom Waits, Leonard Cohen, or late Dylan, or most of all, Johnny Cash at his most apocalyptic. If Whitmore sang “Don’t Worry, Be Happy,” you’d still worry, and probably be unhappy. I first heard Whitmore in 2006, opening for Lucero, at the Bowery Ballroom in New York, and was immediately transfixed by his timeless voice, dark songs, austere banjo, guitar and foot stomping accompaniment, and intense performance.
Born and raised on a 150-acre farm in southeastern Iowa, which he inherited from his parents and still owns, Whitmore grew up singing and playing guitar and banjo, with musical influences that started with country and moved toward punk as he got older. At a certain point, though, Whitmore realized that he needed to focus on the folky, rustic, blues music that he grew up on–but with a punk edge.
So when Bloodshot Records released Kilonova, an album of covers of (mostly) lesser known songs from many musical eras, the question was, how would such a distinctive artist put his stamp on this block of diverse songs? “Diverse” barely begins to tell the story–artists range from Dock Boggs, to Johnny Cash, to the Magnetic Fields to Bad Religion.
In short, the answer is, remarkably well.